Jacqueline Francis

Curvy bombshell Melissa Danzer spends her days working on her photography business in Willow Falls, Wisconsin. Alone in the world except for her sister, Melissa is running away from her traumatic past. A brooding and bearded giant, Jakob King is a successful business owner with secrets of his own. As an ex-Amish, he struggles to cling to something real in his new life. When he sets his sights on Melissa, he'll stop at nothing to have her, to protect her, and to claim her as his own. As danger lurks and their worlds collide, will Melissa and Jakob be able to overcome what life throws at them, or will they be driven apart?

Returning His Favor

Henry Louis Gates

David Bindman

Richard J. Powell

Karen C. C. Dalton

The Twentieth Century - The Rise of Black Artists

Image of the Black in Western Art Vol. V

Lowery Stokes Sims

Contemporary artists Robert Colescott (1925-2009), Kerry James Marshall (b. 1955), and Mickalene Thomas (b. 1971) are distinguished by their attention to a history of representation, which they re-visit and revise to reflect on individual and collective Black experience. Equally engaged with social and political histories, and the history of art, Colescott, Marshall, and Thomas have created works that at times poignantly and satirically critique dominant narratives and posit alternatives. By considering these artists together, this thought-provoking book expands our understanding of contemporary history painting, a genre first defined during the 17th century and known for didactic paintings that often depicted Biblical or mythological subjects, and expressed the tastes and narratives of a ruling class. Colescott, Marshall, and Thomas marry appreciation of these traditional forms of representation to a deep understanding of contemporary American culture to create insightful works that disrupt historic narratives and read canonic art history against the grain. Published in association with the Seattle Art Museum Exhibition Schedule: Seattle Art Museum (02/15/18-05/13/18)

Robert Colescott, Kerry James Marshall, Mickalene Thomas

Figuring History

Historical Expressionism

Jacob Lawrence's The Migration of the Negro Series

"This dissertation concerns a "middle period" of African-American art history and one of its key figures, the New York painter Malvin Gray Johnson (1896-1934)"--Abstract.

The Work of Malvin Gray Johnson and the Challenges of Painting, 1928-1934

Modern Art, "racial Art"

Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present.

Modernism and “Racial Art” in America

Making Race

Returning His Power

Jacqueline Francis

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