Will Ferguson

Ian Ferguson

I Only Read Murder

It isn’t always easy being Canadian, according to Will Ferguson, but it can be a lot of fun. Asked to write a follow-up to his runaway bestseller Why I Hate Canadians, Ferguson, who’s Canadian himself, recruited his brother Ian -- comedy writer and executive producer of the Canadian series Sin City and a Canadian too -- to create this ultimate guide to the country's cultural quirks. The result is a hilarious inside look at that unique species, the Canadian, and their thoughts on such diverse subjects as beer, sex, dating rituals, sports, politics, religion, social rules -- and, of course, their trademark death-defying search for the middle of any road.

How to be a Canadian, Even If You Already are One

A Novel

Mystery in the Title

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Magic and Medicine

Sadanandan Nambiar

There is no question that the timber industry needs to adopt sustainable practices that ensure a future for the industry. This book goes well beyond simply growing commercial tree plantations for wood production. It explores new forests that can supply environmental services such as salinity mitigation and carbon sequestration together with commercial wood production in an environment beyond the boundaries of traditional forestry. New Forests targets agricultural landscapes affected by salinity and which generally have rainfall less than 650 mm per year. The book addresses vital issues such as where tree planting might best be pursued, what species and technologies should be used for establishment and later management, how productivity can be improved, what mix of environmental services and commercial goods is optimum, and whether the likely net benefits justify the change in land use and requisite investment. While the book is focussed on the low-rainfall, agricultural, inland zone of the Murray-Darling Basin wherever possible the scope of most chapters has been expanded to synthesise generic information applicable to other regions in Australia and elsewhere. The authors provide a comprehensive account of all the issues relevant to the development of these new forests, covering soils, the bio-physical environment, water use and irrigation strategies - including the use of wastewater, silviculture, pests and diseases, wood quality and products, and economics and policy implications.

Wood Production and Environmental Services

New Forests

In 1959, just one step ahead of the law, Ian Ferguson’s parents left the sophisticated big-city life of Edmonton and ended up in Fort Vermilion, 846 km due north. It was meant to be a temporary move. Ian’s father lasted ten years before he made his escape; his mother remained until recently. Fort Vermilion, once a fur-trapping frontier town, was predominantly aboriginal, the third poorest community in Canada. Like their neighbours, the Ferguson kids—Ian and his six brothers and sisters—grew up without indoor plumbing, central heating or electricity. Living closer to the Arctic Circle than to the American border, without the influences of television or radio, Canada was a dream to them, as faraway and exotic as England or Australia. Beginning with the dramatic events surrounding his birth—including a paddlewheel ferry heading for destruction, a legendary rowboat trip, and a life-and-death race against time—Ferguson moves on to recreate adventures involving loophole ceremonies, life-saving encounters with indigenous medicines, tea dances, stolen hockey sticks and a boy lost in the woods. Funny with sad bits–and sometimes the other way around—The Village of Small Houses is an unforgettable story that lives, as Ferguson says, somewhere between Angela’s Ashes and Who Has Seen the Wind.

Ian Ferguson

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