Scott Wilson

William Pawlett

Edia Connole

Gary Shipley

Stuart Kendall

Vanessa Place

Karmen MacKendrick

Jacquelynn Baas

Martin Bladh

Karolina Urbaniak

Featuring the first English translation of Jean Bruno's "Illumination Techniques of Georges Bataille" (1963), this edited collection brings together an internationally renowned and interdisciplinary group of scholars to commemorate the 85th anniversary of the inaugural issue of the French interwar avant-garde journal founded by Bataille, Acéphale: Religion, Sociologie, Philosophie (June 24 1936). In so doing, it also broaches the "ferociously religious" esoteric activity of the eponymous secret society, as well as the "sacred sociology" of the Acéphale-affiliated Collège de Sociologie. The Acéphale conjuncture--everything written, acted, drawn or imagined around André Masson's excessively iconic figure of the headless man for the "secret society" and journal founded by Georges Bataille in the 1930s, and everything that proliferated among the loose community around Bataille in those years--continues to demand responses, and to insist on them. Connole and Shipley's volume isn't the last word, but proposes a heterogeneous plethora of words, in varying modes, in this direction. It is also a form of response to the event of Nietzsche, which Bataille and friends reiterated, creating an event of their own; in this vein, the volume refuses the division of life and thought and pushes the forms of "discursive hybridity" to excess. The volume is both erudite and visceral, it comprises historical and biographical knowledge, illuminating the Acéphale conjuncture through research and interpretative, intertextual connectivities, and it is raw, it lives with its material; it asks us to both respect and transgress the orthodox modes of "scholarly" endeavour, to see both as complementary and necessary, in alignment with Bataille's proposition that: "We need the system and the excess." --Patrick ffrench is Professor of French at King's College London (UK), and author of After Bataille: Sacrifice, Exposure, Community, and Roland Barthes and Film there is much poetry and laughter amid the poly-swarm-cephalic headlessness of this volume, along with irreverently astute scholarship and canny theological mything, all enjoyed in gloriously bad company [(masson, bataille, laure, klossowski, caillois, weil, blanchot, nietzsche and sade).] [read it and shit.] [read it and scream.] [read it and die.] --Fred Botting is Professor of English Literature and Creative Writing at Kingston University (UK), award-winning author of numerous works on horror fiction, and co-editor, with Scott Wilson, of The Bataille Reader 85 years after the release of the first issue of Acéphale, and the birth of the eponymous secret society, this volume enters inside the sanctuary to invite us on a crazy, labyrinthine journey punctuated by five "stations" where--under the joint sign of Nietzsche and expenditure--thought ceases to be separated from passion and madness, and writing is transformed into a process of self-sacrifice, "acéphale-graphy." --Marina Galletti is Professor of French Literature at Università Roma Tre (Italy) and co-editor, with Alastair Brotchie, of The Sacred Conspiracy: The Internal Papers of the Secret Society of Acéphale and Lectures to the College of Sociology

Responses to the Nietzsche Event

Acéphale and Autobiographical Philosophy in the 21st Century

Karen Tsujimoto

Joan Brown

University of California, Berkeley. University Art Museum

Oakland Museum of California

Examines the California artist's life and work, offering reproductions of many of her pieces

The Art of Joan Brown

Mary Jane Jacob

Chicago is a city dedicated to the modern—from the skyscrapers that punctuate its skyline to the spirited style that inflects many of its dwellings and institutions, from the New Bauhaus to Hull-House. Despite this, the city has long been overlooked as a locus for modernism in the arts, its rich tradition of architecture, design, and education disregarded. Still the modern in Chicago continues to thrive, as new generations of artists incorporate its legacy into fresh visions for the future. Chicago Makes Modern boldly remaps twentieth-century modernism from our new-century perspective by asking an imperative question: How did the modern mind—deeply reflective, yet simultaneously directed—help to dramatically alter our perspectives on the world and make it new? Returning the city to its rightful position at the heart of a multidimensional movement that changed the face of the twentieth century, Chicago Makes Modern applies the missions of a brilliant group of innovators to our own time. From the radical social and artistic perspectives implemented by Jane Addams, John Dewey, and Buckminster Fuller to the avant-garde designs of László Moholy-Nagy and Mies van der Rohe, the prodigious offerings of Chicago's modern minds left an indelible legacy for future generations. Staging the city as a laboratory for some of our most heralded cultural experiments, Chicago Makes Modern reimagines the modern as a space of self-realization and social progress—where individual visions triggered profound change. Featuring contributions from an acclaimed roster of contemporary artists, critics, and scholars, this book demonstrates how and why the Windy City continues to drive the modern world.

How Creative Minds Changed Society

Chicago Makes Modern

Yale University. Art Gallery

Baltimore Museum of Art

University of Michigan. Museum of Art

Richard S. Field

The Artistic Revival of the Woodcut in France 1850-1900

Hood Museum of Art

Exhibition schedule: Hood Museum of Art, Dartmouth College: April 16?August 7, 2011; Grey Art Gallery, New York University: September 9?December 3, 2011; University of Michigan Museum of Art: February 25?May 20th, 2012.

Fluxus and the Essential Questions of Life

"Learning Mind: Experience Into Art is astonishing in its range of authors, depths of perception, and subjects, gliding elegantly among three thematic clusters, from 'Being of Being an Artist' to 'Making Art and Pedagogy' and, finally, to 'Experiencing Art.' The editors have brilliantly and imaginatively realized the promise of their anthology's tantalizing, terse title."--Moira Roth, author of Traveling Companions/Fractured Worlds "Jacob and Baas have gathered together an exceptional group of some of the most articulate writers about art of this generation, as well as some of the most intelligent, thoughtful, esteemed and socially engaged artists. The Learning Mind invites them to speak from their own experiences with art; what emerges are important biographical moments of insight about the way art is a device for transforming consciousness."--Jennifer Gonzalez, University of California, Santa Cruz

Experience Into Art

Learning Mind

The relations between eastern and western cultures have long been a neglected topic, and this careful and intelligent look at a small but significant part of those relations is most welcome.--Thomas McEvilley, author of The Shape of Ancient Thought How wonderful that Jacquelynn Baas has seen the light of the Buddha's smile shining from faraway Asia into the realm of the art of modern times in what we think of as the West! . . . Her work reveals how some of our most influential artists explored and expressed the sophisticated perceptions and joyful energy emanating from the realm of Buddhist Asia.--Robert A. F. Thurman As a Buddhist scholar and artist I welcome this thoughtful and richly detailed study of how many aspects of Buddhism have stimulated, invigorated, and enriched Western arts over the past 150 years.--Stephen Addiss, author of The Art of Zen A crucial contribution to modern art studies, this high-spirited text surveys Western artists awakened by the wisdom of the East, from Monet and Duchamp to O'Keeffe to Martin. It is a thoughtful book about thoughtful artists, their values and their visions, with a lot to offer general readers and specialists alike.--Charles Stuckey, Associate Professor of Art History at the School of the Art Institute of Chicago

Eastern Philosophy and Western Art from Monet to Today

Smile of the Buddha

Linda Henderson

Karen Bennett

Berkeley Art Museum and Pacific Film Archive

Lucinda Barnes

Lawrence R. Rinder

Maria Porges

Essay by Lucinda Barnes. Text by Jacquelynn Baas. Karen L. Bennett, Bill Berkson, Linda Dalrymple Henderson, Maria Porges, Lawrence R. Rinder.

Measure of Time

A groundbreaking reading of Duchamp's work as informed by Asian “esoterism, ” energetic spiritual practices identifying creative energy with the erotic impulse. Considered by many to be the most important artist of the twentieth century, the object of intensive critical scrutiny and extensive theorizing, Marcel Duchamp remains an enigma. He may be the most intellectual artist of all time; and yet, toward the end of his life, he said, “If you wish, my art would be that of living: each second, each breath is a work which is inscribed nowhere, which is neither visual or cerebral.” In Marcel Duchamp and the Art of Life, Jacquelynn Baas offers a groundbreaking new reading of Duchamp, arguing in particular that his work may have been informed by Asian “esoterism, ” energetic spiritual practices that identify creative energy with the erotic impulse. Duchamp drew on a wide range of sources for his art, from science and mathematics to alchemy. Largely overlooked, until now, have been Asian spiritual practices, including Indo-Tibetan tantra. Baas presents evidence that Duchamp's version of artistic realization was grounded in a western interpretation of Asian mind training and body energetics designed to transform erotic energy into mental and spiritual liberation. She offers close readings of many Duchamp works, beginning and ending with his final work, the mysterious, shockingly explicit Étant donnés: 1° la chute d'eau 2° le gaz d'éclairage, (Given: 1. The Waterfall, 2. The Illuminating Gas). Generously illustrated, with many images in color, Marcel Duchamp and the Art of Life speculates that Duchamp viewed art making as part of an esoteric continuum grounded in Eros. It asks us to unlearn what we think we know, about both art and life, in order to be open to experience.

Marcel Duchamp and the Art of Life

The relationships between Buddhist practice and the contemporary arts are explored in essays by writers from a range of disciplines and in interviews with influential artists in this timely, multifaceted volume, with contributions by Maya Lin, Stephen Batchelor, Bill Viola, Arthur Danto, and others.

Buddha Mind in Contemporary Art

Jacquelynn Baas

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