Ivana Bodrozic

Ivana Bodrozic's In a Sentimental Mood is emotional, but never woeful, deliberate, yet playful poetry capable of reaching both the highest and deepest registers of expression. From abstract jazz-inspired musings to bedroom intimacies, these poems converse with the idea that being alone is not the worst thing that can happen to a person. To lose your dignity and the dignity of your words - that is the worst thing.

In a Sentimental Mood

Ivana Bodrožić’s latest award-winning novel tells a story of being locked in: socially, domestically and intimately, told through three different perspectives, all deeply marked and wounded by the patriarchy in their own way.

Here the Croatian poet and writer depicts a wrenching love between a transgender man and a woman as well as a demanding love between a mother and a daughter in a narrative about breaking through and liberation of the mind, family, and society.

This is a story of hidden gay and trans relationships, the effects of a near-fatal accident, and an oppressed childhood, where Ivana Bodrožić tackles the issues addressed in her previous works—issues of otherness, identity and gender, pain and guilt, injustice and violence.

A daughter is paralyzed after a car crash, left without the ability to speak, trapped in a hospital bed, unable to move anything but her eyes. Although she is immobilized, her mind reels, moving through time, her memories a salve and a burden. A son is stuck in a body that he doesn’t feel is his own. He endures misperceptions and abuse on the way to becoming who he truly is. A mother who grew up being told she was never good enough, in a world with no place for the desires and choices of women. She carries with her the burden of generations.

These three stories run parallel and intertwine. Three voices deepen and give perspective to one another’s truth, pain, and struggle to survive.

Sons, Daughters: A Novel

Winner of the Prix Ulysse for best debut novel in France Winner in Croatia and the Balkan region of the Kočićevo Pero Award, the Josip and Ivan Kozarac Award, and the Kiklop Award for the best work of fiction When the Croatian War of Independence breaks out in her hometown of Vukovar in the summer of 1991 she is nine years old, nestled within the embrace of family with her father, mother, and older brother. She is sent to a seaside vacation to be far from the hostilities. Meanwhile, her father has disappeared while fighting with the Croatian forces. By the time she returns at summer’s end everything has changed. Against the backdrop of genocide (the Vukovar hospital massacre) and the devastation of middle-class society within the Yugoslav Federation, our young narrator, now with her mother and brother refugees among a sea of refugees, spends the next six years experiencing her own self-discovery and transformation amid unfamiliar surroundings as a displaced person. As she grows from a nine-year old into a sparkling and wonderfully complicated fifteen-year-old, it is as a stranger in her own land. Applauded as the finest work of fiction to appear about the Yugoslav Wars, Ivana Bodrožić’s The Hotel Tito is at its heart a story of a young girl’s coming of age, a reminder that even during times of war—especially during such times—the future rests with those who are the innocent victims and peaceful survivors.

A Novel

The Hotel Tito

A thriller of the ex-Yugoslavia Wars. The city of Vukovar, situated on Croatia's easternmost periphery, across the Danube River from Serbia, was the site of some of the worst violence in the wars that rocked ex-Yugoslavia in the early '90s. It is referred to only as "the city" throughout this taut political thriller from one of Europe's most celebrated young writers. In this city without a name, fences in schoolyards separate the children of Serbs from those of Croats, and city leaders still fight to free themselves from violent crimes they committed--or permitted--during the war a generation ago. Now, it is left to a new generation--the children, now grown up, to extricate themselves from this tragic place, innocents who are nonetheless connected in different ways to the crimes of the past. Nora is a journalist assigned to do a puff piece on the perpetrator of a crime of passion--a Croatian high school teacher who fell in love with one of her students, a Serb, and is now in prison for having murdered her husband. But Nora herself is the daughter of a man who was murdered years earlier under mysterious circumstances. And she wants, if not to avenge her father, at least to bring to justice whoever committed the crime. There's a hothouse intensity to this extraordinary noir page-turner because of how closely the author sets the novel within the historical record. This city is unnamed, the story is fictional, so it can show us what actually happened there.

We Trade Our Night for Someone Else's Day

The most powerful autobiographical novel written about the Yugoslav wars. A timely and deeply accessible book that speaks to what it is like to be displaced by war. Hotel Tito is an award-winning autobiographical novel of the Serbo-Croatian War. Author Ivana Bodrožić was born in the Croatian town of Vukovar, just across the Danube from Serbia. In the fall of 1991, Vukovar was besieged by the Yugoslav People's Army for eighty-seven days. When the army broke the siege, people came up out of the basements where they'd been sheltering from bombardment; women and children were allowed out of the besieged city, but the army bused 400 men from the hospital to a farm on the outskirts where soldiers and Serbian paramilitaries massacred them. Bodrožić's father was among those taken and murdered. In Hotel Tito, after fleeing the war zone their town has become, the mother and two children are housed along with other displaced persons at a former communist school in the village of Kumrovec (the birthplace of Josip Tito). For years they share a single room just large enough for their three beds, waiting to hear whether the narrator's father survived and when they'll be granted an apartment of their own. In the meantime life goes on for the teenage protagonist, first loves bloom and burn quickly, new friendships are acquired and lost, new truths emerge, and new emotions. But she never loses her shy, insightful voice, nor her self-deprecating sense of humor. Hotel Tito is a sensitive and forthright coming of age novel in a time of atrocity and loss.

Ivana Bodrozic

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