James Spooner

A formative coming-of-age graphic memoir by the co-founder of Afro-punk: a young man's immersive reckoning with identity, racism, and belonging in an isolated California desert town, and a search for salvation and community through punk.

Black. Punk. Nowhere

The High Desert

Chris L. Terry

A canonizing, bold, and urgent anthology setting a new precedent for Black Punk Lit, created by generations of Black punks—featuring both new voices and those from the not-so-recent past Black Punk Now is an anthology of contemporary nonfiction, fiction, illustrations, and comics that collectively describe punk today and give punks—especially the Black ones—a wider frame of reference. It shows all of the strains, styles, and identities of Black punk that are thriving, and gives newcomers to the scene more chances to see themselves. Curated from the perspective of Black writers with connections to the world of punk, the collection mixes media as well as generations, creating a new reference point for music-lovers, readers, and historians by capturing the present and looking towards the future. With strong visual elements integrated throughout, this smart, intimate collection is demonstrative of punk by being punk itself: underground, rebellious, aesthetic but not static—working to decenter whiteness by prioritizing other perspectives. Edited by graphic novelist and filmmaker James Spooner, and author Chris L. Terry, contributors to the collection include critic Hanif Abdurraqib and Mars Dixon, conversations with Brontez Purnell, and a roundtable of all femme festival organizers.

Black Punk Now

From the award-winning filmmaker and graphic novelist, comes the untold origin story of the multi-million-dollar AFROPUNK festival—beginning not with big stages or brand sponsorship, but with one mixed-race teenager’s search for belonging in the nineties New York City punk scene. In 1991, fifteen-year-old James Spooner arrives in New York’s West Village, hopeful that he’s finally escaped the extremist racism of his Southern California desert town. Still, a question looms large over his cross-country move: What will New York City make of this tartan plaid-and-leather-clad, mixed race, Black kid with a mohawk? Will he find his people? Thus begins Spooner’s insider’s account of the nineties downtown New York punk and early aughts pre-Giuliani nightlife scenes. In the city’s legendary rock clubs, squat basements, and DIY art spaces, he finds his way to creating zines, starting a record label, and promoting parties, while falling further in love with punk rock’s distorted guitars and politically progressive lyrics. Happy to have left a world of Nazi skins behind he must still navigate the casual racism and bigotry of a seemingly all-white echo chamber; a world stubbornly resistant to his Black/punk identity. Intent on carving a space for young, Black, politically radical punk rockers like himself, Spooner undertakes a whirlwind tour of the country, collecting the stories that will become his acclaimed documentary, Afro-Punk, and eventually lead to the wildly successful music festival of the same name. But what begins as a way to chronicle the joys and heartaches of being Black and punk rock soon spirals into a multimillion-dollar corporate endeavor. Spooner is forced to ask himself: In setting out to galvanize an underground movement, has he in fact given rise to the least punk rock thing of all—a brand? Illustrated with a vibrant mix of comics, spot art, and punk ephemera throughout, It Starts with Anger is at once a coming-of-age story about found family, a compelling capitalist cautionary tale, and a raucous celebration of the indelible, rebellious spirit of Black punks.

A Punk Beginning. An Afropunk Ending.

It Starts with Anger

A formative coming-of-age graphic memoir by the creator of Afro-punk: a young man's immersive reckoning with identity, racism, clumsy teen love and belonging in an isolated California desert, and a search for salvation and community through punk. Apple Valley, California, in the late eighties, a thirsty, miserable desert. Teenage James Spooner hates that he and his mom are back in town after years away. The one silver lining--new school, new you, right? But the few Black kids at school seem to be gangbanging, and the other kids fall on a spectrum of micro-aggressors to future Neo-Nazis. Mixed race, acutely aware of his Blackness, James doesn't know where he fits until he meets Ty, a young Black punk who introduces him to the school outsiders--skaters, unhappy young rebels, caught up in the punk groundswell sweeping the country. A haircut, a few Sex Pistols, Misfits and Black Flag records later: suddenly, James has friends, romantic prospects, and knows the difference between a bass and a guitar. But this desolate landscape hides brutal, building undercurrents: a classmate overdoses, a friend must prove himself to his white supremacist brother and the local Aryan brotherhood through a show of violence. Everything and everyone are set to collide at one of the year's biggest shows in town... Weaving in the Black roots of punk rock and a vivid interlude in the thriving eighties DIY scene in New York's East Village, this is the memoir of a budding punk, artist, and activist.

Black. Punk. Nowhere.

A formative coming-of-age graphic memoir by the creator of Afro-punk: a young man’s immersive reckoning with identity, racism, clumsy teen love and belonging in an isolated California desert, and a search for salvation and community through punk. Apple Valley, California, in the late eighties, a thirsty, miserable desert. Teenage James Spooner hates that he and his mom are back in town after years away. The one silver lining—new school, new you, right? But the few Black kids at school seem to be gangbanging, and the other kids fall on a spectrum of micro-aggressors to future Neo-Nazis. Mixed race, acutely aware of his Blackness, James doesn't know where he fits until he meets Ty, a young Black punk who introduces him to the school outsiders—skaters, unhappy young rebels, caught up in the punk groundswell sweeping the country. A haircut, a few Sex Pistols, Misfits and Black Flag records later: suddenly, James has friends, romantic prospects, and knows the difference between a bass and a guitar. But this desolate landscape hides brutal, building undercurrents: a classmate overdoses, a friend must prove himself to his white supremacist brother and the local Aryan brotherhood through a show of violence. Everything and everyone are set to collide at one of the year's biggest shows in town... Weaving in the Black roots of punk rock and a vivid interlude in the thriving eighties DIY scene in New York's East Village, this is the memoir of a budding punk, artist, and activist.

James Spooner

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