Jacob Baal-Teshuva

Jeanne-Claude

Christo

A brief study of the life and work of conceptual artists Christo and Jeanne-Claude.

Christo and Jeanne-Claude

Christo & Jeanne-Claude

Matthias Koddenberg

Iconic images from 50 years of transforming cities Christo (born 1935) and Jeanne-Claude (1935-2009) have always compared their work to that of urban planners. And it is true that the projects they have carried out around the world since the 1960s not only have huge dimensions but are also at the center of public debates and disputes. The very fact that their projects are subject to approval by local authorities makes them sometimes resemble public construction projects more than works of art. For the first time, this book gives a comprehensive account of Christo and Jeanne-Claude's urban projects. It presents preparatory drawings, collages and models for many little-known works from the artists' early career, some of which were never carried out, such as the planned wrapping of several New York City skyscrapers, as well as the spectacular large-scale projects of later years, such as the wrapping of the Pont Neuf bridge in Paris in 1985, the wrapping of the Reichstag building in Berlin in 1995 and the 2005 installation The Gates in New York's Central Park. In two detailed essays, the authors of the book explore Christo's extraordinary talent for drawing and investigate the artists' ambivalent perspective on urban space, which oscillates between a powerful critique of the city's impersonal modernism and a tribute to the liberal, democratic use of urban areas.

Urban Projects

Jörg Schellmann

Christo and Jeanne-Claude: the man with the glasses and the woman with the red hair. Each one was born on the same day in 1935, and this unusual artist couple worked together until Jeanne-Claude's death in 2009, changing the art world in the process. In large-scale actions they enveloped buildings and entire landscapes in various materials, revealing at the same time their essence and beauty. In order to finance these enormous works of art by themselves, Christo and Jeanne-Claude began making editions early on in their career - prints, collages, and objects. This completely revised, expanded, and updated catalogue of works, 'Prints and Objects', is testimony to the artist's impressive scope and to their courage. Who else would have had the idea of building a 120-meter-tall truncated pyramid out of 410,000 oil barrels in the desert of the United Arab Emirates?

Prints and Objects : Catalogue Raisonné [1963-2013]

The Tom Golden Collection

Twenty-one Golden Years with Christo and Jeanne-Claude

Selected from the Lilja Collection

Christo and Jeanne-Claude Projects

Josy Kraft

40 Years, 12 Exhibitions : 15 September -- 22 October 2011

Jonathan Henery

Your definitive record of Christo and Jeanne-Claude's The Floating Piers, the shimmering yellow walkway on Lake Iseo, Italy, from June 18 to July 3, 2016. Fabulous installation photography is accompanied by sketches, models, documents, and designs revealing the extraordinary process behind this waterborne work of art.

The Floating Piers : Lake Iseo, Italy, 2014-2016

A Catalogue Raisonné

Christo and Jeanne-Claude, Prints and Objects, 1963-95

Germano Celant

"Christo and Jeanne-Claude. Water Projects, edited by Germano Celant in collaboration with con CVJ Corporation, is the title of the catalogue (published in English and Italian) released on the occasion of the exhibition by the same title, opening in Brescia at the Santa Giulia Museum, April 7, 2016. The catalogue includes Christo and Jeanne-Claude's realized and not realized large-scale projects from 1961 to 2016. Besides the famous wrapped monuments, from the Kunsthalle in Bern (1967-1968) to the Reichstag in Berlin (1971-1995), the publication also includes the barriers made with barrels or with fabric, from Wall of Oil Barrells -- The Iron Curtain in Paris (1961-62) to Valley Curtain in Rifle, Colorado (1960-62), the great inflatable objects, from 42,390 Cubic Feet Package of Minneapolis (1966) to 5600 Cubicmeter Package, Project for documenta IV in Kassel (1967-1968), and the fabric pathways, such as Wrapped Walk Ways in Kansas City (1977-1978), or doors, such as The Gates in New York (1979-2005). The seven Water Projects -- Christo and Jeanne-Claude's installations sharing a connection with water -- are considered in further depth. In these projects, from Running Fence, Sonoma and Marin Counties, California (1972-1976) to Over the River, project for the Arkansas River, State of Colorado (1992), the artists worked establishing a close connection with natural, suburban and urban landscapes which all share a relation with water, be it an ocean, a sea, a lake or a river. Among the Water Projects we must mention The Floating Piers, an installation opening June 18 to July 3, 2016, which will allow visitors to walk across Lake Iseo and along its shores on a 3-kilometre route. By means of modular floating piers covered in shimmering yellow fabric, the installation will link the town of Sulzano on the lake's shores, to Monte Isola, also reaching the Island of San Paolo. Every work included in the catalogue is accompanied by an explanatory text with all the relevant technical and historical information, along with preparatory drawings, collages, scale models, and photographic documentation of the project's phases of ideation, preparation and realization. The catalogue, besides a rich photographic section, includes an introductory text by Germano Celant and a dialogue between the curator and Christo. The volume also comprises the artists' biography and a complete list of projects, bibliography and filmography."--

Water Projects

Collectif

Lawrence Alloway

Jesus

Alexander Tolnay

David Bourdon

Jeanne-Claude de Guillebon

Neuer Berliner Kunstverein

This dazzling introductory textbook encompasses the full range of today's important renewable energy technologies. Solar thermal, photovoltaic, wind, hydro, biomass and geothermal energy receive balanced treatment with one exciting and informative chapter devoted to each. As well as a complete overview of these state-of-the-art technologies, the chapters provide: clear analysis on their development potentials; an evaluation of the economic aspects involved; concrete guidance for practical implementation; how to reduce your own energy waste. If we do not act now to stop climate change, the consequences will be catastrophic. The current world situation is demonstrated here with the aid of full-colour figures and photographs, data diagrams and simple calculations and results. A multiplicity of impressive examples from countries across the globe show international 'alternative' energy in action. With its easy-to-read approach, this is an essential textbook for students on renewable energy courses, also environment and sustainability courses. Planners, operators, financers and consultants will find this an excellent manual for planning and realizing climate protection. Furthermore, this book makes great background reading for energy workers, designers, politicians and journalists, and anyone who is interested in the topic of climate change. Looking for further study? Visit the complimentary website; it hosts many useful related internet sites: www.wiley.com/go/quaschning_renewable

GALLERY, WASHINGTON, 28

CHRISTO ET JEANNE-CLAUDE: PREMIERS TRAVAUX (1958-1969): EXPOSITION, NATIONAL

Michael S. Cullen

Erlend Holz

In 1995 Christo and Jeanne-Claude completed the wrapping of the German Parliament - the Reichstag - after 24 years. This book and accompanying exhibition follows the 24-year project.

EXPOSITION, NATIONAL GALLER

CHRISTO ET JEANNE-CLAUDE: L'EMPAQUETAGE DU REICHSTAG, BERLIN, 1971-1995:

Paul Goldberger

Jusqu'alors uniquement disponible dans une Édition collector conçue par Christo, cette version actualisée format XXL constitue le panorama le plus exhaustif des œuvres de Christo et Jeanne-Claude publié à ce jour. Des centaines de photos et de dessins retracent le travail inégalé du couple et donnent un aperçu de leurs projets en cours comme Le Mastaba d'Abu Dhabi et l'emballage de l'Arc de Triomphe à Paris.

CHRISTO ET JEANNE-CLAUDE.

For more than 20 years, the fashion powerhouses Grace Coddington and Didier Malige have lived together with a menagerie of incorrigible cats. This delightful, giftworthy book records their relationship through photographs (Malige's) and drawings (Coddington's) that document the couple's highly entertaining private and work lives through the eyes of their feline friends. These include Henri, an old-school, catnip-addicted, surfing chartreuse; his sister Coco, a couture-obsessed chartreuse on a sashimi diet; and her pal Baby, who doesn't quite share Coco's discipline, and will, sadly, never fit into a sample size. Then there's Puff, a mixed-up long-hair from Harlem whose curiosity--anyone for fortune-telling at Dave?--hasn't killed him yet; and finally Bart, the Persian youngster who would rather sit on the rooftop terrace than in the front row. "The Catwalk Cats," a visual diary introduced by the irrepressible Puff, gives us a window into four madcap seasons in the life of this fabulous furry brigade, with sections devoted to the Collections, the Campaigns, and, of course, the Catfights. At once delightful and dishy, it is both a convincing argument for the fundamental similarities between felines and fashionistas and a moving meditation on love and life as a family.~Grace Coddington is Creative Director of "American Vogue." A former model, she served as Fashion Editor and Fashion Director at "British Vogue" from 1968-1986 and Design Director of Calvin Klein in 1987. She is the author of the bestselling "Grace: Thirty Years of Fashion," which quickly sold out when it was published by 7L in 2003.~Didier Malige was inspired as a boy to become a hairstylist by grooming the cats and dogs athis mother's veterinary clinic. In

Over the River

"Christo (born 1935) and Jeanne-Claude (1935-2009) have always compared their work to that of urban planners. And it is true that the projects they have carried out around the world since the 1960s not only have huge dimensions but are also at the center of public debates and disputes. The very fact that their projects are subject to approval by local authorities makes them sometimes resemble public construction projects more than works of art. For the first time, this book gives a comprehensive account of Christo and Jeanne-Claude's urban projects. It presents preparatory drawings, collages and models for many little-known works from the artists' early career, some of which were never carried out, such as the planned wrapping of several New York City skyscrapers, as well as the spectacular large-scale projects of later years, such as the wrapping of the Pont Neuf bridge in Paris in 1985, the wrapping of the Reichstag building in Berlin in 1995 and the 2005 installation The Gates in New York's Central Park. In two detailed essays, the authors of the book explore Christo's extraordinary talent for drawing and investigate the artists' ambivalent perspective on urban space, which oscillates between a powerful critique of the city's impersonal modernism and a tribute to the liberal, democratic use of urban areas"--Publisher's website.

Wolfgang Volz

Sylvia Volz

Christo and Jeanne-Claude's Umbrella Project in 1991 was the most ambitious and expensive project they have ever undertaken. 1340 blue six metre umbrellas were assembled and erected throughout a narrow valley in rural Japan. 7000 yellow umbrellas were similarly prepared across the Pacific in a dry expanse of Californian land. After months of gruelling process, the two countries united as the forest of umbrellas were opened simultaneously on both continents.

Jeanne-Claude

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