Ingrid Rojas Contreras

“One of the most dazzling and devastating novels I’ve read in a long time...Readers of Fruit of the Drunken Tree will surely be transformed.” --San Francisco Chronicle “Simultaneously propulsive and poetic, reminiscent of Isabel Allende...Listen to this new author’s voice — she has something powerful to say.” --Entertainment Weekly A mesmerizing debut set in Colombia at the height Pablo Escobar's violent reign about a sheltered young girl and a teenage maid who strike an unlikely friendship that threatens to undo them both Seven-year-old Chula and her older sister Cassandra enjoy carefree lives thanks to their gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation. When their mother hires Petrona, a live-in-maid from the city's guerrilla-occupied slum, Chula makes it her mission to understand Petrona's mysterious ways. But Petrona's unusual behavior belies more than shyness. She is a young woman crumbling under the burden of providing for her family as the rip tide of first love pulls her in the opposite direction. As both girls' families scramble to maintain stability amidst the rapidly escalating conflict, Petrona and Chula find themselves entangled in a web of secrecy that will force them both to choose between sacrifice and betrayal. Inspired by the author's own life, and told through the alternating perspectives of the willful Chula and the achingly hopeful Petrona, Fruit of the Drunken Tree contrasts two very different, but inextricably linked coming-of-age stories. In lush prose, Rojas Contreras has written a powerful testament to the impossible choices women are often forced to make in the face of violence and the unexpected connections that can blossom out of desperation.

A Novel

Fruit of the Drunken Tree

A Memoir

Man Who Could Move Clouds

"This is a memoir like no other . . . Ingrid Rojas Contreras has given us a glorious gift with these pages." —Patricia Engel, author of Infinite Country “The Man Who Could Move Clouds is the work of a genius, a wildly moving, profound, groundbreaking, often hilarious book that I’ll reread until I die. . . Without knowing it, I’ve wanted this book my whole life.” —R. O. Kwon, author of The Incendiaries From the author of the critically acclaimed novel Fruit of the Drunken Tree comes a dazzling, kaleidoscopic memoir reclaiming her family's otherworldly legacy. For Ingrid Rojas Contreras, magic runs in the family. Raised amidst the political violence of 1980s and ‘90s Colombia, in a house where “what did you dream?” was the preferred greeting in place of “how are you?,” very little was out of the ordinary. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets:” the power to talk to the dead, tell the future, treat the sick, and move the clouds. As a young girl Rojas Contreras spent her days eavesdropping on her mother’s fortune-telling clients and eagerly waiting for the phone calls from relatives reporting that her mother’s apparition had, yet again, visited them thousands of miles away from where Mami stood in the family’s kitchen. So when Rojas Contreras, now living in the United States, suffered a head injury in her twenties that left her with amnesia—an accident eerily similar to a fall her mother took as a child, from which she woke not just with amnesia, but also the ability to see ghosts—the family assumed “the secrets” had been passed down once again. Spurred by a shared dream among Mami and her sisters, and her own powerful urge to relearn her family history in the aftermath of her memory loss, Rojas Contreras joins her mother on a journey home to Colombia to disinter Nono’s remains. With her mother as her unpredictable, stubborn, and often hilarious guide, Rojas Contreras traces her lineage back to her Indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her family into two camps: those who believe “the secrets” are a gift, and those who are convinced they are a curse. Interweaving family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary.

The Man Who Could Move Clouds

"When women of color write history, we see the world as we have never seen it before. In Fruit of the Drunken Tree, Ingrid Rojas Contreras honors the lives of girls who witness war. Brava! I was swept up by this story." --SANDRA CISNEROS, author of The House on Mango Street A mesmerizing debut set against the backdrop of the devastating violence of 1990's Colombia about a sheltered young girl and a teenage maid who strike an unlikely friendship that threatens to undo them both Seven-year-old Chula and her older sister Cassandra enjoy carefree lives thanks to their gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation. When their mother hires Petrona, a live-in-maid from the city's guerrilla-occupied slum, Chula makes it her mission to understand Petrona's mysterious ways. But Petrona's unusual behavior belies more than shyness. She is a young woman crumbling under the burden of providing for her family as the rip tide of first love pulls her in the opposite direction. As both girls' families scramble to maintain stability amidst the rapidly escalating conflict, Petrona and Chula find themselves entangled in a web of secrecy that will force them both to choose between sacrifice and betrayal. Inspired by the author's own life, and told through the alternating perspectives of the willful Chula and the achingly hopeful Petrona, Fruit of the Drunken Tree contrasts two very different, but inextricable coming-of-age stories. In lush prose, Rojas Contreras sheds light on the impossible choices women are often forced to make in the face of violence and the unexpected connections that can blossom out of desperation.

a novel

Fruit of the drunken tree

TRA REALTÀ E MAGIA, UN VIAGGIO ALLA SCOPERTA DEI MISTERI PROFONDI DELLE RADICI E DELL'IDENTITÀ. Nessuno vuole la verità, ma tutti vogliono una storia. Che cosa sogni? È questa la domanda che Ingrid si sente fare da sempre dai membri della sua grande famiglia. Non «Come stai?». Che cosa sogni. Perché è nei sogni che si rivela la vita autentica, quella invisibile nel mondo reale. Ed è proprio un sogno a riportare Ingrid in Colombia, il paese in cui è cresciuta e da cui è dovuta fuggire negli anni del terrore, quando i guerriglieri e i narcotrafficanti di Pablo Escobar seminavano paura e morte per le strade di Bogotá. Nel sogno, è il fantasma del nonno a chiamarla, a chiederle di tornare per compiere una missione. Nono, il curandero che sapeva spostare le nuvole, parlare con gli spettri, guarire i malati, vedere il futuro. Conosceva i "segreti", poi ereditati dalla figlia: nonostante fosse "solo" una femmina, era l'unica degna di possederli. E ora Ingrid ne è la depositaria. Quello che l'aspetta sarà un viaggio fisico e spirituale tra passato e presente, tra sogno e realtà, intriso di magia, di dolore, ma anche di pura gioia. Un cammino nello spazio e nel tempo alla riscoperta delle proprie origini, nel tentativo di guarire traumi mai affrontati, ritrovando quella Mami così simile eppure così distante e, alla fine, se stessa. Con echi del realismo magico di García Márquez e Isabel Allende, un memoir duro e poetico, una storia famigliare che si intreccia a quella universale di una Colombia misteriosa e affascinante, sconvolta dai conquistadores, lacerata tra la lotta per salvare le proprie tradizioni e quella per sopravvivere, in un ciclo infinito di inizio, fine e rinascita.

Ingrid Rojas Contreras

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