Jean-Louis Cohen

el lirismo de la arquitectura en la era mecánica

Le Corbusier, 1887-1965

Ludwig Mies van der Rohe was one of the leading figures of twentieth-century architecture. For architects and many others who are committed to the modernist tradition, he is a pivotal figure. With in-depth, scholarly essays and opulent photographs and plans, this book traces the multifaceted development of his work, including his first Berlin buildings, his villa projects, his work at the Bauhaus in the 1930s, and his American projects of the postwar years. Jean-Louis Cohen was the director of the Institut français d'architecture until 2003 and is currently a professor at New York University. He has an established reputation as a leading international historian of architecture. His broad and encompassing perspective makes this book a reliable and comprehensive introduction to the work of Mies van der Rohe. Ludwig Mies van der Rohe gehörte zu den führenden Persönlichkeiten in der Architektur des 20. Jahrhunderts und ist für Architekten und viele andere, die sich der Tradition der Moderne verpflichtet haben, eine Schlüsselfigur. Mit wissenschaftlich fundierten Texten und opulentem Plan- und Fotomaterial zeichnet das Buch die facettenreiche Entwicklung seines Werkes nach: Die ersten Berliner Bauten, seine Villenprojekte und Tätigkeit am Bauhaus in den dreißiger Jahren sowie die amerikanischen Projekte der Nachkriegszeit. Jean-Louis Cohen, bis 2003 Direktor des Institut français d'architecture und zur Zeit Professor an der New York University, hat einen etablierten Ruf als international führender Architekturhistoriker. Seine umfassende Perspektive macht das Buch zu einer verlässlichen Einführung in das Werk Mies van der Rohes.

Mies Van Der Rohe

Tim Benton

A spectacular visual biography of one of the greatest architects of the 20th century.

New Format

Le Corbusier Le Grand

Claire Zimmerman

Christina E. Crawford

An Architecture for Industrialization, 1917-1945

Detroit-Moscow-Detroit

An essential exploration of how Russian ideas about the United States shaped architecture and urban design from the czarist era to the fall of the U.S.S.R. Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. Jean-Louis Cohen traces the powerful concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in Revolutionary America, through the spectacular World’s Fairs of the 19th century, to department stores, skyscrapers, and factories built in Russia using American methods during the 20th century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, following a period of strategic competition. This first major study of Amerikanizm in the architecture of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics.

Amerikanizm in Russian Architecture

Building a new New World

European Architecture and the American Challenge, 1893-1960

Scenes of the World to Come

Truly far-ranging -- both conceptually and geographically -- The Future of Architecture Since 1889 is a rich, compelling history that will shape future thinking out this period for years to come. Jean-Louis Cohen, one of today's most distinguished architectural historians and critics, gives an authoritative and compelling account of the twentieth century, tracing an arc from industrialization through computerization, and linking architecture to developments in art, technology, urbanism and critical theory. Encompassing both well-known masters and previously neglected but significant architects, this book also reflects Cohen's deep knowledge of architecture across the globe, and in places such Eastern Europe and colonial Africa and South America that have rarely been included in histories of this period. It is richly illustrated not only with buildings, projects and plans, but also with publications, portraits, paintings, diagrams, film stills, and exhibitions, showing the immense diversity of architectural thought and production throughout the twentieth century.

The Future of Architecture Since 1889

This fascinating book offers a new perspective on the architectural history of the Second World War, which in previous accounts has most often been viewed as a hiatus between peaceful periods of production. Jean-Louis Cohen contends instead that during the years between the bombings of Guernica in 1937 and of Hiroshima in 1945, specific advances were fundamental to the process of modernization and led to the definitive supremacy of modernism in architecture. Centering the discussion on ten main themes, the author investigates various aspects of architecture's mobilization in the war years, as well as the trajectories of individual architects. He analyzes architectural developments worldwide and takes into account each of the major participants in the war, including the United States, Japan, Great Britain, France, Italy, the Netherlands, Germany, and the Soviet Union. The book not only focuses on plans, buildings, and technological inventions but also examines the many types of visual representation used for war purposes, enhanced by a rich array of more than 300 illustrations.

Designing and Building for the Second World War

Architecture in Uniform

The highly acclaimed history of the architecture of the twentieth century and beyond - now in paperback Jean-Louis Cohen, one of the world's leading architectural historians, serves up a compelling account of the developments that have shaped the world in which we live today. This highly accessible book begins with the Paris Universal Exposition of 1889, tracing architecture's evolution to the early twenty-first century's globalized architectural culture. Illustrated with hundreds of drawings and photographs as well as portraits, publications, diagrams, film stills, and more, this survey places radical developments in architecture in a larger context, among those of art, technology, urbanism, and critical theory.

A Worldwide History

Le Corbusier

Moderna museet (Stockholm, Sweden)

Staffan Ahrenberg

Charles-Edouard Jeanneret, known as Le Corbusier, had an unparalleled influence on the design, function and construction of twentieth-century buildings, both public and residential. In addition, he was an artist and designer--an aspect of his creativity which was somewhat eclipsed by his architectural renown. Le Corbusier had originally intended to be a painter and his early studies were primarily focused on art and decoration. For more than five decades, Le Corbusier oscillated between contradictory poles: his fascination with mechanical objects on the one hand, and his search for poetic form on the other. The intermingling of his more private aesthetic pursuits and his more public works took place in his "secret laboratory," inside his artist's studio. This volume consolidates the diverse facets of his oeuvre, offering a more complete understanding of his paintings, drawings, sculptures, tapestries, furniture, architectural sketches and plans--as well as his books and photographs. In tying together these disparate strands, we gain greater insight into the path of his overall creative evolution. This unified overview is revealing both for scholars of Le Corbusier's work and for all those seeking a better understanding of this exceptionally talented and significant historical figure. The book's five chapters cover a wide spectrum, ranging from the purist paintings and early villas to Le Corbusier's later reinterpretation of his values and his final works. Perhaps the most important visionary of modern architecture, the Swiss-born Le Corbusier (1887-1965) broke new ground in reimagining residences, workplaces and urban environments--aiming to provide an enhanced quality of life for all--especially for the poorer classes. Prolific and an enthusiastic traveler, his work can be found at locations throughout Europe, India and America.

From Painting to Architecture

Le Corbusier's Secret Laboratory

Maria Ametov

"This text charts the trajectory of Russian avant-garde architecture during the brief but intense period of design and construction which took place between 1922 and 1935"--OCLC

Soviet Art and Architecture 1915-1935

Building the Revolution

Richard Pare

The most thoroughgoing survey of nearly all of Le Corbusier's extant projects, beautifully photographed and authoritatively detailed. Le Corbusier is widely acknowledged as the most influential architect of the twentieth century. As extensively researched and documented as his works are, however, they have never been exhaustively surveyed in photographs until now. Photographer Richard Pare has crossed the globe for years to document the extant works of Le Corbusier--from his first villas in Switzerland to his mid-career works in his role as the first global architect in locations as far-flung as Argentina and Russia, and his late works, including his sole North American project, at Harvard University, and an extensive civic plan for Chandigarh, India. Le Corbusier: The Built Work provides numerous views of each project to bring a fuller understanding of the architect's command of space, sometimes surprising use of materials and color, and the almost ineffable qualities that only result from a commanding synthesis of all aspects of design. With an authoritative text by scholar and curator Jean-Louis Cohen, Le Corbusier: The Built Work is a groundbreaking opportunity to appreciate the master's work anew.

Le Corbusier: The Built Work

Oliver Thill

André Kempe

Atelier Kempe Thill

Paris, Antwerp, Zwolle, and Bremen--the Atelier Kempe Thill works in these cities on the building typology of the urban villa, which today essentially characterizes housing in Western Europe as a vision of contemporary living. The projects presented in this publication are all based on this basic type of structure. However, very distinct interpretations develop from specific national and regional features and their conscious conceptualization. The volume traces the projects by the Ateliers Kempe Thill in their relationship of tension between architectural design and lifeworld-related conditions. Numerous illustrations as well as texts by well-known architects and critics shed light on the buildings and their processes of origin. The catalogue thus provides a panorama of the conditions under which collective housing is currently developing in Europe.

Villa Urbaine

Above Paris is Henrardbs remarkable study of the urban landscape of Paris and its best-known monuments. Over 350 beautifully printed duotones, systematically grouped by themes such as the course of the Seine, the main roads, the stations, and the neighborhoods of Paris give a clear overview of the citybs layout. Maps at the beginning of each chapter further help orient the reader and together with detailed captions and essays by Jean-Louis Cohen make Above Paris a must for anybody.

The Aerial Survey of Roger Henrard

Above Paris

"This book includes seventy-three structures, starting with the Shabolovka Radio Tower in Moscow and concluding with the Lenin Mausoleum. In between are buildings from all over Moscow (where the greatest concentration of modernist buildings still remains), St. Petersburg, Ivanovo, Ekaterinburg, Kiev, Kharkov, Zaporozhe, Nizhi Novgorod, Sochi, and Baku. The buildings range from grand projects such as Gasprom in Kharkov to a modest bus shelter in Sochi, a rare survivor by an unknown architect." "In an essay, architectural historian Jean-Louis Cohen surveys the history of the period, providing a context for the emergence of this startling new architecture in parallel to contemporary experiments in Europe."--BOOK JACKET.

Russian Modernist Architecture 1922-1932

The Lost Vanguard

Cahiers d'Art

An authoritative compendium on the main masterpieces of Frank Gehry, including 480 illustrations and photographs, produced in collaboration with Cahiers d'Art. Experimenting with a range of materials from cheap mass-produced items to space-age titanium, and using 3D computer modeling as an architectural tool, Frank Gehry's buildings are remarkable and surprising, united by the sense of movement they convey. His projects flow, curve, bend, and crumple in novel and unexpected ways, subverting traditional building norms. From his own home in Santa Monica to the undulating Beekman Tower in New York, from the shining curves of the Guggenheim Museum in Bilbao to the Fondation Louis Vuitton in Paris, and his most recent construction, Luma Arles, Gehry has left his indelible mark on the history of architectural design. Forty of the renowned architect's most remarkable works are presented by architect and critic Jean-Louis Cohen, alongside views of the interiors and exteriors of each building. This tour includes many of Gehry's works throughout the United States and abroad, such as the Walt Disney Concert Hall, the one-of-a-kind "Binoculars Building" in Los Angeles, and the beloved "Dancing House" in Prague.

Frank Gehry: The Masterpieces

This volume examines Le Corbusier's relationship with the topographies of five continents, in essays by thirty of the formeost scholars of his work and with contemporary photographs by Richard Pare.

An Atlas of Modern Landscapes

Even in his unrealised projects, Le Corbusier redefined modern living, synthesising functionalism, expressionism, and expansive urban thinking from Switzerland to Chandigarh, India. This book provides a succinct introduction to his trailblazing ideas, writings, and buildings, which continue to resonate and influence to this day.

Architectural poetry in the machine age Born Charles-Edouard Jeanneret, Le Corbusier (1887-1965) adopted his famous pseudonym after publishing his ideas in the review L'Esprit Nouveau in 1920. The few buildings he was able to design during the 1920s, when he also spent much of his time painting and writing, brought him to the forefront of modern architecture, though it wasn't until after World War II that his epoch-making buildings were constructed, such as the Uniti d'Habitation in Marseilles and the Church of Notre Dame du Haut in Ronchamp. Basic Architecture features: Each title contains approximately 120 images, including photographs, sketches, drawings, and floor plans Introductory essays explore the architect's life and work, touching on family and background as well as collaborations with other architects The body presents the most important works in chronological order, with descriptions of client and/or architect wishes, construction problems, and resolutions.

Jean-Louis Cohen

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