Janice Anderson

This series provides a guide to the world's great artists. Each volume contains a comprehensive introduction and a collection of the featured artist's works, each of which is accompanied by an explanatory caption.

A Compilation of Works from the Bridgeman Art Library

The Life and Works of Vincent Van Gogh

The Cat-a-logue

Cats in Art

Kristina Huneault

The first collection of scholarly essays on women and art in Canadian history.

Women and Art in Canada, 1850-1970

Rethinking Professionalism

Brian Foss

Art Gallery of Ontario

Mary Hiester Reid

The Art of Mary Hiester Reid

Quiet Harmony

In 1986, Janice Anderson suffered one of the most devastating losses imaginable when a car accident caused by a drunk driver took the lives of her beloved husband and two children. Trapped in the wreckage alongside them on that hot July afternoon, she cried out to God before losing consciousness. This is the remarkable story of how Janice learned to let God guide her through the hours, days, and years that followed. Janice knows firsthand about anger, grief, fear, and disappointment. But because of her unwavering faith, she also knows about forgiveness, healing, courage, hope, and even joy. Is God responsible for terrible things happening to people? Is suffering what makes us strong? How can we learn to acknowledge our past yet live in the present? Janices experience has led her to examine these universal questions and others, and her search both comforts and inspires. Perhaps you have gone through tragedy of your own. Perhaps you need help releasing anger and pain and focusing on the positive. Whatever your circumstances, you may find yourself in Janices story, a testimony to Gods patience, love, and awesome power.

God, Help Me!

A Celebration of 40 Glorious Years

The Queen

Edmund Swinglehurst

Scottish Walks and Legends, the Lowlands and Eastern Scotland

The history of women and art in Canada has often been celebrated as a story of progress from amateur to professional practice. Rethinking Professionalism challenges this narrative by questioning the assumptions that underlie the category of artistic professionalism, a construct as influential for artistic practice as it has been for art historical understanding. Through a series of in-depth studies, contributors examine changes to the infrastructure of the art world that resulted from a powerful discourse of professionalization that emerged in the late- nineteenth century. While many women embraced this new model, others fell by the wayside, barred from professional status by virtue of their class, their ethnicity, or the very nature of the artworks they produced. The richly illustrated essays in this collection depict the changing nature of the professional paradigm as it was experienced by women painters, photographers, craftspeople, architects, curators, gallery directors, and art teachers. In so doing, they demonstrate the ongoing power of feminist art history to disrupt patterns of thought that have become naturalized and, accordingly, invisible. Going beyond the narratives of recovery or exclusion that the category of professionalism has traditionally encouraged, Rethinking Professionalism explores the very consequences of telling the history of women's art in Canada through that lens. Contributors include Annmarie Adams (McGill University), Alena Buis (Queen's University), Sherry Farrell Racette (University of Manitoba), Cynthia Hammond (Concordia University), Kristina Huneault (Concordia University), Loren Lerner (Concordia University), Lianne McTavish (University of Alberta), Kirk Niergarth (Mount Royal University), Mary O'Connor (McMaster University), Sandra Paikowsky (Concordia University), Ruth B. Phillips (Carleton University), Jennifer Salahub (Alberta College of Art & Design), and Anne Whitelaw (Concordia University).

Janice Anderson

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