Jane Fenoulhet

J. Renkema

Selected proceedings from a conference 'Colloquium Neerlandicum' that took place at the University of Utrecht in August of 2009.

een vak in beweging

Internationale neerlandistiek

Eva, a 1927 novel by Dutch writer Carry van Bruggen, is an experiment in depicting a woman's life from girlhood to marriage, and beyond, to sexual freedom and independence. At the same time, the narrative expresses Eva's dawning sense of self and expanding subjectivity through a stream of consciousness told by a shifting narrator. Burdened all of her life by feelings of shame, at the end of the novel Eva overcomes this legacy of her upbringing and declares that it is 'bodily desire that makes love acceptable'. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.

Cees Nooteboom (born 1933) is a writer of fiction, poetry and travel literature. Translated into at least thirty-four languages, his work raises important questions about the mobility of literary texts and invites a new theoretical approach, for to read Nooteboom straightforwardly as a Dutch author would be to do him an injustice. In this book, his fiction and travel writing are discussed on the basis of his English oeuvre, while the chapter on his poetry moves between Dutch and English editions. The first part of the study reflects on texts crossing boundaries and the ways in which literary theory and history have dealt with them. The author then brings nomadic philosophy to bear on translation studies, considering translation as the process through which a literary work is welcomed into a new culture. The second part of the book argues that Nooteboom's themes and preoccupations are themselves nomadic, with their philosophical treatment of the subjective experiences of death, writing, love, sex and crisis as opportunities for becoming and self-exploration. Nooteboom's imaginative worlds are constructed in language that is playful, laconic, meditative, witty and yet, especially in the poetry, deadly serious.

Cees Nooteboom and His Writing

Nomadic Literature

Theo Hermans

A Festschrift for Reinder P. Meijer

Standing Clear

Making the Personal Political is an interdisciplinary account of a now forgotten success story in the history of the society and culture of the Netherlands. While Dutch women had apparently retreated into domesticity after gaining the vote in 1919, women writers were out there in the market place selling the inside story of women's lives. Eight case studies of women writers between 1919 and 1970 trace the unconscious politics of the personal in narratives of women's identity and experience through close readings of texts located in the culture of the time. Jane Fenoulhet, whose knowledge of Dutch literature and culture in the twentieth century is unparallelled in the English-speaking world, tracks the public representation of women's private project of self development to the moment when the personal is finally accepted as politically important in Dutch society.

Dutch Women Writers 1919-1970

Making the Personal Political

Alison Martin

Dutch Translation in Practice provides an accessible and engaging course in modern Dutch translation. Taking a highly practical approach, it introduces students to the essential concepts of translation studies, heightens their awareness of the problems posed in Dutch translation, and teaches them how to tackle these difficulties successfully. Featured texts have been carefully chosen for their thematic and technical relevance, and a wide range of discursive and grammatical issues are covered throughout. Features include: Nine chapters reflecting different areas of contemporary life and culture in Belgium and the Netherlands such as People and Places, Dutch Language and Culture, Literature, Employment, Finance and Economics, Media and Communications, Art History and Exhibitions, Fashion and Design and the Earth, Energy and the Environment Authentic extracts drawn from up-to-date Dutch texts used throughout to illustrate and practise various topical and translation issues, with many supporting exercises and open translation activities to encourage active engagement with the material, the development of strong translation skills, and vocabulary acquisition Chapters structured to provide progressive learning, moving from an introductory section explaining the context for the texts to be translated to information on translation techniques, detailed close readings and analyses of words, phrases, style, register and tone A strong focus throughout on addressing issues relevant to contemporary Dutch translation, with practical tips offered for translating websites, dealing with names and handling statistics and numbers in translation Attention to language areas of particular difficulty, including translating ‘er’, passive constructions, punctuation, conjunctions and separable verbs Helpful list of grammatical terms, information on useful resources for translators and sample translations of texts available at the back of the book Written by experienced instructors and extensively trialled at University College London, Dutch Translation in Practice will be an essential resource for students on upper-level undergraduate, postgraduate or professional courses in Dutch and Translation Studies.

Dutch Translation in Practice

Ulrich Tiedau

Gerdi Quist

All countries, regions and institutions are ultimately built on a degree of consensus, on a collective commitment to a concept, belief or value system. This consensus is continuously rephrased and reinvented through a narrative of cohesion and challenged by expressions of discontent and discord. The history of the Low Countries is characterised by both a striving for consensus and eruptions of discord, both internally and from external challenges. This interdisciplinary volume explores consensus and discord in a Low Countries context along broad cultural, linguistic and historical lines. Disciplines represented include early-modern and contemporary history; art history; film; literature; and translation scholars from both the Low Countries and beyond.

Discord and Consensus in the Low Countries, 1700-2000

Lesley Gilbert

This edited collection explores the ways in which our understanding of the past in Dutch history and culture can be rethought to consider not only how it forms part of the present but how it can relate also to the future. Divided into three parts – The Uses of Myth and History, The Past as Illumination of Cultural Context, and Historiography in Focus – this book seeks to demonstrate the importance of the past by investigating the transmission of culture and its transformations. It reflects on the history of historiography and looks critically at the products of the historiographic process, such as Dutch and Afrikaans literary history. The chapters cover a range of disciplines and approaches: some authors offer a broad view of a particular period, such as Jonathan Israel's contribution on myth and history in the ideological politics of the Dutch Golden Age, while others zoom in on specific genres, texts or historical moments, such as Benjamin Schmidt’s study of the doolhof, a word that today means ‘labyrinth’ but once described a 17th-century educational amusement park. This volume, enlightening and home to multiple paths of enquiry leading in different directions, is an excellent example of what a past-present doolhof might look like.

Reframing the Past

Narratives of Low Countries History and Culture

"Making the Personal Political is an interdisciplinary account of a now forgotten success story in the history of the society and culture of the Netherlands. While Dutch women had apparently retreated into domesticity after gaining the vote in 1919, women writers were out there in the market place selling the inside story of women's lives. Eight case studies of women writers between 1919 and 1970 trace the unconscious politics of the personal in narratives of women's identity and experience through close readings of texts located in the culture of the time. Jane Fenoulhet, whose knowledge of Dutch literature and culture in the twentieth century is unparallelled in the English-speaking world, tracks the public representation of women's private project of self development to the moment when the personal is finally accepted as politically important in Dutch society."

Jane Fenoulhet

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