James Mackay

One of the most influential filmmakers of the late 20th century, Derek Jarman directed cult feature films such as Jubilee (1977) and Caravaggio (1986), as well as music videos for The Smiths, the Pet Shop Boys and Marianne Faithfull. He also trained in fine art and a painterly mentality permeates all his work, particularly his experimental Super 8 films. The Super 8s show Jarman at his most visually courageous and creative, using prisms, filters and superimposition to produce rich colour and artistically bold compositions. Jarmans producer and collaborator, James Mackay, has painstakingly archived and restored the collection of ninety-two Super 8s bequeathed to him in order to prevent these rarely seen films being lost for ever. This book features key stills and sequences from the films, as chosen and introduced by Liam Gillick, Wilhelm Sasnal, Sarah Turner, Gina Birch, Matthias Müller, Peter Fillingham, Neil Bartlett and Isaac Julien. The transient images, isolated like paintings, are the essence of Derek Jarman and the visual vocabulary of a great artist. This is an indispensable introduction to the Super 8s for all film historians, film students, cinéastes and Jarmanites alike

Derek Jarman Super 8

Julian Barnes

Maigret and the Penguin Books

Thomas Lipton burst onto the national scene in 1897, the year of Queen Victoria's Diamond Jubilee. The Princess of Wales had launched a £30,000 fund to provide a Jublilee dinner for the poor, but, with only weeks to go, no more than £5,000 had been subscribed. Lipton saved the day by writing a cheque for £25,000. The annonymous gift created massive press speculation and even greater publicity when the identity of the donor leaked out two days later. Lipton's generosity earned him a knighthood and propelled him into society at the highest level, a personal friend of the future King and Queen. Many of the myths that surrounded Lipton in the latter part of his life were created at this time and would be fixed for ever in his autobiography, published shortly after his death in 1931. Until now, what we know of Sir Thomas Lipton, grocery millionaire and yachtsman, is what he chose to tell the world about himself. Now literally detective James Mackay has uncovered the true story of one of the turn of the century's most extrordinary, larger-than-life characters, a story which is indefinitely more dramatic than the accepted version. Virtually everything Lipton tells us about himself is now shown to be untrue - even the origins of his family, his name, his date of birth and the place where he was born. The man who was hailed as the world's most eligible bachelor (his name was linked romantically with Rose Fitzgerald, the future mother of John F. Kennedy) had at least two skeletons in the closet - a youthful indescretion which led to a forced marriage, and a homosexual affair which lasted for thirty years. As a self-publicist he was a genius, and this was the key to his remarkable success. Beginning with a small shop in Glasgoe in 1871 he created a nationwide grocery chain second to none. In the process, he revolutionised the grocery retail trade, dealing direct with producers and eventually controlling production himself, with tea estates in Ceylon and meat-packing plants in Chicago. He combined a flair for organisation with superb showmanship, with stunts such as five-ton cheeses stuffed with gold sovereigns. In 1898 his company went public in one of the most successful share issues in stockmarket history. Lipton developed an interest in yachting which he pursued with the same single-mindedness as his business ventures. Between 1898 and 1930 he challenged for the America's Cup with a succession of yachts called Shamrock, but the rules of the race were heavily weighted in favour of the American defenders. The saga of his challenges, his near triumphs and the disappointments that would have destroyed a less heroic figure has become the most stirring in the annals of sport, and provides a fitting conclusion to the life of a maverick and outsider who was also one of the most colourful and flamboyant tycoons of all time.

The Man Who Invented Himself

Sir Thomas Lipton

Fans

Park Benjamin

James Aldrich

Henry Champion Deming

A Weekly Family Journal of Popular Literature, Science, Art and News

The New World

Sir William Wallace of Ellerslie is one of history's greatest heroes, but also one of its greatest enigmas - a shadowy figure whose edges have been blurred by myth and legend. Even the date and place of his birth have been mis-stated - until now. James Mackay uses all his skills as a historical detective to produce this definitive biography, telling the incredible story of a man who, without wealth or noble birth, rose to become Guardian of Scotland. William Wallace, with superb generalship and tactical genius, led a country with no previous warlike tradition to triumph gloriously over the much larger, better-armed and better-trained English forces. Seven hundred years later, the heroism and betrayal, the valiant deeds and the dark atrocities, and the struggle of a small nation against a brutal and powerful empire, still create a compelling tale.

Brave Heart

William Wallace

David Stirrup

This transnational collection discusses the use of Native American imagery in twentieth and twenty-first-century European culture. With examples ranging from Irish oral myth, through the pop image of Indians promulgated in pornography, to the philosophical appropriations of Ernst Bloch or the European far right, contributors illustrate the legend of "the Indian." Drawing on American Indian literary nationalism, postcolonialism, and transnational theories, essays demonstrate a complex nexus of power relations that seemingly allows European culture to build its own Native images, and ask what effect this has on the current treatment of indigenous peoples.

Native Americans in the European Imaginary, 1900-2010

Tribal Fantasies

Andrew Carnegie (1835–1922) was a mass of contradictions: a radical Chartist who became a rabid capitalist, an idealist who was also a profound cynic, a committed pacifist who also played a crucial role in the opening part of the American Civil War, and a ladies’ man who had to wait until his fifties (after his domineering mother died) before forming a meaningful relationship with a woman. From bobbin boy in a Pittsburgh factory he progressed to messenger boy, telegraphist and railway superintendent. His meteoric rise owed much to his boss, Thomas Scott, who also cut the young Carnegie in on his first lucrative share deal. The youth who earned thirty-five dollars a month was on the road to his first million within a year or two, and he never looked back. Speculation in rolling-stock and railways, the nascent oil industry, iron and, above all, steel made Carnegie the richest man in the world. Along the way he created fortunes for many others, but trampled on friend and foe alike in his relentless pursuit of money. Then, the man who amassed the largest fortune in the world proceeded to give most of it away. From free libraries to world peace, the Carnegie millions were pumped into a host of worthy causes. The Peace Palace at the Hague is the lasting legacy of this global philanthropy; but Carnegie’s faith in the Kaiser to achieve world peace was shattered by the outbreak of the First World War, and it was a setback from which he never recovered. This candid and penetrating biography follows Carnegie from his humble birthplace in Dunfermline to the squalor of Allegheny City and Pittsburgh in the 1840s, and charts his dramatic rise to fame and fortune. Set against the contrasting backdrops of radical Scotland and America during the most turbulent phase of its development, Little Boss is the definitive story of one of the world’s greatest captains of industry.

Little Boss

Andrew Carnegie

Emma McLaughlin

Averil Coxhead

Jean Parkinson

English for Vocational Purposes provides a linguistic description of English in the context of the trades and investigates how this specialist language is used in real-world contexts. As the demand for English-speaking workers in the trades grows internationally, a major gap in the research on language in the trades is evident. Based on courses in construction and engineering at a polytechnic in New Zealand, this book offers an empirical response to this gap in research. Features of this book include: new research on linguistic features of written and spoken texts in trades education, with a special focus on discourse, visual elements of written texts and vocabulary; real-life examples of the language in context, along with implications for teaching and learning and a chapter devoted to putting research findings into practice; qualitative and quantitative data to support examples and shed light on the most complex aspects of English as a trades language; supplementary material online which includes technical word lists in areas of carpentry, plumbing, automotive technology and fabrication (welding). Paving the way for a new research agenda in the field of ESP, English for Vocational Purposes is key reading for advanced students, researchers and practitioners in the areas of ESP, trades education and vocational education.

Language Use in Trades Education

English for Vocational Purposes

In My End Is My Beginning is the story of Mary Queen of Scots (1542–87), the tragic heroine par excellence. Queen of an unfamiliar and troubled nation when she was a week old, it was her misfortune to be a pawn in the game of international politics throughout her life. Even in the brief period from 1561 to 1567 when she was ruler of Scotland in fact as well as in name, she was beset with problems that would have defeated a much stronger, more experienced monarch. A talented poet and a charismatic leader, she contended with a treacherous, self-serving nobility, the religious ferment of the Reformation, and the political ambitions of larger and more powerful neighbours. With little real authority and few resources, Mary’s reign was successful, until her disastrous marriage to the dissolute Darnley set in motion the events that brought about her downfall. For the last 20 years of her life she was a prisoner in the hands of her cousin, Elizabeth I of England, and the subject of treacherous plots and conspiracies. A hostage to fortune, she represented a threat and a rallying-point for English Catholics. Her tragic end was inevitable. Yet her life, with all its adventurous, failures and disasters, produced the son – James – who ultimately brought about the union of Scotland and England. In the End Is My Beginning uncovers the true facts of Mary’s life in the context of Anglo-Scottish relations and shows why, after more than 400 years, she remains arguably the greatest character in popular Scottish history.

James Mackay

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