James Treadwell

“Magnificent.” —Publishers Weekly (starred review) It’s a year and a half after the events of Anarchy—a novel hailed as “bewitchingly perplexing and supernaturally entertaining” (Kirkus Reviews)—and the world is alive with magic in this third astonishingly imaginative novel in the fantasy trilogy that began with Advent. On a tiny archipelago out of sight of the rest of the world lives Rory, a ten-year-old boy. He and his mother and a handful of survivors live an exhausting and precarious existence, entirely isolated. The sea is alive, and angry. Every man Rory can remember has been drowned. Everyone knows he’ll be next. One night, for the first time since the world changed and the curse descended, strangers appear on the island. They’re on their way to England, seeking a powerful magic ring. And one of them seems to know Rory by sight… Caught up in their quest, Rory enters an England of terrors and marvels, at the heart of which lies a place where journeys unimaginably longer and older than his will reach their end: Pendurra.

A Novel

Arcadia

For centuries it has been locked away Lost beneath the sea Warded from earth, air, water, fire, spirits, thought and sight. But now magic is rising to the world once more. And a boy called Gavin, who thinks only that he is a city kid with parents who hate him, and knows only that he sees things no one else will believe, is boarding a train, alone, to Cornwall. No one will be there to meet him.

Advent

a novel

When an accused murderer disappears from a locked cell on her watch, Corporal Goose Maculloch of the Royal Canadian Mounted Police tracks the vanished girl through the wilderness of Vancouver Island, where bizarre phenomenon accompany her encounters with a desolate child and a grieving mother. 35,000 first printing.

Anarchy

I am everything no longer forgotten. I banish forgetting. My seed has grown and become prophecy. Truth walks the world above. Magic is risen to the world once more. In Cornwall, they have seen it rise: in an angel of death and endless, unseasonal snow. Across the ocean, on a remote Canadian island, the blood and offerings and smoke of England seem nothing more than distant rumours of hysteria. Until the girl disappears. And the whale comes. And The Plague spreads. And nothing is as it was before.

Simon Winlow

Steve Hall

Daniel Briggs

The years 2008 to 2013 saw a new generation of political protestors take to the streets. Riots disrupted many Western cities and new protest movements emerged, keen to address a bleak context of economic collapse and austerity politics. In this groundbreaking new study, Winlow, Hall, Briggs and Treadwell push past the unworldly optimism of the liberal left to offer an illuminating account of the enclosure and vacuity of contemporary politics. Focusing on the English riots of 2011, the ongoing crisis in Greece, the Indignados, 15M and Podemos in Spain, the Occupy movement in New York and London and the English Defence League in northern England, this book uses original empirical data to inform a strident theoretical critique of our post-political present. It asks: what are these protest groups fighting for, and what are the chances of success? Written by leading criminological theorists and researchers, this book makes a major contribution to contemporary debates on social order, politics and cultural capitalism. It illuminates the epochal problems we face today. Riots and Political Protest is essential reading for academics and students engaged in the study of political sociology, criminological theory, political theory, sociological theory and the sociology of deviance.

Riots and Political Protest

Winlow, Simon

Hall, Steve

This book is the first to offer an uncompromising look at the English Defence League (EDL), aiming to alter thinking about working-class politics and the rise of right-wing nationalism in de-industrialised English towns and cities.

English Nationalism and the Transformation of Working-class Politics

The Rise of the Right

The word 'autobiography' is a late eighteenth-century coinage; yet by 1826 it was used as the title for a multi-volume anthology of self-writing, and in 1834 Thomas Carlyle wrote of 'these Autobiographical times of ours'. Over the course of those few decades, readers and writers came to recognize and name a new genre. This book is the first full study of the phenomenon, examining both the conditions and the practice of autobiographical writing in Romantic literature. Historians of autobiography have often pointed to the turn of the nineteenth century as a pivotal moment. In Rousseau and De Quincey's 'Confessions', Wordsworth's 'Prelude', and other canonical documents, it has been argued, self-writing begins to serve the purpose of expressing the individuality, autonomy, and interiority of the self. A more wide-ranging view of the actual state of autobiography at the time exposes this narrative as a misrepresentation. Self-writing does gain a new kind of prominence around 1800; not, however, because it articulates 'Romantic' ideologies of selfhood, but because it becomes a focus of scrutiny, and of contention. The decades of the Romantic period identified themselves as 'Autobiographical times' — but did so anxiously. This book asks: what forms did that recognition and that anxiety take within the literary culture of the period? What did autobiography mean to Romantic readers and writers? How do autobiographical texts of the period reflect, express, and negotiate these conditions? As well as reading a wide variety of those documents, with single chapters devoted to works by Coleridge, Byron, and Lamb, Treadwell examines writing on and around autobiography: essays, reviews, and other forms of commentary. By preserving a continuous relation between the texts and their contexts, this book offers the first proper study of what is actually meant by 'Romantic autobiography'.

Autobiographical Writing and British Literature 1783-1834

This is an essential introduction to undergraduate studies in criminology. Short, clear and concise, it offers students a comprehensive overview of the key themes covered on criminology courses. Criminology: The Essentials is an indispensible learning tool. As well as mapping out course content in a coherent and engaging way, it offers students invaluable advice on how to get the most out of their studies.

The Essentials

Criminology

'This accessibly written book is truly innovative in combining an introduction to key perspectives and topics in criminology with a very student friendly study guide to the problems of researching and writing in the discipline' - Professor Kevin Stenson, Middlesex University This book offers a timely introduction both to the discipline of criminology and to the practice of studying it as an undergraduate subject. It takes the reader from first principles in Criminology through to some quite complex ideas and debates. It also offers useful advice on how to grapple with the practical realities of studying this subject. It does both of these in a manner which is always accessible and readable. Dr Tony Kearon, Keele University This is a superb text for the [undergraduate] audience intended. The writing is clear, difficult concepts are explained well, criticality is encouraged, the signposting is adequate and exercises are provided to embed learning. An excellent book overall, and one that deserves wide readership. Peter Hamerton Criminology is part of an exciting new series from SAGE. Developed as accessible reference tools, SAGE Course Companions offer an introduction to the subject and encourage students to extend their understanding of key concepts, issues and debates. Criminology is designed to give those new to the study of criminology, criminal justice and the sociology of deviance a comprehensive overview of the subject matter. It can be used as an introduction to the subject and referred to throughout the degree for tips and revision guidance. Criminology is designed to complement, rather than replace, existing textbooks for the course, and will provide: - Helpful summaries of the course curriculum to aid exam revision and essay planning - Key summaries of the approach taken by the main textbooks on the course - Guidance on the essential study skills required to pass the course - Help with developing critical thinking - Route-maps to aid the development of wider learning above and beyond the textbook - Pointers to success in course exams and written assessment exercises - A tutor's-eye view of what course examiners are looking for - An insider's view of what key course concepts are really all about SAGE Course Companions are much more than revision guides for undergraduate. They are an essential tool to success in undergraduate courses, enriching the learning experience and developing students' understanding.

This is an essential introduction to undergraduate studies in criminology. Short, clear and concise, it provides a comprehensive overview of the key themes covered on your criminology course. The second edition provides: Summaries of key course content, including new sections on race and ethnicity, cybercrime, ordinary crime, state crime, global and comparative criminology, green criminology and zemiology A helpful study skills section with extensive advice on how to write essays and pass exams, including new sections on how to avoid plagiarism and how to find, read and use journal articles Recent international case studies drawn from the United Kingdom, Australia, Africa and The United States An all new companion website providing guides to further reading and links to relevant blogs, journal articles and useful websites Criminology: The Essentials is an indispensible learning tool. As well as mapping out course content in a coherent and engaging way, it offers helpful hints and tips for getting the most out of your studies.

The year is 1785, and Thomas Peach, a gentleman of modest means, moves to a small village in the West Country, bringing with him a steamer chest of clothes, some books - and, apparently, his wife, Mrs Peach, who quickly becomes a source of fascination and suspicion to the villagers. Why is she never seen abroad? Why does Mr Peach refuse entry to her bedroom to their maidservant, who is unable to detect even a whisper of breath at Mrs Peach's door, try as she might? Does Mrs Peach even exist? And if so, is she the victim of her husband's cruelty? A liberal and free thinker, Mr Peach is a member of a society of learned men in Bristol, one of whom is guardian of a young woman believed to be possessed by a demon. Mr Peach disagrees with this opinion, but suspicion only grows when the woman in question - whose mouth and lips are stained inexplicably black - escapes from her patron and causes panic in the countryside. Soon she is living under Mr Peach's protection. But he himself is in danger; someone - or something - has followed him from his former life in London. Thomas Peach has enumerable secrets - and one of them might just prove deadly.

The Infernal Riddle of Thomas Peach

The word 'autobiography' is a late eighteenth-century coinage; yet by 1826 it was used as the title for a multi-volume anthology of self-writing, and in 1834 Thomas Carlyle wrote of 'these Autobiographical times of ours'. Over the course of those few decades, readers and writers came to recognize and name a new genre. This book is the first full study of the phenomenon, examining both the conditions and the practice of autobiographical writing in Romantic literature.Historians of autobiography have often pointed to the turn of the nineteenth century as a pivotal moment. In Rousseau and De Quincey's 'Confessions', Wordsworth's 'Prelude', and other canonical documents, it has been argued, self-writing begins to serve the purpose of expressing the individuality, autonomy, and interiority of the self. A more wide-ranging view of the actual state of autobiography at the time exposes this narrative as a misrepresentation. Self-writing does gain a new kind ofprominence around 1800; not, however, because it articulates 'Romantic' ideologies of selfhood, but because it becomes a focus of scrutiny, and of contention. The decades of the Romantic period identified themselves as 'Autobiographical times' -- but did so anxiously. This book asks: what formsdid that recognition and that anxiety take within the literary culture of the period? What did autobiography mean to Romantic readers and writers? How do autobiographical texts of the period reflect, express, and negotiate these conditions?As well as reading a wide variety of those documents, with single chapters devoted to works by Coleridge, Byron, and Lamb, Treadwell examines writing on and around autobiography: essays, reviews, and other forms of commentary. By preserving a continuous relation between the texts and their contexts, this book offers the first proper study of what is actually meant by 'Romantic autobiography'.

James Treadwell

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