Mary A. Favret

Mark Rawlinson

Andrew Zurcher

Carol Watts

Catherine A. M. Clarke

Joanna Bellis

James Purdon

Susanna A. Throop

Katie L. Walter

Tom F. Wright

Reflections on the uneasy yet symbiotic relations of war and writing, from medieval to modern literature.

War and Literature

Between steam and cybernetics lies a missing phase in the history of information culture. Beginning in the late nineteenth century, national governments and writers of fiction alike began to take an interest in information not simply as fact, nor yet as effortlessly transmissible data, but as an unusual and destabilizing new phenomenon. Modernist Informatics mines this burgeoning bureaucracy and marshals an array of archival evidence to detail the varied reactions of writers struggling in their lives and works to make sense of this strange new age of information. As James Purdon recounts in this fascinating study, many people, including Joseph Conrad and Walter Benjamin, felt the presence of information as an interruption rather than an enhancement of meaningful communication. Its intrusion provoked strong reactions from novelists such as Arnold Bennett, Ford Madox Ford, and Graham Greene. Each regarded the prying eyes of information society with increasing unease, as they struggled to overcome the division of daily existence between a fixed entity on a ledger and the imaginative possibility of everyday life. For others, such as Elizabeth Bowen, the nascent information age offered new opportunities for transforming experience into prose. Relating these varied, complex reactions and how they found their way into fiction, Purdon shows how historical changes shaped the narratives at his study's core and gave birth to a range of new informatic phenomena: passports and identity papers; the dossiers of the Mass-Observation movement; the literal and figurative blackout procedures of the Blitz; and the government-sponsored "information films" of John Grierson. Modernist Informatics ingeniously traces how information culture seeped into everyday lives, forging a relationship of entanglement as well as antagonism-a tension that was central to the shaping of modernity.

Literature, Information, and the State

Modernist Informatics

Melissa M. Littlefield

Rex Ferguson

Since the mid-nineteenth century, there has been a notable acceleration in the development of the techniques used to confirm identity. From fingerprints to photographs to DNA, we have been rapidly amassing novel means of identification, even as personal, individual identity remains a complex chimera. The Art of Identification examines how such processes are entangled within a wider sphere of cultural identity formation. Against the backdrop of an unstable modernity and the rapid rise and expansion of identificatory techniques, this volume makes the case that identity and identification are mutually imbricated and that our best understanding of both concepts and technologies comes through the interdisciplinary analysis of science, bureaucratic infrastructures, and cultural artifacts. With contributions from literary critics, cultural historians, scholars of film and new media, a forensic anthropologist, and a human bioarcheologist, this book reflects upon the relationship between the bureaucratic, scientific, and technologically determined techniques of identification and the cultural contexts of art, literature, and screen media. In doing so, it opens the interpretive possibilities surrounding identification and pushes us to think about it as existing within a range of cultural influences that complicate the precise formulation, meaning, and reception of the concept. In addition to the editors, the contributors to this volume include Dorothy Butchard, Patricia E. Chu, Jonathan Finn, Rebecca Gowland, Liv Hausken, Matt Houlbrook, Rob Lederer, Andrew Mangham, Victoria Stewart, and Tim Thompson.

Forensics, Surveillance, Identity

The Art of Identification

James Purdon

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