Richard Morris

Hila Colman

Thoroughly Modern Millie. Original Story and Screenplay by Richard Morris. Novelization by Hila Colman

A Crown for Gina

Melanie believes that one day she and her lifelong friend Paul will marry, but her youthful dream is crushed when Paul reveals that he is gay.

Happily Ever After

Hanging on

After finding out the truth about her absent father, a twelve-year-old girl learns about the difficult choices people must sometimes make.

Tell Me No Lies

Angela, a sixteen-year-old girl from a poor neighborhood in New York City, learns not to judge people by their socio-economic class after she reluctantly accepts a scholarship to a fancy boarding school.

The Double Life of Angela Jones

The Dobson family seems to be coming apart as anger becomes the prevailing emotion between father and daughter and husband and wife.

What's the Matter with the Dobsons?

Seven years after her mother dies, 17-year-old Ellie Levine learns her mother left a will, never executed, which could relieve the poverty existence of Ellie and her father during the Depression.

Rachel's Legacy

Sixteen-year-old Alix Angeli, who has led a cultured and sheltered life, sees a way out of her ivory tower when a motorcycle-riding high-school dropout and his family move in next door. Reprint.

Nobody Told Me What I Need to Know

When Paul is wrongly accused of stealing bagels intended for an art project in his classroom, he sets out to find the real culprit.

The Case of the Stolen Bagels

When spirited but often-ignored Kelly discovers that her "perfect" older brother is a thief, she finally speaks out and forces her family to face their deeper problems.

Forgotten Girl

The overprivileged, lonely daughter of a famous and popular singer seeks to find her own identity through friendship with a street lady.

Rich and Famous Like My Mom

Une suite de ##Journal d'une soeur cadette## du même auteur. Christine vit douloureusement la situation familiale alourdie par des problèmes de relation et de communication père-mère, enfants-enfants. Au plan de vie personnelle, c'est l'éveil des premiers émois amoureux, la déception de l'amitié trahie, la souffrance d'être traitée comme un enfant. Christine conscientise avec justesse et un esprit positif ce qu'elle vit avec elle-même et avec l'entourage. Des situations réalistes décrites dans une langue familière et accessible aux adolescents.

Je ne suis plus une enfant

Seventeen-year-old Rachel lands a job as a script girl on a movie being filmed in Mexico.

Hila Colman

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