Julie Anne Taddeo

James Leggott

Katherine Byrne

This timely collection examines representations of medicine and medical practices in international period drama television. A preoccupation with medical plots and settings can be found across a range of important historical series, including Outlander, Poldark, The Knick, Call the Midwife, La Peste and A Place to Call Home. Such shows offer a critique of medical history while demonstrating how contemporary viewers access and understand the past. Topics covered in this collection include the innovations and horrors of surgery; the intersection of gender, class, race and medicine on the American frontier; psychiatry and the trauma of war; and the connections between past and present pandemics. Featuring original chapters on period television from the UK, the US, Spain and Australia, Diagnosing history offers an accessible, global and multidisciplinary contribution to both televisual and medical history.

Medicine in television period drama

Diagnosing history

This book analyses the representation of North-East England in film and television. It is a response to the way a number of important British films and programmes—for example, Get Carter (1971), Whatever Happened to the Likely Lads (1973-74), Our Friends in the North (1996) and Billy Elliot (2000)—have used this particular setting to explore questions of class, identity and history. It argues for the significance and coherence of a North-East corpus of film and television through a series of case studies relating to specific eras or types of representation. These include regional writers working for television in the 1970s, the achievements of the workshop movement in the 1980s and works produced within the genres of documentary, crime drama, comedy, period drama and reality television. The book discusses how the communities and landscapes of the region have been used to explore processes of cultural change, and legacies of de-industrialisation.

The North East of England on Film and Television

Julie Taddeo

This collection addresses the social and political contexts that have shaped the British TV costume drama as well as the changing historical contexts in which such programs are viewed again and again (in syndication, on DVD, youtube, etc.) and are reinterpreted by a thriving twenty-first-century global fan culture.

British Costume Drama Television from The Forsyte Saga to Downton Abbey

Upstairs and Downstairs

This collection examines the representation of medicine and medical practices in international period drama television. Featuring original chapters on period television from the UK, the US, Spain and Australia, Diagnosing history offers an accessible, global and multidisciplinary contribution to both televisual and medical history.

Medicine in Television Period Drama

Diagnosing History

Jamie Sexton

'No Known Cure' is the first critical study of the work of Chris Morris, the influential, innovative, and frequently inflammatory British satirist. It contains new essays by television and media experts on different aspects of Morris's celebrated but controversial work and its contemporary broadcasting contexts.

The Comedy of Chris Morris

No Known Cure

For over five decades, the Newcastle-based Amber Film and Photography Collective has been a critical (if often unheralded) force within British documentary filmmaking, producing a variety of innovative works focused on working-class society. Situating their acclaimed output within wider social, political, and historical contexts, In Fading Light provides an accessible introduction to Amber’s output in both national and transnational perspectives, including experimental, low-budget documentaries in the 1970s; more prominent feature films in the 1980s; studies of post-industrial life in the 1990s; and the distinctive perils and opportunities posed by the digital era.

The Films of the Amber Collective

In Fading Light

Donald E. Palumbo

Tobias Hochscherf

Written by international experts from a range of disciplines, these essays examine the uniquely British contribution to science fiction film and television. Viewing British SF as a cultural phenomenon that challenges straightforward definitions of genre, nationhood, authorship and media, the editors provide a conceptual introduction placing the essays within their critical context. Essay topics include Hammer science fiction films, the various incarnations of Doctor Who, Stanley Kubrick’s A Clockwork Orange, and such 21st-century productions as 28 Days Later and Torchwood.

James Leggott

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