Jennifer Jenkins

James Boyle

Theft: A History of Music: This comic lays out 2000 years of musical history. A neglected part of musical history. Again and again there have been attempts to police music; to restrict borrowing and cultural cross-fertilization. But music builds on itself. To those who think that mash-ups and sampling started with YouTube or the DJ's turntables, it might be shocking to find that musicians have been borrowing - extensively borrowing - from each other since music began. Then why try to stop that process? The reasons varied. Philosophy, religion, politics, race - again and again, race - and law. And because music affects us so deeply, those struggles were passionate ones. They still are. The history in this book runs from Plato to Blurred Lines and beyond. You will read about the Holy Roman Empire's attempts to standardize religious music using the first great musical technology (notation) and the inevitable backfire of that attempt. You will read about troubadours and church composers, swapping tunes (and remarkably profane lyrics), changing both religion and music in the process. You will see diatribes against jazz for corrupting musical culture, against rock and roll for breaching the color-line. You will learn about the lawsuits that, surprisingly, shaped rap. You will read the story of some of music's iconoclasts - from Handel and Beethoven to Robert Johnson, Chuck Berry, Little Richard, Ray Charles, the British Invasion and Public Enemy. To understand this history fully, one has to roam wider still - into musical technologies from notation to the sample deck, aesthetics, the incentive systems that got musicians paid, and law's 250 year struggle to assimilate music, without destroying it in the process. Would jazz, soul or rock and roll be legal if they were reinvented today? We are not sure. Which as you will read, is profoundly worrying because today, more than ever, we need the arts. All of this makes up our story. It is assuredly not the only history of music. But it is definitely a part - and a fascinating part - of that history. We hope you like it.

A History of Music

Theft

Erika Garcia

In this insightful book you will discover the range wars of the new information age, which is today's battles dealing with intellectual property. Intellectual property rights marks the ground rules for information in today's society, including today's policies that are unbalanced and unspupported by any evidence. The public domain is vital to innovation as well as culture in the realm of material that is protected by property rights.

The Public Domain

Warwick Johnson-Cadwell

Azhur Saleem

Daniel Humphry

The Marionette Unit

Barbara Kelly

Lisa Woolfson

Now in its second edition, this comprehensive textbook presents a rich overview of approaches to educational psychology, through an in-depth exploration of both existing and emerging practice frameworks. Covering established techniques such as the Monsen et al. Problem-Solving Framework and the Constructionist Model of Informed and Reasoned Action, the book sets out new material on innovative methods and approaches such as Implementation Science and a Problem-Solving - Solution Focussed integrated model for service delivery. Accessible summaries are accompanied by perceptive assessments of how these frameworks meet modern needs for accountable, transparent and effective practice. Providing a definitive, up-to-date view of educational psychology, the book explains the complex, integrated methodology necessary to succeed in the field today. Thoughtful and clear, this textbook will be an invaluable resource for all practicing educational psychologists, students, trainers and educators.

A Textbook for Trainees and Practitioners

Frameworks for Practice in Educational Psychology, Second Edition

A Letter from James Boyle to Wm. Lloyd Garrison Respecting the Clerical Appeal, Sectarianism, True Holiness &c., Also, Lines on Christian Rest

law & the information society : cases & materials

Intellectual property

When several people are brutally killed in the town of Placerton, on the isolated Oregon coast, most locals think a rogue bear or cougar is roaming the forested hills near town. Police Chief Dan Connor is not so sure. He has witnessed some very strange things lately, such as disembodied voices, muttering a strange foreign language and an old Indian man who seems to be near every crime scene, but disappears before he can be questioned. Dan's investigation takes him to the local Sihketunnai Indians and their legend of the Ni'il, magical shamans charged with maintaining the balance between humans and the natural world. According to the elders, one of the Ni'il is responsible for the murders and intends to kill everyone in the community. It is Dan's job to stop it. It sounded unbelievable, but was the only explanation that fit the facts. As a violent Pacific storm crashes ashore, cutting off power and washing out roads cutting the town off from the outside world--Dan finds himself entering a strange world of myth and magic that was not covered in his police training. He must use all his wits and new-found powers to save himself and his community from the Ni'il.

The Awakening

Ni'il

Police Chief Dan Connor and Stephanie return in the third volume of "The Ni'il Trilogy." They have now defeated the monster ni'ilaquo twice, but they know it will no longer underestimate their strength. As they prepare for the next battle they recieve a cryptic warning: "Wokani tsi." They quickly learn that it means "the turtle awakes," and that it's bad, but little else. As they explore the local Natives' lore looking for answers, Dan's political enemies start to move against them and they begin to realize that ni'ilaquo is the least of their problems. The stakes have never been so high. For if they fail now, everything, lterally, could cease to exist.

Book Three of the Ni'il Trilogy

Ni'il: Waking Turtle

Police Chief Dan Connor and Stephanie return in the third volume of The Niil Trilogy. They have now defeated the monster niilaquo twice, but they know it will no longer underestimate their strength. As they prepare for the next battle they recieve a cryptic warning: Wokani tsi. They quickly learn that it means the turtle awakes, and that its bad, but little else. As they explore the local Natives lore looking for answers, Dans political enemies start to move against them and they begin to realize that niilaquo is the least of their problems. The stakes have never been so high. For if they fail now, everything, lterally, could cease to exist.

Stephen Fisher

Educational Testing provides support for those undertaking training in, and for training providers of, the Certificate of Competence in Educational Testing (CCET) (Level A). Developed by the British Psychological Society (BPS) the CCET aims to meet a need for standards for the use of tests in education in the UK, to encourage responsible test use by psychologists and non-psychologists alike. Written by the designers of the certificate and endorsed by the BPS's Steering Committee on Test Standards, Educational Testing is the only book of its kind available: Covers the 71 elements of the CCET in detail and acts as a ‘course text’ for those in training Describes each core competence Provides model answers and examples Offers an indication of the range of ways in which the core competences may be assessed by the Assessor, based upon the existing BPS Guidance for Assessors document Appendices offer guidance on BPS Standards, a glossary of technical terms, useful web-sites and on-line resources and Test Publishers Addresses.

A Competence-Based Approach

Educational Testing

Keith Aoki

A documentary is being filmed. A cell phone rings, playing the "Rocky" theme song. The filmmaker is told she must pay $10,000 to clear the rights to the song. Can this be true? "Eyes on the Prize," the great civil rights documentary, was pulled from circulation because the filmmakers' rights to music and footage had expired. What's going on here? It's the collision of documentary filmmaking and intellectual property law, and it's the inspiration for this new comic book. Follow its heroine Akiko as she films her documentary, and navigates the twists and turns of intellectual property. Why do we have copyrights? What is "fair use"? Bound By Law reaches beyond documentary film to provide a commentary on the most pressing issues facing law, art, property and an increasingly digital world of remixed culture.

James Boyle

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