James Stevens Curl

Professor Curl has fashioned an absorbing, lucid and entertaining book describing the Victorian response to the only certainty in life--death. It includes disposal of the dead, landscaped cemeteries funerals and more.

The Victorian Celebration of Death

In Making Dystopia, distinguished architectural historian James Stevens Curl tells the story of the advent of architectural Modernism in the aftermath of the First World War, its protagonists, and its astonishing, almost global acceptance after 1945. He argues forcefully that the triumph of architectural Modernism in the second half of the twentieth century led to massive destruction, the creation of alien urban landscapes, and a huge waste of resources. Moreover, the coming of Modernism was not an inevitable, seamless evolution, as many have insisted, but a massive, unparalled disruption that demanded a clean slate and the elimination of all ornament, decoration, and choice. Tracing the effects of the Modernist revolution in architecture to the present, Stevens Curl argues that, with each passing year, so-called 'iconic' architecture by supposed 'star' architects has become more and more bizarre, unsettling, and expensive, ignoring established contexts and proving to be stratospherically remote from the aspirations and needs of humanity. In the elite world of contemporary architecture, form increasingly follows finance, and in a society in which the 'haves' have more and more, and the 'have-nots' are ever more marginalized, he warns that contemporary architecture continues to stack up huge potential problems for the future, as housing costs spiral out of control, resources are squandered on architectural bling, and society fractures. This courageous, passionate, deeply researched, and profoundly argued book should be read by everyone concerned with what is around us. Its combative critique of the entire Modernist architectural project and its apologists will be highly controversial to many. But it contains salutary warnings that we ignore at our peril. And it asks awkward questions to which answers are long overdue.

The Strange Rise and Survival of Architectural Barbarism

Making Dystopia

Fantasies, Views and Fragments

Giovanni Battista Piranesi

London was once blessed with spas set in gardens, where beneficial waters could be consumed and enjoyed in agreeable surroundings, sometimes with music, food and alcohol. They were, in effect, the pleasure resorts of the 18th century. With the aid of many images the author - one of England's most distinguished architectural historians - provides a racy, informative, humorous and well-researched social history of these fascinating, if ephemeral, little-known features of London life, some of which survived until early Victorian times.

Spas, Wells, & Pleasure Gardens of London

An Introduction to Some of the Buildings, Monuments, and Settings of Funerary Architecture in the Western European Tradition

A Celebration of Death

In this book, church architecture of the period is clearly placed in its complex social and denominational setting. It is fully illustrated with a wide range of photographs both old and new, some of which were especially commissioned for this book.

Book of Victorian Churches

Describes funerary architecture, monuments, memorials, and mausolea, together with the landscapes of cemeteries, from classical antiquity to the present. The book covers a wide range of chronology and geographical area, including the elaborate cemeteries created during the 18th century.

Containing over 500 entries, this text explains clearly the main architectural terms and styles with the help of line drawings. Concise biographies from all periods outline major architects and their most notable works.

Dictionary of Architecture

In this beautifully illustrated and closely argued book, a completely updated and much expanded third edition of his magisterial survey, Curl describes in lively and stimulating prose the numerous revivals of the Egyptian style from Antiquity to the present day. Drawing on a wealth of sources, his pioneering and definitive work analyzes the remarkable and persistent influence of Ancient Egyptian culture on the West. The author deftly develops his argument that the civilization of Ancient Egypt is central, rather than peripheral, to the development of much of Western architecture, art, design, and religion. Curl examines: the persistence of Egyptian motifs in design from Graeco-Roman Antiquity, through the Medieval, Baroque, and Neo-Classical periods rise of Egyptology in the nineteenth and twentieth-century manifestations of Egyptianisms prompted by the discovery of Tutankhamun’s tomb various aspects of Egyptianizing tendencies in the Art Deco style and afterwards. For students of art, architectural and ancient history, and those interested in western European culture generally, this book will be an inspiring and invaluable addition to the available literature.

Ancient Egypt as the Inspiration for Design Motifs in the West

The Egyptian Revival

Susan Wilson

Containing over 6,000 entries from Aalto to Zwinger and written in a clear and concise style, this authoritative dictionary covers architectural history in detail, from ancient times to the present day. It also includes concise biographies of hundreds of architects from history (excluding living persons), from Sir Francis Bacon and Imhotep to Liang Ssu-ch'eng and Francis Inigo Thomas. The text is complemented by over 260 beautiful and meticulous line drawings, labelled cross-sections, and diagrams. These include precise drawings of typical building features, making it easy for readers to identify particular period styles. This third edition of The Oxford Dictionary of Architecture has been extensively revised and expanded, with over 900 new entries including hundreds of definitions of garden and landscape terms such as Baroque garden, floral clock, hortus conclusus, and Zen garden-design. Each entry is followed by a mini-bibliography, with suggestions for further reading. The full bibliography to the first edition (previously only available online) has also been fully updated and expanded, and incorporated into this new edition. This is an essential work of reference for anyone with an interest in architectural and garden history. With clear descriptions providing in-depth analysis, it is invaluable for students, professional architects, art historians, and anyone interested in architecture and garden design, and provides a fascinating wealth of information for the general reader.

The Oxford Dictionary of Architecture

Covers all periods of western architectural history including biographies of architects and others who have made significant contributions to the field of architecture.

James Stevens Curl

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