Iain Reid

You will be scared. But you won t know why In this deeply suspenseful and irresistibly unnerving debut novel, a man and his girlfriend are on their way to a secluded farm. What follows is a twisted unraveling and an unforgettable ending that will haunt you long after the last page is turned. Jake and a woman known only as The Girlfriend are taking a long drive to meet his parents at their secluded farm. But when Jake takes a sudden detour, leaving The Girlfriend stranded at a deserted high school, the story transforms into a twisted combination of the darkest unease, psychological frailty, and a look into the limitations of solitude. With remarkable, masterful skill, Iain Reid builds a plot that steadily crescendos into a harrowing ending one that will have you at the edge of your seats and one that you will never see coming. Reminiscent of Jose Saramago s early work, Michel Faber s cult classic Under the Skin, and Lionel Shriver s We Need to Talk About Kevin, I m Thinking of Ending Things is an edgy, haunting debut. Tense, gripping, and atmospheric, this novel will pull you in from the very first page and will never let you go.

I'm thinking of ending things

Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.”

Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny—with a growing sense of unrest and distrust—starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling?

At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.

We Spread

Iain Reid Paintings

William Barclay

Seven Discussions Between William Barclay and Iain Reid

Arguing about Christianity

Paul Trevillion

Gary Player

Gary Player's golf class ... Script by Iain Reid. Drawings by Paul Trevillion, etc. (The first 100 lessons from the Sunday Express world-famous strip cartoon.).

Iain Reid

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