Howard Erskine-Hill

Professor of Literary History Faculty of English Howard Erskine-Hill

This is a major study of the relation between poetry and politics from the 1688 Revolution to the early years of the nineteenth century, focusing in particular on the works of Dryden, Pope, Johnson, and Wordsworth. Building on his argument in Poetry and the Realm of Politics: Shakespeare to Dryden (also available from OUP), Erskine-Hill argues that the major tradition of political allusion is not, as has often been argued, that of political allegory and overtly political poems, but rather a more shifting and less systematic practice, often involving equivocal or multiple reference.

Dryden to Wordsworth

Poetry of Opposition and Revolution

Richard A. McCabe

The presentation of poetry to auditor and reader from the sixteenth to the twentieth centuries.

Composition, Publication, Reception

Presenting Poetry

J. Clark

A major academic controversy has raged in recent years over the analysis of the political and religious commitments of Samuel Johnson, the most commanding of the 'commanding heights' of eighteenth-century English letters. This book, one of a trilogy from Palgrave, brings that debate to a decisive conclusion, retrieving the 'historic Johnson.'

The Interpretation of Samuel Johnson

Howard Erskine-Hill argues that the major tradition of political allusion is not, as has often been argued, that of the political allegory of Dryden's Absalom and Architophel, and other overtly political poems, but rather a more shifting and less systematic practice, often involving equivocal or multiple reference. Drawing on the revisionist trend in recent historiography, and taking issue with recent New Historicist criticism, the book offers new and thought-provoking readings of familiar texts.

Shakespeare to Dryden

Poetry and the Realm of Politics

Providing a original impartial account of the world-famous satire, this new critical introduction to Gulliver's Travels presents Swift's work in its historical and literary context, and explores its allusions, four-part structure, narrative strategy and prose style.

Howard Erskine-Hill

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