Jason Dittmer

In Diplomatic Material Jason Dittmer offers a counterintuitive reading of foreign policy by tracing the ways that complex interactions between people and things shape the decisions and actions of diplomats and policymakers. Bringing new materialism to bear on international relations, Dittmer focuses not on what the state does in the world; rather, he examines how the world operates within the state through the circulation of humans and nonhuman objects. From examining how paper storage needs impacted the design of the British Foreign Office Building to discussing the 1953 NATO decision to adopt the .30 caliber bullet as the standard rifle ammunition, Dittmer highlights the contingency of human agency within international relations. In Dittmer's model, which eschews stasis, structural forces, and historical trends in favor of dynamism and becoming, the international community is less a coming-together of states than it is a convergence of media, things, people, and practices. In this way, Dittmer locates power in the unfolding of processes on the micro-level, thereby reconceptualizing our understandings of diplomacy and international relations.

Affect, Assemblage, and Foreign Policy

Diplomatic Material

This innovative and engaging textbook is the first to survey the field of popular geopolitics, exploring the relationship between popular culture and international relations from a geographical perspective. Jason Dittmer connects global issues with the questions of identity and subjectivity that we feel as individuals, arguing that who we think we are influences how we understand the world. Each chapter focuses on a specific theme—such as representation, narrative, and affect—by explaining the concept and then considering some of the key debates that have revolved around it. Finally, each chapter illustrates its concept with a concrete case study, including first-person shooter video games, blogging, and comic books. Students will enjoy the text's accessibility and colorful examples, and instructors will appreciate the way the book brings together a diverse, multidisciplinary literature and makes it understandable and relevant.

Popular Culture, Geopolitics, and Identity

Jo Sharp

It has been increasingly impossible to think about our changing world without coming across the term 'geopolitics'. In the wake of the invasion and occupation of Iraq by the United States, United Kingdom, and others, geopolitics has been offered as an explanation for the occupation's failure to reinvent the Iraqi state and as a blueprint for future action. But what is 'geopolitics'? Drawing both on academic and political material, this book introduces readers to the concept of geopolitics, from the first usage of the term to its more recent reconceptualisations. The concept of geopolitics is introduced through four thematic sections - Imperial Geopolitics, Cold War Geopolitics, Geopolitics after the Cold War and Reconceptualising Geopolitics. Each section includes key writings from a range of diverse and leading authors such as Said, Agnew, Dalby, O Tuathail, Gregory, Barnett and Kaplan, and is accompanied by a critical introduction by the editors to guide the reader through the material. This Reader establishes the foundations of geopolitics while also introducing readers to the continuing significance of the concept in the 21st century. This Reader provides an essential resource that exposes students to original writing. The Editors provide a pathway through the material with Section Introductions to assist the readers understanding of the context of the material and impacts of the writings. The readings included draw from a range of authors, writing from a range of locations. The Reader concludes with the latest changes in geopolitical thought, incorporating feminist and other perspectives.

An Introductory Reader

Geopolitics

Fiona McConnell

This volume offers an inter-disciplinary and critical analysis of the role of culture in diplomatic practice. If diplomacy is understood as the practice of conducting negotiations between representatives of distinct communities or causes, then questions of culture and the spaces of cultural exchange are at its core. But what of the culture of diplomacy itself? When and how did this culture emerge, and what alternative cultures of diplomacy run parallel to it, both historically and today? How do particular spaces and places inform and shape the articulation of diplomatic culture(s)? This volume addresses these questions by bringing together a collection of theoretically rich and empirically detailed contributions from leading scholars in history, international relations, geography, and literary theory. Chapters attend to cross-cutting issues of the translation of diplomatic cultures, the role of space in diplomatic exchange and the diversity of diplomatic cultures beyond the formal state system. Drawing on a range of methodological approaches the contributors discuss empirical cases ranging from indigenous diplomacies of the Inuit Circumpolar Council, to the European External Action Service, the 1955 Bandung Conference, the spatial imaginaries of mid twentieth-century Balkan writer diplomats, celebrity and missionary diplomacy, and paradiplomatic narratives of The Hague. The volume demonstrates that, when approached from multiple disciplinary perspectives and understood as expansive and plural, diplomatic cultures offer an important lens onto issues as diverse as global governance, sovereignty regimes and geographical imaginations. This book will be of much interest to students of public diplomacy, foreign policy, international organisations, media and communications studies, and IR in general.

Translations, Spaces and Alternatives

Diplomatic Cultures and International Politics

Nationalist superheroes—such as Captain America, Captain Canuck, and Union Jack—often signify the “nation-state” for readers, but how do these characters and comic books address issues of multiculturalism and geopolitical order? In his engaging book Captain America and the Nationalist Superhero, geographer Jason Dittmer traces the evolution of the comic book genre as it adapted to new national audiences. He argues that these iconic superheroes contribute to our contemporary understandings of national identity, the righteous use of power, and the role of the United States, Canada, and Britain in the world. Tracing the nationalist superhero genre from its World War II origins to contemporary manifestations throughout the world, Captain America and the Nationalist Superhero analyzes nearly one thousand comic books and audience responses to those books. Dittmer also interviews key comic book writers from Stan Lee and J. M. DeMatteis to Steve Englehart and Paul Cornell. At a time when popular culture is saturated with superheroes and their exploits, Captain America and the Nationalist Superhero highlights the unique relationship between popular culture and international relations.

Metaphors, Narratives, and Geopolitics

Captain America and the Nationalist Superhero

Daniel Bos

Now in a thoroughly revised edition, this innovative textbook surveys the field of popular geopolitics, exploring the relationship between popular culture and international relations from a geographical perspective. Using colorful current examples, it brings together a diverse, multidisciplinary literature and makes it understandable and relevant.

Comic Book Geographies is a volume that brings together scholars from the discipline of geography and the field of comics studies to consider the multiple ways in which space is both constitutive of, and produced through, comic books. Senior scholars contribute their thoughts alongside a range of fresh talent from both fields, providing for a potent mix of perspectives. Together, these chapters reframe debates about comic books by highlighting their unique spatialities and the way that those spatialities are shot through by a range of relationships to time. Examples are drawn from a wide range of geographical contexts, from post-9/11 American superhero comics to the Franco-Belgian tradition and from comics intended for mass consumption to the spoken-word performances of Alan Moore. As a truly interdisciplinary engagement, with scholars coming from geography, literature, history, and beyond, Comic Book Geographies brings together perspectives on comic books that have too long been working in isolation.

Jason Dittmer

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