Jay Wright

The Presentable Art of Reading Absence takes as impulse the act of meditation, in which the energetic relationship between a meditative body and its universe is not only the envisioning of absence by presence but also vision itself: "Here begins the revelation of a kiosk." With occult emotionality and analytic brilliance, Jay Wright has written the user's guide to evanescence: "I have become attuned / to the disappearance of all things / and of my self ..." This is not the postmodern removal of subjectivity from artistic creation, nor is it a motioning toward death or finality; it is, instead, the literal removal of a self from noisy, populated ruins and its return to being.

The Presentable Art of Reading Absence

Few poets have as much to tell us about the intricate relationship between the African American past and present as Jay Wright. His poems weave a rich fabric of personal history using diverse materials drawn from African, Native American, and European sources. Scholarly, historical, intuitive, and emotional, his work explores territories in which rituals of psychological and spiritual individuation find a new synthesis in the construction of cultural values. Never an ideologue but always a poet of vision, his imagination shows us a way to rejoice and strengthen ourselves in our common humanity. Here, together for the first time, are Wright’s previously published collections—The Homecoming Singer (1971), Soothsayers and Omens (1976), Explications/Interpretations (1984), Dimensions of History (1976), The Double Invention of Komo (1980), Elaine’s Book (1988), and Boleros (1991)—along with the new poems of Transformations (1997). By presenting Wright’s work as a whole, this collection reveals the powerful consistency of his theme—a spiritual or intellectual quest for personal development—as each book builds solidly upon the previous one. Wright examines history from a multicultural perspective, attempting to conquer a sense of exclusion—from society and his own cultural identity—and find solace and accord by linking American society to African traditions. He believes that a poem must articulate the vital rhythms of the culture it depicts and is dedicated to a pursuit of poetic forms that embody the cadence of African American culture. Defying characterization, Wright has experimented with voices, languages, cultures, and forms not normally associated with African American literature. He is well schooled in the cultures of West Africa, Europe, and the Americas, and—true to his New Mexican birth—he is a powerful synthesizer of human experience. Transfigurations reveals Wright to be a man of profound knowledge and a poet of exalted verbal intensity.

Collected Poems

Transfigurations

Dimensions of History

Elaine's Book

The Description for this book, Selected Poems of Jay Wright, will be forthcoming.

Selected Poems of Jay Wright

Like Jay Wright's previous poetry, Boleros provokes in the reader "a passion for what is hidden," emphasizing names--of places, muses, saints' days--and the imaginative histories behind them. As always, the linguistic surface changes rapidly as Wright's geographic journeys become explicit explorations of poetic form. Boleros is more than a conventional collection of poems. Each part of the book connects to, engages with, and changes the others, so the book itself becomes a text in motion. These poems perform the creative process itself and succeed exquisitely in making the reader part of that process and its excitement.

Boleros

The Double Invention of Komo

Michael Sheridan

Mark Dagostino

NEW YORK TIMES BESTSELLER • From the coach of the 2016 and 2018 NCAA Tournament–winning Villanova University men’s basketball team comes a behind-the-scenes look at the making of a champion, along with lessons from his coaching career and the story of his personal road to success. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BLOOMBERG When Kris Jenkins sank a three-pointer at the buzzer to win the 2016 NCAA Tournament, it was a victory not just for a team and its coach but for an entire program. In his twentieth season with the Villanova program, including a five-year stint as an assistant to Coach Rollie Massimino, Coach Jay Wright had achieved his lifelong dream—and witnessed the culmination of a decades-long effort to build a culture of winning around a set of core values. In Attitude, Coach Wright shares some of the leadership secrets that have enabled Villanova, a private university with an undergraduate enrollment of less than 6,500, to thrive in the hypercompetitive world of college athletics. As he recounts the story of the 2015–16 Wildcats, Coach Wright offers anecdotes from his own journey up the ladder of success, with lessons learned on the Little League playing fields of his youth and wisdom passed down from his coaches and mentors. Each step of Villanova’s journey to a national championship incorporates a signature term torn from Coach Wright’s own motivational playbook. Here are key principles that aspiring leaders can apply, not only on the basketball court but in the boardroom, the classroom, and the living room. From learning to accept your role to remembering to honor those who came before us, Jay Wright’s core values provide a positive blueprint for transformational team building based on the idea that anyone—from the head coach to the last player on the bench—can be a leader when the moment demands it. The product of a lifetime’s worth of championship-level preparation, Attitude is perfect for anyone looking to build a team, achieve a goal, or nurture their own winning culture. Praise for Attitude “Jay Wright’s Attitude is filled with wonderful anecdotes, life lessons, and that which we all seek: wisdom.”—Phil Knight, co-founder and chairman emeritus, Nike “In 2015–16, Villanova displayed the best attributes of a champion by playing hard, smart, and together. Jay Wright instilled those traits in his team, and in Attitude he shares the universal leadership lessons that helped it succeed.”—Mike Krzyzewski, head coach, Duke University basketball

Develop a Winning Mindset on and off the Court

Attitude

Music's Mask and Measure

parables, proverbs, paradigms and praise for Lois

Polynomials and pollen

The head basketball coach at Villanova University outlines the leadership strategies he attributes to the successes of his NCAA championship team and how they can be adapted to enable personal and professional excellence.

Develop a Winning Mindset on and Off the Court

Few poets have as much to tell us about the intricate relationship between the African American past and present as Jay Wright. His poems weave a rich fabric of personal history using diverse materials drawn from African, Native American, and European sources. Scholarly, historical, intuitive, and emotional, his work explores territories in which rituals of psychological and spiritual individuation find a new synthesis in the construction of cultural values. Never an ideologue but always a poet of vision, he shows us a way to rejoice and strengthen ourselves in our common humanity. Here, together for the first time, are Wright's previously published collections -- The Homecoming Singer (1971), Soothsayers and Omens (1976), Explications/Interpretations (1984), Dimensions of History (1976), The Double Invention of Komo (1980), Elaine's Book (1988), and Boleros (1991) -- along with the new poems of Transformations (1997). By presenting Wright's work as a whole, this collection reveals the powerful consistency of his theme -- a spiritual or intellectual quest for personal development -- as each book builds solidly upon the previous one. Wright examines history from a multicultural perspective, attempting to conquer a sense of exclusion -- from society and his own cultural identity -- and find solace and accord by linking American society to African traditions. He believes that a poem must articulate the vital rhythms of the culture it depicts and is dedicated to a pursuit of poetic forms that embody the cadence of African American culture. In "The Albuquerque Graveyard", he offers a poignant elegy to victims of slavery's Middle Passage and also reveals the purpose of his poetry.to the Black limbo, an unwritten history of our own tensions. The dead lie here in a hierarchy of small defeats. Defying characterization, Wright has experimented with voices, languages, cultures, and forms not normally associated with African American literature. He is well schooled in the cultures of West Africa, Europe, and the Americas, and -- true to his New Mexican birth -- he is a powerful synthesizer of human experience. Transfigurations reveals Wright to be a man of profound knowledge and a poet of exalted verbal intensity.

Jay Wright

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