Ann Woodward

J. D. Hill

Pottery has become one of the major categories of artefact that is used in reconstructing the lives and habits of prehistoric people. In these 14 papers, members of the Prehistoric Ceramics Research Group discuss the many ways in which pottery is used to study chronology, behavioural changes, inter-relationships between people and between people and their environment, technology and production, exchange, settlement organisation, cultural expression, style and symbolism.

The Ceramic Basis

Prehistoric Britain

The author has been a familiar speaker at Theoretical Archaeology Group meetings in Britain for a number of years and his general approach must now be familiar to many people. His specific argument that pit deposits usually interpreted as `rubbish' are in fact structured in a meaningful way is sure to be of interest to all archaeologists involved with the investigation of middens or faunal `rubbish' deposits, though taphonomists may remain sceptical. The wider implications for the study of the Iron Age in Britain (especially his historiographical critique of past `culture-historical' approaches) are also stimulating.

A Study on the Formation of a Specific Archaeological Record

Ritual and Rubbish in the Iron Age of Wessex

Collected Works

Jim Hill

Glynn Rhodes

Steve Vollar

Chris Whapples

'Car Park Designers' Handbook' looks at multi-storey car parks as being utilitarian constructions. The authors do not see their design as being a finite art but as a compromise between the motorist's spatial desires and the practical need to achieve economy of construction.

Car Park Designers' Handbook

Alexandra Fletcher

Daniel Antoine

A key publication on the British Museum's approach to the ethical issues surrounding the inclusion of human remains in museum collections and possible solutions to the dilemmas relating to their curation, storage, access management and display.

Human Remains in the British Museum

Regarding the Dead

The British Museums collection is one of the worlds finest and broadest, ranging from prehistoric times to the present in ancient and modern cultures around the globe. This new and updated edition includes many recent acquisitions and new discoveries, such as Picassos stunning Vollard Suite and the intriguing Vale of York Viking hoard, and showcases a selection of more than 250 of the most beautiful and important objects drawn from across the Museum. Each object is presented with its own fascinating story and is strikingly illustrated in full colour. From the Warren Cup to Dürers Rhinoceros, the Lewis Chessmen to the Aztec turquoise serpent and the Gayer-Anderson Cat, the iconic objects of the British Museum are here presented in an exciting and accessible new way, highlighting the superb craftsmanship and ingenuity of those who created each of these splendid pieces. Grouped into sections based on cross-cultural themes, such as rulers, mythical beasts, dress and the human form, the resulting juxtapositions offer intriguing new insights into these widely varied masterpieces. Introduced by Neil MacGregor, Director of the British Museum, this is a stunning overview of artistic and cultural achievement around the world.

J. D. Hill

About

Books

Join the club