Jean Stafford

These Pulitzer Prize-winning stories represent the major short works of fiction by one of the most distinctively American stylists of her day. Jean Stafford communicates the small details of loneliness and connection, the search for freedom and the desire to belong, that not only illuminate whole lives but also convey with an elegant economy of words the sense of the place and time in which her protagonists find themselves. The Collected Stories of Jean Stafford includes the acclaimed story "An Influx of Poets," which has never before appeared in book form.

The Collected Stories of Jean Stafford

Coming of age in pre-World War II California and Colorado brings tragedy to Molly and Ralph Fawcett in Jean Stafford's classic semi-autobiographical novel, first published in 1947.

The Mountain Lion

Eight-year-old Molly and her ten-year-old brother Ralph are inseparable, in league with each other against the stodgy and stupid routines of school and daily life; against their prim mother and prissy older sisters; against the world of authority and perhaps the world itself. One summer they are sent from the genteel Los Angeles suburb that is their home to backcountry Colorado, where their uncle Claude has a ranch. There the children encounter an enchanting new world—savage, direct, beautiful, untamed—to which, over the next few years, they will return regularly, enjoying a delicious double life. And yet at the same time this other sphere, about which they are both so passionate, threatens to come between their passionate attachment to each other. Molly dreams of growing up to be a writer, yet clings ever more fiercely to the special world of childhood. Ralph for his part feels the growing challenge, and appeal, of impending manhood. Youth and innocence are hurtling toward a devastating end.

'One of the strangest and angriest novels of the twentieth century.' Lauren Groff'An extraordinary, savage novel.' Olivia Laing'I love this novel.' Patricia LockwoodShe would not feel safe until the beautiful animal was dead.Ralph and Molly are inseparable siblings: united against the stupidity of daily routines, their prim mother and prissy older sisters, the world of adult authority. One summer, they are sent from their childhood home in suburban Los Angeles to their uncle's Colorado mountain ranch.,Their time in this savage, untamed wilderness - hunting, roaming, writing - soon becomes tainted by the dark stirrings of sexual desire. And as the pressures of growing up drive an irrevocable rift between them, their innocent childhoods hurtle towards a devastating end . . .'Beautiful, and sensitive, and quickening.' Eileen Myles'A glimmer of genius.' Rumaan Alam'Breathtakingly original.' Tessa Hadley'A brilliant achievement [to] set beside Carson McCullers's masterwork The Member of the Wedding.' Joyce Carol Oates

The Mountain Lion (Faber Editions)

A provocative story of class struggle, privilege, and poverty that put American author Jean Stafford on the map. Growing up in a fishing village north of Boston between the wars, Sonie, the child of immigrants, is so poor that she must “sleep on a pallet made of old coats and comforters.” She can only dream of the feather beds and perfumed soap to be found in the great city across the bay. In the summers, while helping her mother clean rooms in a shoreside hotel, she keeps company with the austere and fascinating Miss Pride. Years pass, and Sonie—now the caretaker of her fragile mother—receives an invitation from Miss Pride to move to Beacon Hill and be her personal secretary. Salvation, she thinks, is at hand. In Boston, Sonie does come to know a new and broader world, one in which she mingles with both blue bloods and louche European refugees, and yet her troubles, she discovers, are hardly over. Boston Adventure was published when Jean Stafford was twenty-nine, and it was an immediate best seller. Combining Dickensian color and Proustian insight in its depiction of an isolated but determined young woman, it looks forward to Stafford’s celebrated novel The Mountain Lion as well as to the short stories for which she would be awarded a Pulitzer Prize in 1970.

Boston Adventure

Rumaan Alam

Jean Stafford’s third and final novel, The Catherine Wheel, is a mordant tour de force concerning the gradual disintegration of a woman under pressures both societal and self-imposed. Katharine Congreve, a Boston society figure, is summering at her country house in Hawthorne, Maine, in the late 1930s, looking after the children of her cousin Maeve, as she does every year. Maeve and her husband, John Shipley, spend their summers in Europe, leaving their son and two daughters in Katharine’s care, but something is different this time: Shipley has promised to leave his wife for Katharine if his failing marriage with Maeve can’t be revived before the end of their vacation. Alone with the frivolous Honor and Harriet, teenage twins, and the younger Andrew, who seems to be hiding a private anguish of his own, Katharine must contend with her envy, her memories, her expectations, and her guilt. Under the watchful eyes of her charges and neighbors, a hint of madness is soon revealed at the heart of a happy, lazy New England summer

A Novel

The Catherine Wheel

This book displays at their height the wit, sensibility and psychological penetration that distinguish Miss Stafford's work. There are nine stories and a novella. They range in mood from the title story, a comic portrait of a resourceful child-criminal named Lottie Jump, to "The End of a Career," an elegiac and ironic tale of the declining years of a great beauty. In "A Reasonable Facsimile" Dr. Bohrmann, a retired professor philosophy, is unexpectedly rescued from an aggressively boring young house guest. "Cops and Robbers" is a chilling story of childhood horror and lovelessness that revolves around a father's trip to the barber with his five-year-old daughter. Several of the stories have as their common setting Miss Stafford's fiction town of Adams, Colorado—including an amusing saga of a girl's frustrated attempts to find a quiet spot to read ("A Reading Problem"), and two stories of failure ("In the Zoo") and success ("The Liberation") in the effort to escape from one's family. "Caveat Emptor" is a satire on the academic life and sub-life at the Alma Hettrick College for Girls; and in "The Captain's Gift" the sheltered and lavender-scented existence of old Mrs. Ramsey is violated by the reality of war. The major piece in Bad Characters is "A Winter's Tale," a haunting and evocative novella set in Heidelberg just before the outbreak of the war. It is dominated by the diabolic character of Frau Professor Persis Galt. This portrait of a former Bostonian who poses as an excessively devout convert is one of Miss Stafford's most brilliant fictional creations. This collection by Jean Stafford will be warmly welcomed by the many and devoted admirers of her novels and stories. To new readers the work of one of the best writers of our time will come as a joyful discovery.

Stories

Bad Characters

Elephi, the Cat with the High IQ

In der Titelstory »Das Leben ist kein Abgrund« trifft die junge Lily auf ihre zynische und stolze Cousine Isobel, die lieber ein karges Dasein im Armenhaus fristet, als die Hilfe ihrer Familie in Anspruch zu nehmen. Eine glücklich Verheiratete erfährt im schneebedeckten Maine, was es bedeutet, plötzlich schutzlos und entfremdet ihrem Mann gegenüber zu stehen. Eine Schwerverletzte flieht vor dem Schmerz und sucht Zuflucht in ihrem Inneren. Und mitten in einem »Andrang von Dichtern« muss sich die willensstarke Cora Maybank gegen ihren egozentrischen, untreuen und vor Ehrgeiz blinden Ehemann behaupten. Mit scharfem psychologischem Blick beleuchtet die Pulitzerpreisträgerin in ihren Stories das menschliche Leben in all seinen Facetten. In eindringlichen Bildern und mit leisem Humor erzählt Jean Stafford von Liebe und Leid, vom ewigen Wunsch nach Zugehörigkeit und insbesondere vom Schmerz der Einsamkeit.

Das Leben ist kein Abgrund

In 1965, acclaimed novelist Stafford conducted three interviews with Marguerite Osward, the mother of Lee Harvey Oswald. What emerges is a classic of new journalism and an unforgettable and disturbing character study as darkly funny as anything concocted by William Faulkner or Flannery O'Connor. Bound to be compared to In Cold Blood.--Harper's.

A Mother in History

Children are Bored on Sunday

Elephi Pelephi, a well-known, intelligent, but lonely cat, smuggles a small foreign car into his Fifth Avenue apartment hoping for friendship and stimulating conversation.

The Cat with the High IQ

Elephi

Including Boston Adventure, The Mountain Lion, and a New Collection of Short Stories, Children are Bored on Sunday

The Interior Castle

Irene Bignardi

Uomini e donne segnati da ferite, fisiche e mentali, con cui imparare a convivere, ragazze in cerca della propria emancipazione, individui combattuti fra desiderio di appartenenza e bisogno di autonomia. Scritte con uno stile cristallino, le storie di Jean Stafford si concentrano sui minuti dettagli della solitudine, sulle imprevedibili dinamiche che plasmano i rapporti interpersonali. In filigrana, dentro ciascuno dei suoi personaggi memorabili, c'è l'autrice, donna dotata di una sensibilità fuori dal comune, accresciuta ed esasperata da un destino tragico. Sposata a lungo con il poeta Robert Lowell, brillante ma mentalmente instabile, la Stafford uscì infatti distrutta nel corpo e nello spirito da quel rapporto, che le costò tra l'altro il coinvolgimento in un grave incidente automobilistico, le cui conseguenze sono ben descritte nel vivido e spietato racconto che dà il nome a questa raccolta. Premiata con il Pulitzer e finora inedita in Italia, la sua opera è, nel panorama letterario statunitense, una punta di eccellenza che sta alla pari di autori come John Cheever, Flannery O'Connor ed Eudora Welty.

Il castello interiore

Jean Stafford's unforgettable portrait of Marguerite Oswald, the mother of Lee Harvey Oswald. Curious about “the influences and accidents and loves and antipathies and idiosyncrasies” that shaped Lee Harvey Oswald, the novelist and short story writer Jean Stafford spent nine hours interviewing Marguerite Oswald in May 1965. A Mother in History (1966) is the acerbic result, an indelible portrait of a woman hungry for money, fame, and attention, full of righteous self-pity, and relentless in professing her son’s blamelessness: “Killing does not necessarily mean badness. You find killing in some very fine homes for one reason or another.” Stafford’s controversial profile elicited mixed reviews—Newsweek praised it as a “masterpiece of character study,” while Time called it “the most abrasively unpleasant book in recent years”—and angry readers accused her of seeking to “enthrone a wicked woman” and “demolish the sacred throne of motherhood.” It captures a moment in history when the trauma of Dallas was still raw, Lee Harvey Oswald’s guilt was widely accepted, and Marguerite Oswald, with her obsessive “research” into hidden “truths” and the machinations of an omnipresent “they,” appeared to be a singular prisoner of maternal delusion, and not a harbinger of the decades to come.

Jean Stafford

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