M. Heather Carver

Jacqueline Taylor

Lynn C. Miller

This volume includes scripts and essays about performances of the lives of women such as Gertrude Stein, Georgia O'Keeffe and Anais Nin, which consider issues that arise when a woman represents another woman's life. In the second section, seven performers tell their own stories, engaging issues of sexual orientation, ethnicity, race, loss of parent, disability, life and death. autobiographical performance. It examines the links between theory and criticism of women's autobiography, feminist performance theory and performance practice.

Performing Women's Autobiography

Voices Made Flesh

“Well-written, absorbing, and a great pleasure to read . . . will appeal to Christians struggling to square their traditional beliefs with acceptance of homosexuality as well as to all those interested in adoption, lesbian marriage, and the changing shape of America’s families.” —Elizabeth C. Fine, Virginia Tech University Waiting for the Call takes readers from the foothills of the Appalachians—where Jacqueline Taylor was brought up in a strict evangelical household—to contemporary Chicago, where she and her lesbian partner are raising a family. In a voice by turns comic and loving, Taylor recounts the amazing journey that took her in profoundly different directions from those she or her parents could have ever envisioned. Taylor’s father was a Southern Baptist preacher, and she struggled to deal with his strictures as well as her mother’s manic-depressive episodes. After leaving for college, Taylor finds herself questioning her faith and identity, questions that continue to mount when—after two divorces, a doctoral degree, and her first kiss with a woman—she discovers her own lesbianism and begins a most untraditional family that grows to include two adopted children from Peru. Even as she celebrates and cherishes this new family, Taylor insists on the possibility of maintaining a loving connection to her religious roots. While she and her partner search for the best way to explain adoption to their children and answer the inevitable question, “Which one is your mom?” they also seek out a church that will unite their love of family and their faith. Told in the great storytelling tradition of the American South, full of deep feeling and wry humor, Waiting for the Call engagingly demonstrates how one woman bridged the gulf between faith and sexual identity without abandoning her principles.

From Preacher's Daughter to Lesbian Mom

Waiting for the Call

Hume's Enquiry concerning the Principles of Morals is one of the landmark works in the history of moral philosophy; this volume presents a section-by-section study of the work in the form of new interpretative essays by leading Hume scholars. The result is a comprehensive reassessment of Hume's 'recasting' of his moral philosophy in this work. Particular attention is given to the Enlightenment concepts of justice and benevolence, as well as to the concept of humanity and moral sentiment. Fifteen original chapters take the reader through the nine sections and four appendices of Hume's Enquiry, as well as 'A Dialogue, ' to assess critically the moral philosophy he presents. How does it differ from the moral philosophy of the Treatise, and how should we understand the significance of the arguments he advances? Additional chapters examine the relation between Hume's mature moral philosophy and related subjects such as his epistemology, his writings on religion, beauty and criticism, the passions, and his own intellectual and philosophical development during the period in which he conceived and wrote the Enquiry.

Reading Hume on the Principles of Morals

Fourteen bold, dynamic, and daring women take the stage in this collection of women's lives and stories. Individually and collectively, these writers and performers speak the unspoken and perform the heretofore unperformed. The first section includes scripts and essays about performances of the lives of Gertrude Stein, Georgia O'Keeffe, Mary Church Terrell, Charlotte Cushman, Anaïs Nin, Calamity Jane, and Mary Martin. The essays consider intriguing interpretive issues that arise when a woman performer represents another woman's life. In the second section, seven performers--Tami Spry, Jacqueline Taylor, Linda Park-Fuller, Joni Jones, Terri Galloway, Linda M. Montano, and Laila Farah--tell their own stories. Ranging from narrrative lectures (sometimes aided by slides and props) to theatrical performances, their works wrest comic and dramatic meaning from a world too often chaotic and painful. Their performances engage issues of sexual orientation, ethnicity, race, loss of parent, disability, life and death, and war and peace. The volume as a whole highlights issues of representation, identity, and staging in autobiographical performance. It examines the links among theory and criticism of women's autobiography, feminist performance theory, and performance practice.

One woman's search for the meaning of faith when the foundations of her beliefs are tested to the limit

David Fate Norton

Although best known for his contributions to the theory of knowledge, metaphysics, and philosophy of religion, Hume also influenced developments in the philosophy of mind, psychology, ethics, political and economic theory, political and social history, and aesthetic theory. The fifteen essays in this volume address all aspects of Hume's thought. The picture of him that emerges is that of a thinker who, though often critical to the point of scepticism, was nonetheless able to build on that scepticism a constructive, viable, and profoundly important view of the world. Also included in this volume are Hume's two brief autobiographies and a bibliography suited to those beginning their study of Hume. This second edition of one our most popular Companions includes six new essays and a new introduction, and the remaining essays have all been updated or revised.

The Cambridge Companion to Hume

For ages 3-9... . Othello the cat was perfectly happy living by the ocean in California. He could watch the waves, chase the seagulls and bask in the bright sun. He had no desire to go anywhere, but when Othello's "family" decided to move across the country, to Maryland, he didn't have a choice. He had to travel in noisy airplanes and bumpy cars - inside a box! And there were cold, cold winters, enough to make any cat grumpy. Just as he was getting used to his new life, they moved again! Only this time it was Florida. The sun was shining, the birds were singing, and Othello could watch the waves again...

Jacqueline Taylor

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