Richard Londraville

Janis Londraville

When Andy Warhol cast Paul Swan (1883?1972) in three films in the mid-1960s, he knew that the octogenarian had once been internationally hailed as ?the most beautiful man in the world? and as ?Nijinsky?s successor.? Arthur Hammerstein had advertised Swan as ?a reincarnated Greek God,? and George and Ira Gershwin had celebrated his beauty in their musical Funny Face. What Warhol didn?t know was that Swan had also been called ?America?s Leonardo,? portrait artist of the famous and the infamous, including writer Willa Cather, aviator Charles Lindbergh, British Prime Minister James Ramsay MacDonald, and dictator Benito Mussolini. This book is the first to tell Swan?s story, from his days as a world-famous dancer and artist, through his film career?which ran from silent pictures, including De Mille?s Ten Commandments (1923), to Warhol?s Camp, Paul Swan, and Paul Swan I-IV (1965)?to his portrait painting late in life when Nelson Rockefeller?s children, Malachy McCourt, and Pope Paul VI were among his subjects. With unprecedented access to Swan?s scrapbooks, letters, diaries, and an unpublished memoir that tells the story of a bisexual man trying to build a public life in perilous times, Janis and Richard Londraville reconstruct the intriguing life of this uniquely interesting figure, whose story, although widely glossed in the press, was until now never fully known.

Paul Swan, from Wilde to Warhol

The Most Beautiful Man in the World

The life of a remarkable Adirondack woman (model, journalist, and poet) provides readers with a unique insider's view—drawn from diaries and primary material published here for the first time—into art and literature during the birth of the Age of Modernism. Jeanne Foster challenged the accepted role for women at the turn of the twentieth century. Born on a hardscrabble farm in the Adirondack Mountains in 1879, she was hailed as an important voice in American poetry by 1916 when her first books of verse, Neighbors of Yesterday and Wild Apples were published. She had early success as a model—she was the Harrison Fisher girl of 1903—and later became a journalist for the American Review of Reviews. In 1918, she met John Quinn, patron of the arts, which placed her in the middle of some of the most important literary and artistic movements in the twentieth century. She counted among her friends John Butler and William Butler Yeats, Ezra Pound, James Joyce, Ford Madox Ford, Pablo Picasso, and Constantin Brancusi. This book reveals her dark affair with Aleister Crowley and her great friendship with Tomas Masaryk of Czechoslovakia. Today, Jeanne Foster lies buried in Chestertown, New York, next to her old friend John Butler Yeats.

Jeanne Robert Foster and Her Circle of Friends

Dear Yeats, Dear Pound, Dear Ford

John Quinn

Maud Gonne

This collection of letters between Maud Gonne (Irish activist, actress, and long-time love of W. B. Yeats) and John Quinn (Irish-American lawyer, art collector, and patron) deals with art, literature, Irish politics, and the horrific conflicts of the early twentieth century. Their letters are filled with details about the Irish fight for freedom, and how it affected Yeats, Pound, Joyce, and other friends; about Gonne's never-ending battle to establish a school feeding program for the starving children of Ireland; and about the alarming changes in the political and social world of their time.

The Letters of Maud Gonne and John Quinn

Too Long a Sacrifice

Sections on "Art and Artists" and "Writers and Dreamers, now and then" present new details about JBY's importance in the development of American critical thought and his friendship with Ashcan School artist John Sloan." "Prodigal Father Revisited concludes with Jeanne Foster's memorial poem and art patron John Quinn's previously unpublished letter to W. B. Yeats, written in May 1922 - three months after the death of John Butler Yeats."--BOOK JACKET.

Janis Londraville

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