Jean Thompson

An unforgettable, lighthearted story about a young woman who discovers the insular world of writers, from the New York Times bestselling author of The Year We Left Home. Carla is in her twenties, working for a landscaper, lacking confidence, still unsure what direction her life will take. Viridian is a lauded and lovely aging poet whose reputation has been defined by her infamous affair with a famous male poet, Mathias, many years earlier. When Carla is hired to work at Viridian's house, she is perplexed by this community of writers: their tendency to recite lines in conversation, the stories of their many liaisons, their endless wine-soaked nights. And still she becomes enamored with Viridian and her whole circle, and especially with the power of words, the “ache and hunger that can both be awakened and soothed by a poem,” a hunger that Carla feels sharply at this stagnating moment in her young life. At the same time, she sees how even Viridian has had to compromise so much to take her place in the world of letters. And as Viridian’s standing begins to fade, a number of people angle to gain possession of Mathias’s cycle of poems written about Viridian, a cycle he famously burned as he read them. Yet long after Mathias' s death, one copy may still rest with Viridian. If so, why won't she release it? A wry meditation on art as both transformative and on the ways in which it can be leveraged as commerce, as well as a perceptive examination of the female artist, Jean Thompson’s novel is at once delightfully funny and wise, and will resonate with readers who loved Lily King's Writers & Lovers, Meg Wolitzer's The Female Persuasion, and Susan Choi’s Trust Exercise.

The Poet's House

A "New York Times" bestseller and a National Book Award finalist, "The Year We Left Home" chronicles the lives of the Erickson family as the children come of age in 1970's and '80's America.

A Novel

The Year We Left Home

“There’s not a false note in this powerful, beautifully crafted exploration of the trade-offs in women’s lives.” —People From National Book Award finalist and the New York Times bestselling author of The Year We Left Home comes a moving family saga about three generations of women who struggle to find freedom and happiness in their small Midwestern college town. A Cloud in the Shape of a Girl is a poignant novel about three generations of the Wise family—Evelyn, Laura, and Grace—as they hunt for contentment amid chaos of their own making. Evelyn set aside her career to marry late, and motherhood never became her. Her daughter Laura felt this acutely and wants desperately to marry, but she soon discovers her husband Gabe to be a man who expects too much of everyone in his life, especially his musician son. Grace has moved out from Laura and Gabe’s house, but can’t seem to live up to her potential—whatever that might be. In A Cloud in the Shape of a Girl we see these women and their trials, small and large: social slights and heartbreaks; marital disappointments and infidelities; familial dysfunction; mortality. Spanning from World War II to the present, Thompson reveals a matrilineal love story that is so perfectly grounded in our time—a story of three women regressing, stalling, and yes, evolving, over decades. One of the burning questions she asks is: by serving her family, is a woman destined to repeat the mistakes of previous generations, or can she transcend the expectations of a place, and a time? Can she truly be free? Evelyn, Laura, and Grace are the glue that binds their family together. Tethered to their small Midwestern town—by choice or chance—Jean Thompson seamlessly weaves together the stories of the Wise women with humanity and elegance, through their heartbreaks, setbacks, triumphs, and tragedies.

A Cloud in the Shape of a Girl

Presents a collection of stories that put a modern twist on classic fairy tales, depicting characters ranging from lost children who try to find their way home to adults who confront their past misdeeds.

And Other Tales Re-Told

The Witch

Relocated to the home of her resentful estranged father after surviving a high-school shooting, Linnea is unwittingly placed in charge of a bizarre and well-endowed charity fund and confides in a handyman, who is shouldering his own struggles with a painkiller-addicted parent.

The Humanity Project

Painful secrets in the lives of longtime friends Jane and Bonnie come to light when Jane suffers a breakdown in the middle of a Christmas party touting her seemingly perfect family, and wild-natured Bonnie becomes involved with Jane's husband.

She Poured Out Her Heart

Stories

Throw Like A Girl

From the New York Times bestselling author of The Year We Left Home, a dazzling new novel hailed as an “instantly addictive...tale of yearning, paradox, and hope.” (Booklist) After surviving a horrific shooting at her high school, fifteen-year-old Linnea is packed off to live with her estranged father, Art, in California. Art, not much more than a child himself, doesn’t quite understand how or why he has suddenly become responsible for raising a sullen—and probably deeply damaged—adolescent girl. And although Linnea has little interest in her father, she becomes fascinated by the eccentric cast of characters surrounding him: Conner, a local handyman whose own home life is a war zone, and Christie, her neighbor, who has just been given the reins to a bizarrely named charity fund, the Humanity Project. As the Fund gains traction and Linnea begins to heal, the Humanity Project begs the question: Can you indeed pay someone to be good? At what price? Thompson proves herself at the height of her powers in The Humanity Project, crafting emotionally suspenseful and thoroughly entertaining characters, in which we inevitably see ourselves. Set against the backdrop of current events and cultural calamity, it is at once a multifaceted ensemble drama and a deftly observant story of our twenty-first-century society.

In this warm and witty story, a young woman gets swept up in the rivalries and love affairs of a dramatic group of writers.​ Carla is stuck. In her twenties and working for a landscaper, she’s been told she’s on the wrong path by everyone—from her mom, who wants her to work at the hospital, to her boyfriend, who is dropping not-so-subtle hints that she should be doing something that matters. ­Then she is hired for a job at the home of Viridian, a lauded and lovely aging poet who introduces Carla to an eccentric circle of writers. At first she is perplexed by their predilection for reciting lines in conversation, the stories of their many liaisons, their endless wine-soaked nights. Soon, though, she becomes enamored with this entire world: with Viridian, whose reputation has been defined by her infamous affair with a male poet, Mathias; with Viridian’s circle; and especially with the power of words, the “ache and hunger that can both be awakened and soothed by a poem,” a hunger that Carla feels sharply. When a fight emerges over a vital cache of poems that Mathias wrote about Viridian, Carla gets drawn in. But how much will she sacrifice for a group that may or may not see her as one of their own? A delightfully funny look at the art world—sometimes petty, sometimes transactional, sometimes transformative— ­The Poet’s House is also a refreshingly candid story of finding one’s way, with words as our lantern in the dark.

Twelve short stories feature an array of female narrators who experience the transition from youthful innocence to experience.

Where is the line between love and crazy? How much of life can ever be planned out or foreseen, even by intelligent, savvy, well-meaning people? Newlyweds Jack and Chloe have all such advantages. Ensconced in their affordable Chicago apartment, Jack struggles to pursue his writing career while Chloe works downtown applying herself to the world of high finance. The city is theirs to savor and enjoy. A man in love, Jack aspires to be the perfect husband to Chloe. But his own self-doubts and Chloe's office flirtations cast shadows. Jealousy and misbehavior undermine their notions of themselves and each other. And their menacing, raffish neighbors, with volatile lives and 911 calls, come to seem uncomfortably comparable. In the intense heat of one Chicago summer, Jack and Chloe's marriage roils into a queasy chemistry of vanity, lust, and greed. This is a love story that twists, and twists again, as it follows the stubborn persistence of passion and the outsized emotions that feed it. For anyone who has ever fallen in love -- or out of it- -- City Boy sets off literary fireworks.

City Boy

Tracing the complicated friendship of two very different women who meet in college, She Poured Out Her Heart is a novel of remarkable psychological suspense, crafted by National Book Award finalist Jean Thompson. The night that Jane and Bonnie meet on a college campus sets them on paths forever entwined. Bonnie, the wild and experimental one, always up for anything, has spent the past two decades bouncing between ill-fated relationships, while Jane’s seemingly perfect life, perfect husband, and perfect children have all but materialized out of a fantasy. But these appearances contradict the quiet, inescapable doubt Jane feels about her life. One night, in the middle of her own Christmas party, she steps outside into the snow, removes her clothing and shoes, and lies down in the backyard. When she is discovered, nothing is the same for anyone. As Jane begins to have visions and retreat into a private inner world, Bonnie finds herself drawn inevitably into an affair with Jane’s husband. Thompson’s mastery of complex emotion begets a novel of desire and the nature of love—who we love, how we’re loved, and, most important, that we reach urgently and always for a higher love, regardless of our circumstances. She Poured Out Her Heart is a finely wrought, haunting story of female friendship and deception, and the distance in between.

The House of Tomorrow

A master of short fiction whose "best pieces are as good as it gets in contemporary cction" (Newsday) returns, as Jean Thompson follows her National Book Award finalist collection Who Do You Love with Throw Like a Girl. Here are twelve new stories that take dead aim at the secrets of womanhood, arcing from youth to experience. Each one of Thompson's indelible characters -- lovers, wives, friends, and mothers -- speaks her piece -- wry, angry, hopeful -- about the world and women's places in it.

When Jean Thompson—“America’s Alice Munro” (Kirkus Reviews, starred review)—is telling stories, “You cannot put the book down” (The Seattle Times), and her superlative new collection, Do Not Deny Me, is one to be savored, word by word. • Award-winning storyteller gaining popularity: Jean Thompson’s short fiction has been honored by the National endowment for the Arts and the Guggenheim Foundation; Who Do You Love: Stories was a National Book Award finalist for fiction and was promoted by David Sedaris during his own lecture tour; and Throw Like a Girl: Stories was a New York Times Notable Book and a San Francisco Chronicle Best Book of the Year. The collection is also in its sixth printing, as Thompson’s longstanding critical acclaim crosses over into a popular following. Do Not Deny Me is perfectly positioned to gain an even wider audience. • Do Not Deny Me: Here is a title that demands—and commands—attention in and of itself. Yet Thompson’s latest collection is no literary dare, delivering as it does twelve dazzling new stories that together offer, with wit, humor, and razor-sharp perception, a fictional primer on how Americans live day to day. In Thompson’s writing, The New York Times Book Review has noted, “some of the biggest satisfactions happen line by line, thanks to Thompson’s effortless ability to tip her prose into the universal.” Thompson succeeds as “one of our most astute diagnosticians of contemporary experience” (The Boston Globe).

Do Not Deny Me

This collection, named a finalist for the National Book Award and other honors, presents the lives of ordinary people who long for communion and grace with others.

Jean Thompson

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