Stephen Orgel

Jackson Eli Reynolds Professor of Humanities Stephen Orgel

A provocative exploration of gender in the Renaissance, from theatrical cross-dressing to cultural subversion.

The Performance of Gender in Shakespeare's England

Impersonations

Claire McEachern

The Poetics of English Nationhood is a 1996 study of the formation of English national identity during the early modern period. Claire McEachern aims to recontextualize our understanding of the term literary through an examination of Spenser, Shakespeare and Drayton. She shows how the concept of nationality in their work is always fluid; it crucially depends on a sense of intimacy that exends across and beyond hierarchies and boundaries. McEachern shows how those texts we traditionally label literary already encode and personify power, thereby sealing the intimacy which binds the nation as an imagined community. The representation of faith, fatherland and crown in Tudor texts continually personified English political institutions, promoting an enduring social order and collective unity. By focusing on the rhetorical forms of cultural unity in Tudor texts, McEachern traces a profound shift from a monarchically defined Englishness to a system based within the cultural institution of the common law.

The Poetics of English Nationhood, 1590-1612

Presents a study of political theater in the English Renaissance, discussing the differences between a public playhouse and a private, or court theater, and looking at masques and the role of king in the Renaissance court.

Political Theater in the English Renaissance

The Illusion of Power

Sean Keilen

Shakespeare has never been more ubiquitous, not only on the stage and in academic writing, but in film, video and the popular press. On television, he advertises everything from cars to fast food. His birthplace, the tiny Warwickshire village of Stratford-Upon-Avon, has been transformed into a theme park of staggering commercialism, and the New Globe, in its second season, is already a far bigger business than the old Globe could ever have hoped to be. If popular culture cannot do without Shakespeare, continually reinventing him and reimagining his drama and his life, neither can the critical and scholarly world, for which Shakespeare has, for more than two centuries, served as the central text for analysis and explication, the foundation of the western literary canon and the measure of literary excellence.The Shakespeare the essays collected in these volumes reveal is fully as multifarious as the Shakespeare of theme parks, movies and television. Indeed, it is part of the continuing reinvention of Shakespeare. The essays are drawn for the most part from work done in the past three decades, though a few essential, enabling essays from an earlier period have been included. They not only chart the directions taken by Shakespeare studies in the recent past, but they serve to indicate the enormous and continuing vitality of the enterprise, and the extent to which Shakespeare has become a metonym for literary and artistic endeavor generally.

Shakespeare and the Editorial Tradition

Describes the role of the theatre in forming Renaissance royalty's conception of itself, especially in the cases of James I and Charles I. Bibliogs

Linda Gregerson

The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced.

Jackson Eli Reynolds Professor of Humanities Stephen Orgel

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