Jack Selzer

Lester Faigley

Reading, Designing, and Writing Effective Arguments, Second Edition

Good Reasons with Contemporary Arguments

Anthony Burke

Kyle Jensen

When Kenneth Burke conceived his celebrated “Motivorum” project in the 1940s and 1950s, he envisioned it in three parts. Whereas the third part, A Symbolic of Motives, was never finished, A Grammar of Motives (1945) and A Rhetoric of Motives (1950) have become canonical theoretical documents. A Rhetoric of Motives was originally intended to be a two-part book. Here, at last, is the second volume, the until-now unpublished War of Words, where Burke brilliantly exposes the rhetorical devices that sponsor war in the name of peace. Discouraging militarism during the Cold War even as it catalogues belligerent persuasive strategies and tactics that remain in use today, The War of Words reveals how popular news media outlets can, wittingly or not, foment international tensions and armaments during tumultuous political periods. This authoritative edition includes an introduction from the editors explaining the compositional history and cultural contexts of both The War of Words and A Rhetoric of Motives. The War of Words illuminates the study of modern rhetoric even as it deepens our understanding of post–World War II politics.

The War of Words

Robert Wess

Kenneth Burke and His Circles consists of original papers focusing on the intellectual circles in which Burke participated during his long career. Instead of concentrating on Burke himself, as most recent scholarship has done, this book considers Burke as one participant in a host of important overlapping intellectual movements that took place over the course of the twentieth century.

Kenneth Burke and His Circles

Capturing the lively modernist milieu of Kenneth Burke’s early career in Greenwich Village, where Burke arrived in 1915 fresh from high school in Pittsburgh, this book discovers him as an intellectual apprentice conversing with “the moderns.” Burke found himself in the midst of an avant-garde peopled by Malcolm Cowley, Marianne Moore, Jean Toomer, Katherine Anne Porter, William Carlos Williams, Allen Tate, Hart Crane, Alfred Stieglitz, and a host of other fascinating figures. Burke himself, who died in 1993 at the age of 96, has been hailed as America’s most brilliant and suggestive critic and the most significant theorist of rhetoric since Cicero. Many schools of thought have claimed him as their own, but Burke has defied classification and indeed has often been considered a solitary, eccentric genius immune to intellectual fashions. But Burke’s formative work of the 1920s, when he first defined himself and his work in the context of the modernist conversation, has gone relatively unexamined. Here we see Burke living and working with the crowd of poets, painters, and dramatists affiliated with Others magazine, Stieglitz’s “291” gallery, and Eugene O’Neill’s Provincetown Players; the leftists associated with the magazines The Masses and Seven Arts; the Dadaists; and the modernist writers working on literary journals like The Dial, where Burke in his capacity as an associate editor saw T. S. Eliot’s “The Wasteland” into print for the first time and provided other editorial services for Thomas Mann, e.e. cummings, Ezra Pound, and many other writers of note. Burke also met the iconoclasts of the older generation represented by Theodore Dreiser and H. L. Mencken, the New Humanists, and the literary nationalists who founded Contact and The New Republic. Jack Selzer shows how Burke’s own early poems, fiction, and essays emerged from and contributed to the modernist conversation in Greenwich Village. He draws on a wonderfully rich array of letters between Burke and his modernist friends and on the memoirs of his associates to create a vibrant portrait of the young Burke’s transformation from aesthete to social critic.

Conversing with the Moderns, 1915–1931

Kenneth Burke in Greenwich Village

This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. For courses in Argument. A practical, visually engaging introduction to argument supported by provocative readings on contemporary issues Nothing you learn in college will prove to be more important than the ability to create an effective argument. That’s the philosophy embodied in Good Reasons: Researching and Writing Effective Arguments, 7th Edition, an argument rhetoric/reader which avoids complicated schemes and terminology in favor of providing readers with the practical ways of finding "good reasons" to argue for the positions they take. The text uses lively, nontechnical language, an attractive visual design, numerous examples, and fresh, timely readings to engage readers’ interest. The revised 7th Edition includes new readings, multimedia coverage, and projects. Good Reasons: Researching and Writing Effective Arguments , 7th Edition is also available via Revel™, an interactive learning environment that enables students to read, practice, and study in one continuous experience. Learn more.

Researching and Writing Effective Arguments

Good Reasons

Engaging and accessible to all students, Good Reasons is a brief, highly readable introduction to argument by two of the country's foremost rhetoricians. By stressing the rhetorical situation and audience, this argument rhetoric avoids complicated schemes and terminology in favor of providing students with the practical means to find "good reasons" to argue for the positions they take. Good Reasons helps students read, analyze, and write various types of arguments, including visual, verbal, and written. Supporting the authors' instruction are readings by professional and student writers and over 75 visuals. Good Reasons is distinctive for its discussion of why people write arguments, its coverage of rhetorical analysis and visual analysis in a brief format, its close attention to reading arguments, and its thorough attention to research. 0321951581 / 9780321951588 Good Reasons: Researching and Writing Effective Arguments Plus NEW MyWritingLab with Pearson eText -- Access Card Package Package consists of 0205870147 / 9780205870141 NEW MyWritingLab with Pearson eText -- Valuepack Access Card 0321906748 / 9780321906748 Good Reasons: Researching and Writing Effective Arguments

Dominic Delli Carpini

With more than 130 readings and 24 pages of visual arguments, Conversations offers an extraordinary variety of authors, genres, voices, and viewpoints on important contemporary civic issues. Touching on issues that affect students both as individuals and as citizens, the readings and visuals invite students to join important civic conversations through their own writing. For each issue addressed, Conversations offers not just one or two selections, but several--reminding students that no issue has just one or two sides, but usually involves a wide range of voices. Frequently, selections comment on and argue with other selections, demonstrating that writing is a social exchange, and that much writing is a response to what we read. The images included in this new edition also remind students that we regularly read--interpret and respond to--not only words, but visual arguments found in photographs, artworks, cartoons, advertisements, and websites.

Readings for Writing

Conversations

Essential Issues, Essential Texts

Argument in America

This popular rhetoric/reader combines a brief, accessible introduction to argument with an anthology of provocative readings on contemporary issues. By stressing the rhetorical situation and the audience, this rhetoric avoids complicated schemes and terminology in favor of providing students with the practical means to find good reasons for the positions they want to advocate to their audiences. Good Reasons with Contemporary Arguments helps students write and understand various types of arguments, including visual as well as verbal arguments. Supporting the authors' instruction are numerous readings by professional and student writers and over 50 photographs. Good Reasons with Contemporary Arguments is distinctive in providing the most thorough coverage of rhetorical analysis and visual analysis. It has a new emphasis on visual argument throughout that responds to the need for greater visual literacy in a media-saturated culture. Good Reasons with Contemporary Arguments is also distinctive in beginning with why people write arguments. current issues such as privacy, globalization, science and ethics, the media, and the environment. Distinctive in its emphasis on visual rhetoric, the text includes a thorough discussion of how good document design can support good reasons.

Jack Selzer

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