James Rondeau

Cy Twombly

Cy Twombly’s distinctive artworks merge drawing, painting, and symbolic gesture in the pursuit of a direct, intuitive form of expression. Much of the artist’s recent output interprets the natural world, often through references to garden and landscape. Cy Twombly: The Natural World, Selected Works, 2000–2007 features more than 30 paintings, works on paper, photographs, and sculptures. Published in full cooperation with the artist, this handsome book speaks to both continuity and innovation in Twombly’s work, underscoring the ongoing creative vitality of one of the greatest American artists of our time.

The Natural World, Selected Works, 2000-2007

Sheena Wagstaff

Tate Modern (Gallery)

Clare Bell

Roy Lichtenstein

The most iconic works of Roy Lichtenstein are widely known, reproduced, copied and even parodied. This book gives consideration to Lichtenstein's work, complemented with photographs of the artist and his seminal exhibitions.

A Retrospective

A Monody

Leopold's Loss, Or, England's Tears O'er the Urn of Her Beloved Princess, Charlotte Augusta

Nancy Spector

Michael Rush

Dennis Scholl

Janine Antoni photographs a pair of hands joined in a Mvbius strip of long, polished fingernails; John Baldessari commingles images of politics and handguns and primary-colored spheres; John Coplans offers his feet as self-portrait; Gregory Crewdson tells the cinematic, mysterious tale of a random street in some suburbia somewhere; Thomas Demand constructs the illusion of a soundproof room; Rineke Dijkstra portrays herself as a bather at an indoor pool in Amsterdam; Anna Gaskell shows a drowning Alice (or is she treading water?); Dan Graham sites "New Houses behind Chain Link Fence, Jersey City, Ny"; and Andreas Gursky reveals the frenzy of the "Chicago Board of Trade." These photographs and many, many more form the Miami-based collection Debra and Dennis Scholl have amassed over the last two decades. Representing an important selection of the major figures in contemporary American and European photography, they are here accompanied by essays from Nancy Spector, James Rondeau, and Michael Rush, three of the most important curators of contemporary art.

The Debra and Dennis Scholl Collection : [exhibition] Contemporary Museum and Palm Beach Institute of Contemporary Art

Imperfect Innocence

Michael Govan

Rebecca Morse

Robyn Farrell

Zoé Whitley

Five decades of iconic and incisive art from Barbara Kruger Since the mid-1970s, Barbara Kruger (born 1945) has been interrogating consumer culture in works that often combine visual and written language. In her singular graphic style, Kruger probes aspects of identity, desire and consumerism that are embedded in our everyday lives. This volume traces her continuously evolving practice to reveal how she adapts her work in accordance with the moment, site and context. The book features a range of striking images--from her analogue paste-ups of the 1980s to digital productions of the last two decades, including new works produced on the occasion of the exhibition. Also featured are singular works in vinyl, her large-scale room wraps, multichannel videos, site-specific installations and commissioned works. The book also showcases how Kruger's site-specific works have been reconceived for each venue, and includes a section of reprinted texts selected by the artist. Renowned for her use of direct address and her engagement with contemporary culture, Kruger is one of the most incisive and courageous artists working today. This volume explores how her pictures and words remain urgently resonant in a rapidly changing world.

Thinking of You, I Mean Me, I Mean You

Barbara Kruger

Museum of Modern Art (New York, N.Y.)

San Francisco Museum of Modern Art

Peter Galassi

Jeff Wall

Neal David Benezra

Jeff Wall's large color transparencies set forth an imposing and seductive pictorial world. Ranging from the gritty realism of the city street to bizarre flights of fantasy, his photographs have won him wide recognition as one of the most adventurous and accomplished artists of the past three decades. This book accompanies a major retrospective jointly organized in 2007 by Peter Galassi, Chief Curator of Photography, The Museum of Modern Art, New York, and Neal Benezra, Director, San Francisco Museum of Modern Art. Between showings in New York and San Francisco, the show visits The Art Institute of Chicago. Born in 1946 in Vancouver, British Columbia, where he lives and works, Jeff Wall has charted an ambitious and unique path through the maze of contemporary art, drawing upon such diverse resources as Conceptual art, Neorealist cinema, philosophy, literature, critical theory, modernist photography, and the venerable tradition of European painting. The exhibition includes all of his major works to date, which are reproduced here along with several very recent pictures and a generous selection of artistic sources, cousins, and echoes. The latter are illustrations to Galassi's essay, which sketches the breadth and originality of Wall's artistic and intellectual universe and challenges conventional interpretations of his development and achievement. The book also includes an interview with the artist by James Rondeau, Frances & Thomas Dittmer Chairman, Department of Contemporary Art, The Art Institute of Chicago.

Juliane Rebentisch

"With a rigorous approach and self-imposed limitations to both scale and composition, Tomma Abts (b. 1967) has reinvigorated painterly abstraction and its relevance within contemporary art. Using a fixed canvas size and a vertical format, Abts deploys basic formal elements such as arcs, circles, planes, and stripes to create powerful works that are at once subtle and eccentric. This extraordinary book, designed in collaboration with the artist herself, is a substantial and deeply insightful treatment of her career to date and features sixty works made over the past decade. Essays not only contextualize Abts's work within an art-historical framework of methods, process, and style, but also examine her paintings' philosophical and psychological dimensions and their embodiment of a creative process that transcends the specifics of any particular work. The beautifully designed and illustrated exhibition catalogue examines both the art-historical framework of Tomma Abts's painting as well as its deep philosophical and psychological dimensions. James Rondeau is president and Eloise W. Martin Director of the Art Institute of Chicago. Lizzie Carey-Thomas is head of programs at the Serpentine Galleries in London. Kate Nesin is an independent art historian. Juliane Rebentisch is a professor of philosophy and aesthetics at the Offenbach University of Art and Design in Berlin"--

Tomma Abts

James Rondeau

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