James J. Wilhelm

Covering almost a thousand years, this work features translated texts in a broad range of genres, from the early chronicles and Welsh verse through Sir Thomas Malory.

An Anthology of Medieval Texts in Translation

The Romance of Arthur

Norris J. Lacy

The Romance of Arthur, James J. Wilhelm's classic anthology of Arthurian literature, is an essential text for students of the medieval Romance tradition. This fully updated third edition presents a comprehensive reader, mapping the course of Arthurian literature, and is expanded to cover: key authors such as Chrétien de Troyes and Thomas of Britain, as well as Arthurian texts by women and more obscure sources for Arthurian romance extensive coverage of key themes and characters in the tradition a wide geographical range of texts including translations from Latin, French, German, Spanish, Welsh, Middle English, and Italian sources a broad chronological range of texts, encompassing nearly a thousand years of Arthurian romance. Norris J. Lacy builds on the book's source material, presenting readers with a clear introduction to many accessible modern-spelling versions of Arthurian texts. The extracts are presented in a new reader-friendly format with detailed suggestions for further reading and illustrations of key places, figures, and scenes. The Romance of Arthur provides an excellent introduction and an extensive resource for both students and scholars of Arthurian literature.

First published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.

An Anthology

Lyrics of the Middle Ages

Originally published in 1990, the main purpose of this anthology is to present the vernacular secular lyric of the Middle Ages, although it also includes Latin literature of the Middle Ages and the influence of the hymn.

This book systematically traces Pound's career from his arrival in London in 1908 to his departure from Paris in 1924, emphasizing his activities but also describing his writings and relating them to his life. Avoiding either vitriolic condemnation or pious hagiography, Wilhelm examines Pound&’s strengths, especially his influence on other artists (including painters and sculptors); he also deals with Pound&’s weaknesses, as manifested particularly in his stormy encounters with people like Amy Lowell. Unlike recent popular biographies, this work offers the reader much new material about Pound&’s life, notably his amatory adventures with Nancy Cunard and Iseult MacBride Stuart, his musical relations with Katherine Ruth Heyman and Walter Morse Rummel, and his friendships with artists such as Francis Picabia, Henri Gaudier-Brzeska, and Wyndham Lewis. The Paris years from 1921 to 1924 are presented in a novel way through the dynamic interplay in Pound&’s life&—both as a diary listing important events and as a series of constellations of artists, musicians, writers, and lovers. The book concludes with Pound&’s eventual disenchantment with Parisian life, his writing of his first Cantos, and his removal to Mussolini&’s Italy, a land that would greatly influence his tragic later years.

Ezra Pound in London and Paris, 1908-1925

Originally published in 1987, this book contains the Love Sgons of the Carmina Burana, alongisde a select bibliography and textual notes. The collection of poems now known as the Carmina was given its name by Schmeller in 1847, and the Carmina Burana comprises the best and most representative products of goliardism and remains the definitive manifestation of the goliardic movement.

James J. Wilhelm

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