Jeff Rice

In 1972, Jeff Rice's novel The Night Stalker introduced Carl Kolchak to the world. This spine-tingling novel of supernatural terror became an instant bestseller and served as the basis for the film of the same name, starring Darren McGavin and adapted by legendary Twilight Zone screenwriter Richard Matheson. After The Night Stalker became the one of the highest rated television movies of all time, a sequel, The Night Strangler, was released the following year to great acclaim. Now, after more than three decades out of print, Kolchak's creator Jeff Rice has released the original novels which sparked a television phenomenon! At last, The Night Stalker and The Night Strangler are together in one volume...

The Kolchak Papers

Craft introductions -- Craft interruptions -- Craft networks -- Craft terroir -- Craft delivery -- Craft tracings -- Craft sharing -- Craft obsession

The Social Rhetorics of Beer

Craft Obsession

This collection proposes Florida as a nexus of various contested moments, ideas, concepts, and relations. In the age of networks, it is not enough to only think of computerized, economic, or labor-intensive systems as networks. Florida is both a site of exploration—what does Florida mean – and a model for spatial work in general—how do we trace out the networked connections of a given space? Florida taps into an existing conversation regarding space, and it contributes a new approach by offering up the state as a network of both objective and personal meanings.

Florida

Joe Gentile

Garrett Anderson

Lori Gentile

Look at who has written an original (not seen anywhere else) Kolchak story: (from the book & film field) Max Allan Collins, Stuart M. Kaminsky, Ed Gorman, Elaine Bergstrom, P.N. Elrod, Robert Weinberg, Brett Matthews, C.J. Henderson, Mark Dawidziak. (From the comics field): Peter David, Chuck Dixon, Steven Grant, Mike W. Barr, Gary Phillips, plus many more!

The Night Stalker Chronicles : 26 Original Tales of the Surreal, the Bizarre, the Macabre

Kolchak

Stuart M. Kaminsky

C. J. Henderson

Dennis J. Calero

Gordon Purcell

Cortney Skinner

This tome collects the long-out-of-print first two Kolchak TPB's all in one affordable package! Contains seven complete stories: "The Night Stalker," "Get of Belial," "Fever Pitch," "Mask of Moment," "Pain Most Human," "Pain without Tears," and "Devil in the Details."

Big Book of Kolchak the Night Stalker

Seedy newspaper reporter Carl Kolchak is assigned the Las Vegas police beat by his boss Tony Vincenzo (Simon Oakland). A series of murders has been plaguing the Glitter Capital; the victims, all beautiful showgirls, have had the blood drained from their bodies. Kolchak can't understand why the authorities are so uncooperative as he probes the case. Nor can he believe the evidence he's gleaned on his own: There can't possibly be a Dracula-like vampire stalking Las Vegas, or can there?

The Night Stalker

Normal 0 false false false EN-US X-NONE X-NONE Since the 1967 riots that ripped apart the city, Detroit has traditionally been viewed either as a place in ruins or a metropolis on the verge of rejuvenation. In Digital Detroit: Rhetoric and Space in the Age of the Network, author Jeff Rice goes beyond the notion of Detroit as simply a city of two ideas. Instead he explores the city as a web of multiple meanings which, in the digital age, come together in the city’s spaces to form a network that shapes the writing, the activity, and the very thinking of those around it. Rice focuses his study on four of Detroit’s most iconic places—Woodward Avenue, the Maccabees Building, Michigan Central Station, and 8 Mile—covering each in a separate chapter. Each of these chapters explains one of the four features of network rhetoric: folksono(me), the affective interface, response, and decision making. As these rhetorical features connect, they form the overall network called Digital Detroit. Rice demonstrates how new media, such as podcasts, wikis, blogs, interactive maps, and the Internet in general, knit together Detroit into a digital network whose identity is fluid and ever-changing. In telling Detroit’s spatial story, Rice deftly illustrates how this new media, as a rhetorical practice, ultimately shapes understandings of space in ways that computer applications and city planning often cannot. The result is a model for a new way of thinking and interacting with space and the imagination, and for a better understanding of the challenges network rhetorics pose for writing.

Jeff Rice

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