Jean Wyatt

Looks at the dynamics of identification, envy, and idealization in fictional narratives by Margaret Atwood, Angela Carter, Sandra Cisneros, Toni Morrison, and others, as well as in nonfictional accounts of cross-race relations by white feminists and feminists of color.

Identification, Race, and Community in Contemporary Fiction and Feminism

Risking Difference

Sheldon George

Contemporary African American and Black British Women Writers: Narrative, Race, Ethics brings together British and American scholars to explore how, in texts by contemporary black women writers in the U. S. and Britain, formal narrative techniques express new understandings of race or stimulate ethical thinking about race in a reader. Taken together, the essays also demonstrate that black women writers from both sides of the Atlantic borrow formal structures and literary techniques from one another to describe the workings of structural racism in the daily lives of black subjects and to provoke readers to think anew about race. Narratology has only recently begun to use race as a category of narrative theory. This collection seeks both to show the ethical effects of narrative form on individual readers and to foster reconceptualizations of narrative theory that account for the workings of race within literature and culture.

Race, Ethics, Narrative Form

Reading Contemporary Black British and African American Women Writers

This provocative study explores the function of the unconscious in reading and creative processes. The book asks if reading can change the reader and if women, through reading, can change the unconscious fantasy structures that govern desire. Using models

The Role of the Unconscious in Women's Reading and Writing

Reconstructing Desire

This is a book Jean Wyatt felt compelled to write, as she has for many years wrestled with questions surrounding the love and the justice of God, his salvation and judgment through Jesus Christ, and the effect of our response (or lack of response) to that salvation. The Bible gives glimpses of hope that in the end God will restore all things, and that finally all people will worship him. If it is God's will that all should be saved, is it possible to resist that will for all eternity? Or dare we hope that God will continue to seek and ultimately save those who now reject his offered salvation? Dare we hope that hell will be a place of restorative justice and cleansing, with redemption as its aim? Wyatt has come to the conclusion that we can answer "Yes" to both these questions. The fire of God consumes evil and cleanses people. Meanwhile, in the here and now in which we live as disciples of Jesus Christ, we are called to be witnesses to the kingdom of God and to work for his kingdom to come "on earth as it is in heaven."

Towards a Universalist Understanding of Salvation

The Judge Is the Savior

Introduction: Love and narrative form -- Maternal language and maternal history in Beloved -- Riffing on love and playing with narration in Jazz -- Displacement--political, psychic, and textual--in Paradise -- Love's time and the reader: ethical effects of nachträglichkeit (belatedness) in Love -- Failed messages, maternal loss, and narrative form in A mercy -- Severed limbs, the uncanny, and the return of the repressed in Home -- Love, trauma, and the body in God help the child -- Conclusion: Revisioning love and slavery

Jean Wyatt

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