Imani Perry

An essential journey through the American South--and the way it defines American identity--from one our most extraordinary writers on race and culture at work today We all think we know the South. Even those who have never lived there, who have never even been there, can rattle off a list of signifiers that define the South for them: Gone with the Wind, the Civil War, the Ku Klux Klan, cotillions, plantations, football, Jim Crow, and, of course, slavery. For those who live outside the region, the South is very much about the profound difference between "us" and "them." In South to America, Imani Perry shows in detail by infinitely careful detail that the meaning of American is inextricably linked with the South, and if we are American, we are all at least a little bit Southern. In looking at the American South through a historic, personal, and anecdotal lens, Perry argues that the South is in fact the nation's heartland. The formation of our country, our wealth, and our politics have always pivoted around the resource-rich region. A native of Alabama but raised in the North, Perry returns to the South--the place she has always called home--traveling through its cities and their cultural formations, studying its historical figures and institutions and the natural settings from which they sprang. Seeing the South as familiar and anew, Perry goes on a journey that brings her in contact with Southerners from all walks of life. She renders them with sensitivity and honesty, in addition to sharing her thoughts about a troubling history and the ritual humiliations and joys that characterize so much of Southern life. This is the story of a woman going home--a Black woman and a Southern home--at a time when ideas of how the South should be are rising once again. South to America is an assertion that if we do indeed want to build a more humane future for the United States, we must center our concern below the Mason-Dixon Line.

A Journey Below the Mason Dixon to Understand the Soul of a Nation

South to America

Explores the terror, grace, and beauty of coming of age as a Black person in contemporary America and what it means to parent our children in a persistently unjust world. Emotionally raw and deeply reflective, Imani Perry issues an unflinching challenge to society to see Black children as deserving of humanity. She admits fear and frustration for her African American sons in a society that is increasingly racist and at times seems irredeemable. However, as a mother, feminist, writer, and intellectual, Perry offers an unfettered expression of love--finding beauty and possibility in life--and she exhorts her children and their peers to find the courage to chart their own paths and find steady footing and inspiration in Black tradition. Perry draws upon the ideas of figures such as James Baldwin, W. E. B. DuBois, Emily Dickinson, Toni Morrison, Ralph Waldo Emerson, and Ida B. Wells. She shares vulnerabilities and insight from her own life and from encounters in places as varied as the West Side of Chicago; Birmingham, Alabama; and New England prep schools. With original art for the cover by Ekua Holmes, Breathe offers a broader meditation on race, gender, and the meaning of a life well lived and is also an unforgettable lesson in Black resistance and resilience.

A Letter to My Sons

Breathe

Winner of the 2019 PEN/Jacqueline Bograd Weld Award for Biography Winner of the Lambda Literary Award for LGBTQ Nonfiction Winner of the Shilts-Grahn Triangle Award for Lesbian Nonfiction Winner of the 2019 Phi Beta Kappa Christian Gauss Award A New York Times Notable Book of 2018 A revealing portrait of one of the most gifted and charismatic, yet least understood, Black artists and intellectuals of the twentieth century. Lorraine Hansberry, who died at thirty-four, was by all accounts a force of nature. Although best-known for her work A Raisin in the Sun, her short life was full of extraordinary experiences and achievements, and she had an unflinching commitment to social justice, which brought her under FBI surveillance when she was barely in her twenties. While her close friends and contemporaries, like James Baldwin and Nina Simone, have been rightly celebrated, her story has been diminished and relegated to one work—until now. In 2018, Hansberry will get the recognition she deserves with the PBS American Masters documentary “Lorraine Hansberry: Sighted Eyes/Feeling Heart” and Imani Perry’s multi-dimensional, illuminating biography, Looking for Lorraine. After the success of A Raisin in the Sun, Hansberry used her prominence in myriad ways: challenging President Kennedy and his brother to take bolder stances on Civil Rights, supporting African anti-colonial leaders, and confronting the romantic racism of the Beat poets and Village hipsters. Though she married a man, she identified as lesbian and, risking censure and the prospect of being outed, joined one of the nation’s first lesbian organizations. Hansberry associated with many activists, writers, and musicians, including Malcolm X, Langston Hughes, Duke Ellington, Paul Robeson, W.E.B. Du Bois, among others. Looking for Lorraine is a powerful insight into Hansberry’s extraordinary life—a life that was tragically cut far too short. A Black Caucus of the American Library Association Honor Book for Nonfiction A 2019 Pauli Murray Book Prize Finalist

The Radiant and Radical Life of Lorraine Hansberry

Looking for Lorraine

For a nation that often optimistically claims to be post-racial, we are still mired in the practices of racial inequality that plays out in law, policy, and in our local communities. One of two explanations is often given for this persistent phenomenon: On the one hand, we might be hypocritical—saying one thing, and doing or believing another; on the other, it might have little to do with us individually but rather be inherent to the structure of American society. More Beautiful and More Terrible compels us to think beyond this insufficient dichotomy in order to see how racial inequality is perpetuated. Imani Perry asserts that the U.S. is in a new and distinct phase of racism that is “post-intentional”: neither based on the intentional discrimination of the past, nor drawing upon biological concepts of race. Drawing upon the insights and tools of critical race theory, social policy, law, sociology and cultural studies, she demonstrates how post-intentional racism works and maintains that it cannot be addressed solely through the kinds of structural solutions of the Left or the values arguments of the Right. Rather, the author identifies a place in the middle—a space of “righteous hope”—and articulates a notion of ethics and human agency that will allow us to expand and amplify that hope. To paraphrase James Baldwin, when talking about race, it is both more terrible than most think, but also more beautiful than most can imagine, with limitless and open-ended possibility. Perry leads readers down the path of imagining the possible and points to the way forward.

The Embrace and Transcendence of Racial Inequality in the United States

More Beautiful and More Terrible

Imani Perry recenters patriarchy to contemporary discussions of feminism through a social and literary analysis of cultural artifacts--ranging from nineteenth-century slavery court cases and historical vignettes to literature and contemporary art--from the Enlightenment to the present.

On Gender and Liberation

Vexy Thing

DIVFocuses on the socially relevant aspects of Hip Hop music: its treatment of the identity of the black subject in a white society, new definitions of blackness and its commercialization./div

Politics and Poetics in Hip Hop

Prophets of the Hood

Peter H. Wood

Negroes in Colonial South Carolina from 1670 Through the Stono Rebellion

Black Majority

Mirrored Pool of Brilliance

"The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson and music composed by his brother Rosamond, 'Lift Every Voice and Sing' was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song's creation, it has been adopted by the NAACP and performed by countless artists in times of both crisis and celebration, cementing its place in African American life up through the present day. In this rich, poignant, and readable work, Imani Perry tells the story of the Black National Anthem as it traveled from South to North, from civil rights to black power, and from countless family reunions to Carnegie Hall and the Oval Office. Drawing on a wide array of sources, Perry uses 'Lift Every Voice and Sing' as a window on the powerful ways African Americans have used music and culture to organize, mourn, challenge, and celebrate for more than a century"--Publisher's description.

a history of the black national anthem

May we forever stand

Ntozake Shange

Tarana Burke

The Unpublished Work of Ntozake Shange

Sing a Black Girl's Song

The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson and music composed by his brother Rosamond, "Lift Every Voice and Sing" was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song's creation, it has been adopted by the NAACP and performed by countless artists in times of both crisis and celebration, cementing its place in African American life up through the present day. In this rich, poignant, and readable work, Imani Perry tells the story of the Black National Anthem as it traveled from South to North, from civil rights to black power, and from countless family reunions to Carnegie Hall and the Oval Office. Drawing on a wide array of sources, Perry uses "Lift Every Voice and Sing" as a window on the powerful ways African Americans have used music and culture to organize, mourn, challenge, and celebrate for more than a century.

Imani Perry

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