Fernand Léger

Ina Conzen

The Later Years

Staatsgalerie Stuttgart

Oskar Schlemmer (1888–1943) was one of the most versatile all-rounders of the last century and as unusual as a painter as he was as a sculptor, draughtsman, graphic artist, stage designer, wall designer, creator of epochal dance projects and author. His vision was the “new” man living in functional architecture, thinking clearly and acting clearly in the modern age which would never again sink into the chaos of war. The catalogue includes the seven original costumes of the Triadisches Ballett (Triadic Ballet) together with rare documents of the time. The connection between the all-encompassing attempts at reform of the Bauhaus are discussed as well as Schlemmer's vain attempts to reconcile his “unpolitical” art with the Nazi dictatorship's ideas of state-controlled art. The focus will be directed towards Schlemmer's lofty ethical demands, which always regarded man, typified as a “Kunstfigur” (artistic figure) as the “measure of all things”.

Visions of a New World

Oskar Schlemmer

This fascinating and beautifully illustrated book on the work of Francis Bacon, one of the 20th century's greatest painters, takes an in-depth look at his trademark motif of figures imprisoned within ghostly frames. Arguably one of the most influential and original painters of the 20th century, Francis Bacon painted haunting portraits that employed themes of crucifixion, torment, and isolation. Incorporating the insights of The Logic of Sensation, French philosopher Gilles Deleuze's seminal criticism of Bacon's work, this volume highlights Bacon's approach to space as one of the defining forces of his work. By organizing the spatial and dramatic structure of his compositions with barely visible cubic or elliptical cages, his figures become trapped in a kind of invisible room. This sense of confinement creates a direct, unsettling impression on the viewer, and further emphasizes the painter's dark vision. This book features stunning reproductions of 40 large-scale paintings, including Study for a Portrait (1952), Chimpanzee (1955), Three Studies of the Male Back (1970), and Sand Dune (1983) as well as a selection of rarely exhibited works on paper. This book also contains a series of essays that explore the range of variation in Bacon's use of isolating constructions over a period of nearly 50 years, as well as the nature of his painting technique and compositions.

Invisible Rooms

Francis Bacon

Staatsgalerie Stuttgart, 1. Februar bis 19. Mai 1997

Magie der Zahl in der Kunst des 20. Jahrhunderts

Ina Conzen

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