Gioconda Belli

Ileana Rodríguez

poesía moderna

Looks to the criminality and violence of Latin America to assess the discord between liberalism in theory and practice, and thus how liberalism might be exhausted in relation to local conditions not reconcilable to its core tenants.

Crime and Terror in the Latin American Cultural Text

Liberalism at Its Limits

"The 14 chapters posit a regendering of revolutionary poetics, which is accomplished by reworking concepts such as '(new)man,' 'woman,' and 'subaltern.' The predictability of Rodrâiguez's arguments and dated historical referents do not detract from solidanalyses, like those in chapter eight regarding Mario Roberto Morales' 'El esplendor de la pirâamide' and those in the next chapter on Oreamuno's 'La ruta de su evasiâon.' The author focuses on her strength - narratives from Cuba and her native Nicaragua"--Handbook of Latin American Studies, v. 58.

understanding war in Central America

Women, guerrillas, and love [electronic resource]

How ironic, the author thought on learning of the Sandinista’s electoral defeat, that at its death the Revolutionary State left Woman, Violeta Chamorro, located at the center. The election signaled the end of one transition and the beginning of another, with Woman somewhere on the border between the neo-liberal and marxist projects. It is such transitions that Ileana Rodríguez takes up here, unraveling their weave of gender, ethnicity, and nation as it is revealed in literature written by women. In House/Garden/Nation the narratives of five Centro-Caribbean writers illustrate these times of transition: Dulce María Loynáz, from colonial rule to independence in Cuba; Jean Rhys, from colony to commonwealth in Dominica; Simone Schwarz-Bart, from slave to free labor in Guadeloupe; Gioconda Belli, from oligarchic capitalism to social democratic socialism in Nicaragua; and Teresa de la Parra, from independence to modernity in Venezuela. Focusing on the nation as garden, hacienda, or plantation, Rodríguez shows us these writers debating the predicament of women under nation formation from within the confines of marriage and home. In reading these post-colonial literatures by women facing the crisis of transition, this study highlights urgent questions of destitution, migration, exile, and inexperience, but also networks of value allotted to women: beauty, clothing, love. As a counterpoint on issues of legality, policy, and marriage, Rodriguez includes a chapter on male writers: José Eustacio Rivera, Omar Cabezas, and Romulo Gallegos. Her work presents a sobering picture of women at a crossroads, continually circumscribed by history and culture, writing their way.

Space, Gender, and Ethnicity in Post-Colonial Latin American Literatures by Women

House/Garden/Nation

Josebe Martínez

Este volumen inaugura el proyecto editorial Estudios Transatlánticos Postcoloniales. En él se introduce al lector en un debate de campo hasta hoy ignorado en nuestros entornos académicos. El volumen abre con los desencuentros, desorientaciones, sueños de los primeros españoles llegados a esa extrema dura, mundos donde para ellos todo era nuevo. América es la primera instancia de cómo el ímpetu empresarial, al toparse con obstáculos infranqueables, utiliza las armas de destrucción que desforman jurisdicciones territoriales, retuercen tradiciones culturales, desenraízan poblaciones y desgarran el mismo tejido humano.

Estudios transatlánticos postcoloniales

Mónica Szurmuk

The Cambridge History of Latin American Women's Literature is an essential resource for anyone interested in the development of women's writing in Latin America. Ambitious in scope, it explores women's literature from ancient indigenous cultures to the beginning of the twenty-first century. Organized chronologically and written by a host of leading scholars, this History offers an array of approaches that contribute to current dialogues about translation, literary genres, oral and written cultures, and the complex relationship between literature and the political sphere. Covering subjects from cronistas in Colonial Latin America and nation-building to feminicide and literature of the indigenous elite, this History traces the development of a literary tradition while remaining grounded in contemporary scholarship. The Cambridge History of Latin American Women's Literature will not only engage readers in ongoing debates but also serve as a definitive reference for years to come.

Ileana Rodríguez

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