Janet Walker

'Trauma Cinema' focuses on a new breed of documentary films that adopt catastrophe as their subject matter & trauma as their aesthetic. Walker uses incest & the Holocaust as a double thematic focus & fiction films as a point of comparison.

Documenting Incest and the Holocaust

Trauma Cinema

Nigel Horner

Social work engages with people across the life course, and social workers are expected to work with groups of people at very different stages of their life. Developing a thorough understanding of human growth to encompass the whole of the life course is therefore a central part of all qualifying social work training and practice. A clear favourite among students and lecturers, this bestselling book introduces the main theoretical models in a clear and accessible way before applying them to various stages of the life course. From infants to older adults, the author uses case studies and practice examples to bring social work methods, skills and principles to life.

Social Work and Human Development

Karin Crawford

Social work students must develop a sound and critical understanding of human development and the processes and stages of growth through the life-course. Even more important however is how students apply this knowledge to their assignments and their practice. This text achieves this in several ways. It introduces the key concepts of human development and growth from childhood through adolescence and older age and then uses various pedagogical features to help students apply social and human development theories to practical day-to-day case examples. With this knowledge, students will be able to build and maintain successful relationships with service users, carers and other health and social care professionals. Key updates: More material on Life Story work More material on Wellbeing Greater emphasis on the links between theory and practice This book is in the Transforming Social Work Practice series. All books in the series are affordable, mapped to the Social Work Curriculum, practical with clear links between theory & practice and written to the Professional Capabilities Framework.

Diane Waldman

Documentary and feminist film studies have long been separate or parallel universes that need to converse or collide. The essays in this volume, written by prominent scholars and filmmakers, demonstrate the challenges that feminist perspectives pose for documentary theory, history, and practice. They also show how fuller attention to documentary enriches and complicates feminist theory, especially regarding the relationship between gender and sexuality, race and ethnicity, class and nation. Feminism and Documentary begins with a substantial historical introduction that highlights several of the specific areas that contributors address: debates over realism, the relationship between filmmaker and subject, historical thinking about documentary and thinking about the historical documentary, biography and autobiography, and the use of psychoanalysis. Other essays, most of which appear here for the first time, range from broad overviews to close analyses of particular films and videos and from discussions of well-known works such as Roger and Me and Don't Look Back to lesser known texts that might revise the canon. The collection includes an extensive filmography and videography with useful distribution information and a bibliography of work in this neglected area of scholarship. Lucid, sophisticated, and eye-opening, this book will galvanize documentary studies and demonstrate the need for women's and cultural studies to grapple with visual media.

Feminism and Documentary

Trauma Cinema focuses on a new breed of documentary films and videos that adopt catastrophe as their subject matter and trauma as their aesthetic. Incorporating oral testimony, home-movie footage, and documentary reenactment, these documentaries express the havoc trauma wreaks on history and memory. Janet Walker uses incest and the Holocaust as a double thematic focus and fiction films as a point of comparison. Her astute and original examination considers the Hollywood classic Kings Row and the television movie Sybil in relation to vanguard nonfiction works, including Errol Morris's Mr. Death, Lynn Hershman's video diaries, and the chilling genealogy of incest, Just, Melvin. Both incest and the Holocaust have also been featured in contemporary psychological literature on trauma and memory. The author employs theories of post traumatic stress disorder and histories of the so-called memory wars to illuminate the amnesias, fantasies, and mistakes in memory that must be taken into account, along with corroborated evidence, if we are to understand how personal and public historical meaning is made. Janet Walker’s engrossing narrative demonstrates that the past does not come down to us purely and simply through eyewitness accounts and tangible artifacts. Her incisive analysis exposes the frailty of memory in the face of disquieting events while her joint consideration of trauma cinema and psychological theorizing radically reconstructs the roadblocks at the intersection of catastrophe, memory, and historical representation.

In "Couching Resistance", Janet Walker examines professional and popular psychiatric literature published between World War II and the mid-1960s to develop a picture of psychiatry's ambivalent response to women patients. This ambivalence, Walker argues, also comes through in the profusion of Hollywood films from the same period on the subject of psychiatry and women. Even though in many cases men and women made up an equal number of psychiatric patients, psychiatry and fictional psychiatry often relied on the adjustment of "deviant" women in order to present their respective solutions. Still, Walker reveals a self-critical strain in psychiatry that attacked the profession's authoritarianism. Over the time period in question she sees an increasing willingness on the part of Hollywood cinema to deal with volatile issues, including childhood sexual trauma and the social origins of female mental illness. These issues were coming up, Walker says, in the emergent feminist critique of conformist psychiatry. Walker's reading of films including "The Snake Pit", "The Three Faces of Eve", "Lilith", and "Freud" in conjunction with such non-film cultural representations as marriage manuals, pharmaceutical advertisments, and letters from psychiatrists to motion-picture personnel, responds to the challenge to understand film in its wider cultural context. The book is aimed at those in the field of American cultural studies, women and psychology, women's studies, film studies.

Women, Film, and Psychoanalytic Psychiatry

Counching Resistance

Vegetarian Cookery Book, 777 Recipes

Documentary and feminist film studies have long been separate or parallel universes that need to converse or collide. The essays in this volume, written by prominent scholars and filmmakers, demonstrate the challenges that feminist perspectives pose for documentary theory, history, and practice. They also show how fuller attention to documentary enriches and complicates feminist theory, especially regarding the relationship between gender and sexuality, race and ethnicity, class, and nation. Feminism and Documentary begins with a substantial historical introduction that highlights several of the specific areas that contributors address: debates over realism, the relationship between filmmaker and subject, historical thinking about documentary and thinking about the historical documentary, biography and autobiography, and the use of psychoanalysis. Other essays, most of which appear here for the first time, range from broad overviews to close analyses of particular films and videos and from discussions of well-known works such as Roger and Me and Don't Look Back to lesser known texts that might revise the canon. The collection includes an extensive filmography and videography with useful distribution information and a bibliography of work in this neglected area of scholarship. Lucid, sophisticated, and eye-opening, this book will galvanize documentary studies and demonstrate the need for women's and cultural studies to grapple with visual media. what cu.

Bhaskar Sarkar

Documentary Testimonies examines documentary films that compel us to bear witness, move us to anger or tears, and possibly mobilize us to action. Comprising ten new essays and a substantive introduction, this interdisciplinary volume examines audiovisual testimonial practices, forms, and institutions. Topics include: technologies of capture, storage and circulation; problems of historical veracity/frail memory; generation of video archives--official, renegade, and ephemeral; limits and potentialities of documentary as public record; architectonics of memory; ethics of witnessing and commemoration; human rights and activist publics. The essays provide in-depth analysis of archives of social suffering tied to particular locales: Cambodia, Chiapas, Darfur, India, Indonesia, Korea, New Orleans, Norway, Rwanda, South Africa, and Washington, DC. The contributors focus on the generation and use of testimony by public administrators and institutions, human rights activists, documentary filmmakers, and others with interest in environmental justice, human rights, social advocacy, and the commemoration/prevention of genocide. Thus, this volume aims to investigate, from a critical and translocal perspective, testimony as social practice.

Global Archives of Suffering

Documentary Testimonies

The "cowboys and Indians," sheriffs and outlaws, schoolmarms and barkeeps of Western films have wholly transformed our ideas about the reality of the American frontier. Westerns is the first book to consider seriously the historical meanings and functions of the Western film genre. In Westerns , leading scholars unpack the ways in which the form has embellished, mythologized, and erased past events. Contributors explore the mythic "Wild West" envisioned by "Buffalo Bill" Cody, the revisionist aims of recent westerns like Posse, Lone Star, and Dead Man , and how the genre addresses key issues of biography, authenticity, race, and representation. Included is an introduction by Janet Walker.

Films Through History

Westerns

Written by participants in, and describing the full range of activities at, the Willem C. Vis International Commercial Arbitration Moot, an annual international moot court competition held in Vienna, Austria. The object of the Moot is to foster study of commercial and arbitration laws and encourage resolution of business disputes by arbitration.

Janet Walker

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