Jason Ananda Josephson Storm

"For decades, scholars have been calling into question the universality of disciplinary objects and categories. The decay of master narratives showcases a distrust of universals, while deepening particularity seems to promise nothing but further dissolution. For Jason Josephson-Storm, these are dead ends. He wants to offer a path forward, which he terms metamodernism. This is the first full-length work to line up the various critiques of disciplinary master-categories (religion, science, art, etc.) and trace their affinities and shared conceptual roots. It suggests that if these critiques are granted, they tell us something fundamental about the mechanisms through which concepts and social categories are produced and maintained. They suggest that the social world should be seen in terms of a "process social ontology" with temporary zones of stability called "social kinds." This amounts to a new theory of society and a new methodology for research in the human sciences. The work also broadens to fundamental issues of the relationship between knowledge and value, promoting not skepticism but zeteticism--a stance directed toward humble, emancipatory knowledge. Valuing this form of knowledge allows postmodernism to be channeled into a critical virtue ethics directed toward multi-species"--

The Future of Theory

Metamodernism

Jason Ānanda Josephson

A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.

Jason Ananda Josephson Storm

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