Hiromi Itō

The first novel to appear in English by award-winning author Hiromi Itō explores the absurdities, complexities, and challenges experienced by a woman caring for her two families: her husband and daughters in California and her aging parents in Japan. As the narrator shuttles back and forth between these two starkly different cultures, she creates a powerful and entertaining narrative about what it means to live and die in a globalized society.

Ito has been described as a “shaman of poetry” because of her skill in allowing the voices of others to flow through her. Here she enriches her semi-autobiographical novel by channeling myriad voices drawn from Japanese folklore, poetry, literature, and pop culture. The result is a generic chimera—part poetry, part prose, part epic—a unique, transnational, polyvocal mode of storytelling. One throughline is a series of memories associated with the Buddhist bodhisattva Jizo, who helps to remove the “thorns” of human suffering.

The Thorn Puller

Poetry. Asian & Asian American Studies. Women's Studies. Translated from the Japanese by Jeffrey Angles. Set simultaneously in the California desert and her native Japan, tracking migrant children who may or may not be human, or alive, Hiromi Itō's WILD GRASS ON THE RIVERBANK will plunge you into dreamlike landscapes of volatile proliferation: shape-shifting mothers, living father-corpses, and pervasively odd vegetation. At once grotesque and vertiginous, Itō interweaves mythologies, language, sexuality, and place into a genre-busting narrative of what it is to be a migrant.

Wild Grass on the Riverbank

Poetry. East Asian Studies. Translated from the Japanese by Jeffrey Angles. "I want to get rid of Kanoko/I want to get rid of filthy little Kanoko/I want to get rid of or kill Kanoko who bites off my nipples." "KILLING KANOKO is a powerful, long-overdue collection (in fine translation) of poetry from the radical Japanese feminist poet, Hiromi Ito. Her poems reverberate with sexual candor, the exigencies and delights of the paradoxically restless/rooted female body, and the visceral imagery of childbirth leap off the page as performative modal structures—fierce, witty, and vibrant. Hiromi is a true sister of the Beats"—Anne Waldman.

Selected Poems of Hiromi Itō

Killing Kanoko

Aoume

Jerome Rothenberg

The Revival of the Art of Hunger

I Am Anjuhimeko

Da ist der kränkelnde, dreißig Jahre ältere Ehemann, ein jüdischer Künstler, da sind die drei Töchter mit Essstörungen und Pubertätssorgen, die kranken Eltern, und das Ganze im ständigen Hin und Her zwischen Kalifornien und Japan, wo die Autorin eine berühmte Dichterin ist. Der Alltag einer Frau, die alle Mühe hat, ihre Rollen als einzige Tochter, als Ehefrau und Mutter, als Schriftstellerin und als Intellektuelle auszubalancieren. Ein Leben voller Energie und Nachdenklichkeit, ein Leben zwischen den Kulturen, Generationen, dem vertrauten Gestern und dem lebendigen Heute. Eindringliche Stimmungen und kompakte Naturschilderungen wechseln sich ab mit absurden Situationen. Davon berichtet Hiromi Ito in ihrem ganz eigenen, stark vom mündlichen Erzählen geprägten Ton, mit Anklängen an Märchen, buddhistische Legenden, Literatur aus Ost und West, bis hin zu moderner Lyrik, Rap und Werbeslogans. Kein Wunder, dass Japans bekannteste Frauenaktivistin, die Soziologin Chizuko Ueno, in ihrem Nachwort zum Roman schrieb: "In der Sackgasse? Da hilft nur eins – Hiromi Ito!"

Hiromi Itō

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