Jay Clayton

The Pleasures of Babel acquaints the layperson and the expert alike with the creative and intellectual achievements of America's multicultural society. Arguing that the present is "a great period of writing," Jay Clayton relates novels from the seventies, eighties, and nineties to the latest developments in literary theory. He offers a lucid, cutting-edge look at the often stormy relationship between contemporary literature and criticism. Avoiding theoretical jargon, Clayton systematically sets out to make sense of the critical movements of the last two decades: deconstruction, psychoanalysis, minority writing, multiculturalism, and feminism. In the course of clarifying the accomplishments of Barthes, Kristeva, Lyotard, Said, and others, the author discusses some of America's most prominent writers of fiction: Saul Bellow, Sandra Cisneros, E.L. Doctorow, Toni Morrison, and many others. The result successfully weds a layperson's guide to recent criticism with a scholarly application of that criticism to the very works it concerns. In light of the current debates being waged over the canon and multiculturalism, The Pleasures of Babel should prove an indispensable tool for those engaged in the practice of literary criticism, as well as anyone concerned with the way in which narrative interacts with society.

Contemporary American Literature and Theory

The Pleasures of Babel

Opens a window on a startling set of literary and scientific links between contemporary American culture and the nineteenth-century heritage it often repudiates.

The Afterlife of the Nineteenth Century in Postmodern Culture

Charles Dickens in Cyberspace

Marianne Hirsch

Karen Newman

Time and the literary: the immediacy of information technology has supposedly annihilated both. Email, cell phones, satellite broadcasting seem to have ended the long-standing tradition of encoding our experience of time through writing. Paul de Man's seminal essay "Literary History and Literary Modernity" and newly commissioned essays on everything from the human genome to grammatical tenses argue, however that the literary constantly reconstructs our understanding of time. From eleventh-century France or a science-fiction future, Time and the Literary shows how these two concepts have been and will continue to influence each other.

Jay Clayton

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