Jean-Michel Rabaté

Jean-Michel Rabate

spectrographies de la modernité : (Mallarmé, Breton, Beckett et quelques autres)

La pénultième est morte

Professor of English & Comparative Literature Jean-Michel Rabate

The clinical application of Lacanian discourse, though warmly received elsewhere, has gotten a cold shoulder in the English-speaking world. This collection of essays is aimed at dispelling the idea that Lacan is a theorist unintelligible outside the context of the French language and culture. They address the vitality of Lacanian thought and trace its impact on disciplines as diverse as mathematics and gay and lesbian studies. The 18 contributors are psychoanalysts and academics in comparative literature, art history, women's studies, philosophy, and English, from France and North America. Topics include a regressive sexual science and a "postmodern condition," technological mediation through seduction and resistance, the partisan issues beneath some of the resistances met by Lacanian discourse, and Lacan's revelations as responses to Freudian riddles. Annotation copyrighted by Book News Inc., Portland, OR

Lacan in America

Ezra Pound's Cantos remains among the most influential and difficult of twentieth century poetic writings. But now, for the first time, Rabaté's powerful and original study presents a theory of reading adequate to the challenge of Pound's writing. Using elements from Lacanian psycho-analysis and Heidegger's powerful meditation of poetry and language, this book constructs a theory of reading which both gives full force to the strategies of writing deployed in the Cantos and to the historical and political situations to which those strategies are a response. This study provides a fresh reading of the familiar Pound canon: Homer, Dante, Ovid but also of the less well-known: Ruskin, Browning, Frobenius. Pound's practice of quotation is understood in the context of a new poetic discourse characterized by parapraxis, ellipsis, condensation and autonomous "voices" which refer the division of the speaking subject back to an "omniform" intellect capable of taking on any new personality at will. Crucial to an understanding of Pound's situation is the relationship between Chinese and Greek culture, an analysis of which allows Rabaté to elaborate the tragic dimension in Pound's life and works. This book also parallels and contrasts Pound with his major contemporaries such as Eliot and Joyce and with his immediate heirs, like William Carlos Williams, H.D., Zukofsky, and Olson.

Language, Sexuality, and Ideology in Ezra Pound's Cantos

This interdisciplinary compilation of essays is a welcome tonic for the “jet lag” or cultural gap between Lacanian discourse's warm reception in Latin countries and the resistance Lacanian clinical applications have met with in the Anglophone world. Lacan in America illuminates important and dynamic debates within a cultural context that Lacan himself has modified. Rather than a made-simple approach, this dynamic collection invokes some of the hesitations, contradictions, and evolutions that appear to be the most exciting part of his legacy, in “polylogical” discussions by “Lacanians” who are not averse to a critical reexamination of major concepts or textual and political issues. Topics include: a regressive sexual science and a “postmodern condition,” technological mediation through seduction and resistance, the partisan issues beneath some of the resistances met by Lacanian discourse, and Lacan's revelations as responses to Freudian riddles. Demonstrating the vitality of Lacanian thought and its impact on disciplines, from mathematics to gay/lesbian studies, Lacan in America works to edify the fruit of Lacan's endless revision, an infinitely propagated transfiguration of his search for the meanings of truth. “Lucid and nonpartisan?[this collection] successfully takes the ideas and issues at the heart of Lacan's work and legacy and reinspects them through the lens offered by their transportation across the Atlantic, illustrating what has happened to them in their translation--and mistranslation--into and through American intellectual and cultural life.” -Daniel Gunn, Department of Comparative Literature and English, The American University of Paris

In the final stages of his career, Roland Barthes abandoned his long-standing suspicion of photographic representation to write Camera Lucida, at once an elegy to his dead mother and a treatise on photography. In Writing the Image After Roland Barthes, Jean-Michel Rabaté and nineteen contributors examine the import of Barthes's shifting positions on photography and visual representation and the impact of his work on current developments in cultural studies and theories of the media and popular culture.

Jean-Michel Rabate

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