Igor Štiks

Een succesvolle auteur heeft zijn hele carrière lang geprobeerd om zich via zijn proza te onttrekken aan het beschamende fascistische verleden van zijn vader.

De stoel van Elijah

Dalibor Šimpraga

antologija nove hrvatske proze 90-ih

22 u hladu

Jo Shaw

This book is the first comprehensive examination of the citizenship regimes of the new states that emerged out of the break up of Yugoslavia. It covers both the states that emerged out of the initial disintegration across 1991 and 1992 (Slovenia, Croatia, Bosnia-Herzegovina, the Federal Republic of Yugoslavia and Macedonia), as well as those that have been formed recently through subsequent partitions (Serbia, Montenegro and Kosovo). While citizenship has often been used as a tool of ethnic engineering to reinforce the position of the titular majority in many states, in other cases citizenship laws and practices have been liberalised as part of a wider political settlement intended to include minority communities more effectively in the political process. Meanwhile, frequent (re)definitions of these increasingly overlapping regimes still provoke conflicts among post-Yugoslav states. This volume shows how important it is for the field of citizenship studies to take into account the main changes in and varieties of citizenship regimes in the post-Yugoslav states, as a particular case of new state citizenship. At the same time, it seeks to show scholars of (post) Yugoslavia and the wider Balkans that the Yugoslav crisis, disintegration and wars as well as the current functioning of the new and old Balkan states, together with the process of their integration into the EU, cannot be fully understood without a deeper understanding of their citizenship regimes. This book was originally published as a special issue of Citizenship Studies.

Citizenship after Yugoslavia

Alternating between Renaissance Italy and Yugoslavia during the time of Tito, this novel tells two tales of love, intrigue, and betrayal. It is the summer of 1995, the war in Bosnia is raging, and the young Bosnian narrator is taking a tour of an Italian Renaissance castle. He soon finds himself caught up in the two tales of passion and intrigue that his Franciscan guide, a refugee like himself, relates. One is the story of Enzo Strecci, a Renaissance poet from Lombardy who has the ill fortune of falling in love with the wife of Francesco Mardi, his host and protector during a time of Hapsburg incursions and espionage. The other is the story of the Franciscan's own ill-fated passion for the local Communist police commander's daughter during Tito's rupture with Stalinism. Between Rimini, Italy, in 1535 and the Croatian island of Rab in 1948, lives and fates become intertwined, history repeats itself, and nostalgia for home proves itself to be bittersweet.

Igor Štiks

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