Margaret R. Greer

J. E. Varey

Edition of documents relating to the court theatre in Madrid in 17c and early 18c. In the first volume of this series N.D. Shergold and J.E. Varey edited legajo 666 of the Sección Administrativa of the Archivo General de Palacio. Edited here are the papers from legajo667, as well as others relatedto court theatre of the seventeenth and early eighteenth centuries. These documents reveal in detail - particularly for the performance of Calderón's Fieras afemina amor in 1673 -the sumptuous staging of such works, with awealth of details on costume. Others focus on the ceremony and protocol of the performances. Most are from the last years of Philip IV and Charles II, but there is also documentation on the first decade of the eighteenth century, showing the influence of Italian theatre on the Spanish court. MARGARET RICH GREERis Professor of Spanish at Duke University.

Estudio Y Documentos

El Teatro Palaciego en Madrid: 1586-1707

Ignacio López Alemany

Documentación con lujo de detalles de una serie de producciones montadas en el Coliseo del Buen Retiro en Madrid durante el reinado del primero de los Borbones, Felipe V.

estudio y documentos

El teatro palaciego en Madrid: 1707-1724

Pedro Calderón de la Barca

Don William Cruickshank

Comedias of Calderon

Robert J. Weber

Robert Waber

Galdós Studies II

James Whiston

Eric Southworth

C. Alexander Longhurst

E. J. Rodgers

The master of the realist novel of nineteenth-century Spain, Benito Pérez Galdós, is the subject of New Galdós Studies, offered in memory of John Varey, author of Galdós Studies, the foundational text for contemporary Galdosian scholarship. Eamonn Rodgers describes Galdós's early readership and reception; James Whiston illustrates Galdós's creativity in Lo prohibido; Rhian Davies explores the enrichment of the novelist's language in Torquemada en la Cruz; Teresa Fuentes Peris demonstrates Galdós's radical critique of dominant social assumptions in Fortunata y Jacinta; Alex Longhurst deals with the representation of poverty in Misericordia while Lisa Condé detects a feminist intention in Tristana; Eric Southworth finds rich cultural and spiritual allusion in the same work; Nichols Round relates the deaths of children in the Torquemada novels and Angel Guerra to end-of-century ideological concerns.

Essays in Memory of John Varey

New Galdós Studies

J. E. Varey

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