Ian Buruma

A classic memoir of self-invention in a strange land: Ian Buruma's unflinching account of his amazing journey into the heart of Tokyo's underground culture as a young man in the 1970's When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middleclass youth, what he longed for wasn't so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris. One particular theater troupe, directed by a poet of runaways, outsiders, and eccentrics, was especially alluring, more than a little frightening, and completely unforgettable. If Tokyo was anything like his plays, Buruma knew that he had to join the circus as soon as possible. Tokyo was an astonishment. Buruma found a feverish and surreal metropolis where nothing was understated--neon lights, crimson lanterns, Japanese pop, advertising jingles, and cabarets. He encountered a city in the midst of an economic boom where everything seemed new, aside from the isolated temple or shrine that had survived the firestorms and earthquakes that had levelled the city during the past century. History remained in fragments: the shapes of wounded World War II veterans in white kimonos, murky old bars that Mishima had cruised in, and the narrow alleys where street girls had once flitted. Buruma's Tokyo, though, was a city engaged in a radical transformation. And through his adventures in the world of avant garde theater, his encounters with carnival acts, fashion photographers, and moments on-set with Akira Kurosawa, Buruma underwent a radical transformation of his own. For an outsider, unattached to the cultural burdens placed on the Japanese, this was a place to be truly free. A Tokyo Romance is a portrait of a young artist and the fantastical city that shaped him. With his signature acuity, Ian Buruma brilliantly captures the historical tensions between east and west, the cultural excitement of 1970s Tokyo, and the dilemma of the gaijin in Japanese society, free, yet always on the outside. The result is a timeless story about the desire to transgress boundaries: cultural, artistic, and sexual.

A Memoir

A Tokyo Romance

Ian Buruma makes sense of the most fateful span of Japan's history, the period that saw as dramatic a transformation as any country has ever known. In the course of little more than a hundred years from the day Commodore Matthew Perry arrived in his black

1853-1964

Inventing Japan

"A family history of surpassing beauty and power: Ian Buruma's account of his grandparents' enduring love through the terror and separation of two world wars. During the almost six years England was at war with Nazi Germany, Winifred and Bernard Schlesinger, Ian Buruma's grandparents, and the film director John Schlesinger's parents, were, like so many others, thoroughly sundered from each other. Their only recourse was to write letters back and forth. And write they did, often every day. In a way they were just picking up where they left off in 1918, at the end of their first long separation because of the Great War that swept Bernard away to some of Europe's bloodiest battlefields. The thousands of letters between them were part of an inheritance that ultimately came into the hands of their grandson, Ian Buruma. Now, in a labor of love that is also a powerful act of artistic creation, Ian Buruma has woven his own voice in with theirs to provide the context and counterpoint necessary to bring to life, not just a remarkable marriage, but a class, and an age. Winifred and Bernard inherited the high European cultural ideals and attitudes that came of being born into prosperous German-Jewish emigre families. To young Ian, who would visit from Holland every Christmas, they seemed the very essence of England, their spacious Berkshire estate the model of genteel English country life at its most pleasant and refined. It wasn't until years later that he discovered how much more there was to the story. At its heart, Their Promised Land is the story of cultural assimilation. The Schlesingers were very British in the way their relatives in Germany were very German, until Hitler destroyed that option. The problems of being Jewish and facing anti-Semitism even in the country they loved were met with a kind of stoic discretion. But they showed solidarity when it mattered most. As the shadows of war lengthened again, the Schlesingers mounted a remarkable effort, which Ian Buruma describes movingly, to rescue twelve Jewish children from the Nazis and see to their upkeep in England. Many are the books that do bad marriages justice; precious few books take readers inside a good marriage. In Their Promised Land, Buruma has done just that; introducing us to a couple whose love was sustaining through the darkest hours of the century"--

my grandparents in love and war

Their promised land

A history professor describes the events during the year World War II ended, beginning a new era of prosperity in America, rebirth and rebuilding in Europe, and the start of the Cold War era.

A History of 1945

Year Zero

The Curse of Being Special, from Winston and FDR to Trump and Brexit

Churchill Complex

The Death of Theo van Gogh and the Limits of Tolerance

Murder in Amsterdam

Between the early 1930s and 1945, a European country and an East Asian country embarked on the most destructive colonial adventure the world has ever seen, and committed atrocities which the victims and their children have never been able to forget. This book explores the ways in which the Germans and the Japanese have come to terms with the past, and investigates the painful realities of living with guilt - and of denying it.

Memories of War in Germany and Japan

The Wages of Guilt

Avishai Margalit

Looks at the stereotypes and misunderstandings about the Western world that ignite anti-Western political movements, tracing the roots and evolution and examining why they have found a ready host in the Islamic world.

The West in the Eyes of Its Enemies

Occidentalism

Freedom's Messiah

Spinoza

náboženství a demokracie na třech kontinentech

Krocení bohů

Collaborators

It was an emblematic crime: on a November day in Amsterdam, an angry young Muslim man shot and killed the Dutch filmmaker Theo van Gogh, iconic European provocateur, for making a movie with the anti-Islam politician Ayaan Hersi Ali. After shooting van Gogh, Mohammed Bouyeri calmly stood over the body and cut his throat with a curved machete. The murder horrified quiet, complacent Holland – a country that prides itself on being a bastion of tolerance – and sent shock waves around the world. In Murder in Amsterdam, Ian Buruma describes what he found when he returned to his native country to try and make sense of van Gogh's death. The result is Buruma's masterpiece: a brave and rigorous study of conflict in our time, with the intimacy and control of a true-crime page-turner.

The Death of Theo Van Gogh and the Limits of Tolerance

Ian Buruma's unflinching account of his journey into the heart of Tokyo's underground culture as a young man in the 1970s.

a novel

The China lover

الاستغراب

Buruma's prismatic, fascinating first novel is a portrait of Ranji, the cricket player who was "not simply the greatest cricketer of all time, but a fairy tale prince . . . so famous that children sang songs about him, and grown men wept when they saw him play." Buruma weaves the adventures of an unnamed narrator together with a (fictional) undiscovered memoir of Ranji to create a witty and reverbatory meditation on England, India and the post-colonial sense of self.

Playing the Game

Winner of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Ian Buruma is fascinated, he writes, “by what makes the human species behave atrociously.” In Theater of Cruelty the acclaimed author of The Wages of Guilt and Year Zero: A History of 1945 once again turns to World War II to explore that question—to the Nazi occupation of Paris, the Allied bombing of German cities, the international controversies over Anne Frank’s diaries, Japan’s militarist intellectuals and its kamikaze pilots. One way that people respond to power and cruelty, Buruma argues, is through art, and the art that most interests him reveals the dark impulses beneath the veneer of civilized behavior. This is what draws him to German and Japanese artists such as Max Beckmann, George Grosz, Ernst Ludwig Kirchner, Mishima Yukio, and Yokoo Tadanori, as well as to filmmakers such as Werner Herzog, Rainer Werner Fassbinder, Kurosawa Kiyoshi, and Hans-Jürgen Syberberg. All were affected by fascism and its terrible consequences; all “looked into the abyss and made art of what they saw.” Whether he is writing in this wide-ranging collection about war, artists, or film—or about David Bowie’s music, R. Crumb’s drawings, the Palestinians of the West Bank, or Asian theme parks—Ian Buruma brings sympathetic historical insight and shrewd aesthetic judgment to understanding the diverse ways that people deal with violence and cruelty in life and in art. Theater of Cruelty includes eight pages of color and black & white images.

Art, Film, and the Shadows of War

Theater of Cruelty

Jodi Cobb

Looks inside the private world of the geisha to capture this unique icon of Japanese traditional culture, following the geisha's training, preparation for a performance, and role in Japanese society

The Life, the Voices, the Art

Geisha

Hiding her Japanese identity in U.S.-occupied Tokyo while performing as a Chinese beauty in censor-approved films, Yamaguchi Yoshiko moves to America, where she eventually marries a promising Japanese diplomat and becomes an influential television personality and politician. 30,000 first printing.

The China Lover

Beschrijving van de achtergronden van de moord op Theo van Gogh op 2 november 2004 en de weerslag die dit heeft op de Nederlandse samenleving.

Ian Buruma

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