Jason Ruiz

Exploring representations of Latinx people from Scarface to Narcos, this book examines how pop culture has framed Latin America as the villain in America’s long and ineffectual War on Drugs. If there is an enemy in the War on Drugs, it is people of color. That is the lesson of forty years of cultural production in the United States. Popular culture, from Scarface and Miami Vice to Narcos and Better Call Saul, has continually positioned Latinos as an alien people who threaten the US body politic with drugs. Jason Ruiz explores the creation and endurance of this trope, its effects on Latin Americans and Latinx people, and its role in the cultural politics of the War on Drugs. Even as the focus of drug anxiety has shifted over the years from cocaine to crack and from methamphetamines to opioids, and even as significant strides have been made in representational politics in many areas of pop culture, Latinx people remain an unshakeable fixture in stories narrating the production, distribution, and sale of narcotics. Narcomedia argues that such representations of Latinx people, regardless of the intentions of their creators, are best understood as a cultural front in the War on Drugs. Latinos and Latin Americans are not actually America’s drug problem, yet many Americans think otherwise—and that is in no small part because popular culture has largely refused to imagine the drug trade any other way.

Latinidad, Popular Culture, and America's War on Drugs

Narcomedia

Kevin P. Murphy

David Serlin

In this special issue of Radical History Review, scholars and activists examine the rise of "homonormativity," a lesbian and gay politics that embraces neoliberal values under the guise of queer sexual liberation. Contributors look at the historical forces through which lesbian and gay rights organizations and community advocates align with social conservatives and endorse family-oriented formations associated with domestic partnership, adoption, military service, and gender-normative social roles. Distinguished by its historical approach, "Queer Futures" examines homonormativity as a phenomenon that emerged in the United States after World War II and gained traction in the 1960s and 1970s. One essay compares Anita Bryant's antigay campaigns in the late 1970s with those of current same-sex marriage proponents to show how both focus on the abstract figure of the "endangered child." Another essay explores how the Gay and Lesbian Alliance Against Defamation's organizational amnesia has shaped its often conservative agenda. Other essays include a Marxist reading of the transsexual body, an examination of reactionary politics at the core of the movement to repeal the U.S. military's "don't ask, don't tell" policy, and a history of how "safe streets" patrols in the 1970s and 1980s became opportunities for urban gentrification and community exploitation. Contributors. Anna M. Agathangelou, Daniel Bassichis, Aaron Belkin, Nan Alamilla Boyd, Maxime Cervulle, Vincent Doyle, Roderick A. Ferguson, Christina Hanhardt, Dan Irving, Regina Kunzel, Patrick McCreery, Kevin P. Murphy, Tavia Nyong'o, Jason Ruiz, David Serlin, Tamara L. Spira, Susan Stryker, Margot D. Weiss

Queer Futures

The Routledge History of American Sexuality brings together contributions from leading scholars in history and related fields to provide a far-reaching but concrete history of sexuality in the United States. This interdisciplinary group of authors explores a wide variety of case studies and concepts to provide an innovative approach to the history of sexual practices and identities over several centuries. Each chapter interrogates a provocative word or concept to reflect on the complex ideas, debates, and differences of historical and cultural opinions surrounding it. Authors challenge readers to look beyond contemporary identity-based movements in order to excavate the deeper histories of how people have sought sexual pleasure, power, and freedom in the Americas. This book is an invaluable resource for students or scholars seeking to grasp current research on the history of sexuality and is a seminal text for undergraduate and graduate courses on American History, Sexuality Studies, Women's Studies, Gender Studies, or LGBTQ Studies.

Jason Ruiz

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