Jeff Vorzimmer

Thirty-nine stories from the pages of Manhunt magazine, the definitive crime magazine of the 1950s, edited by Jeff Vorzimmer with a new Foreword by Lawrence Block and Afterword by Barry N. Malzberg.

The Best of Manhunt

John M. Floyd

Stephen Marlowe

James O. Born

John Shepphird

Arthur Klepchukov

Walter Satterthwait

Josh Pachter

Don Stoll

Kyle Stout

Ken Luer

Steven Nester

There are a number of noteworthy articles in this issue of The Magazine. We are fortunate to feature some of the correspondence between two legends of crime fiction, Walter Satterthwait and Bill Crider, both of whom recently passed away. For those who knew Walter and Bill, or were just fans of their work, there is a touch of their personalities that comes through in these exchanges and, at least for a moment, gives us an opportunity to experience their unique voices just a little bit, just one more time. Jeff Vorzimmer, editor of last year’s The Best of Manhunt collection, tells us about Stephen Marlowe’s career in the piece leading into his story The Blonde at the Wheel. Jeff also contributed a story of his own and we’re happy to have this opportunity to showcase his many skills. We also have a couple of repeat appearances by writers who have appeared in previous issues. Arthur Klepchukov is back, as is John M. Floyd and John Shepphird. And with original stories by veterans like Josh Pachter and James O. Born, and newer offerings by Michael Cahlin, Steven Nester and Ken Luer, we’re showing the art of the crime fiction short story is still going strong. May it ever be so.

Down & Out: The Magazine Volume 2 Issue 2

"From its first issue, Manhunt declared itself different. For one thing, all the stories were claimed to be new and remained that way until near the end. And many of the early contributors were familiar names from hardcover publishing, including William Irish (a.k.a. Cornell Woolrich), Kenneth Millar (as himself and as John Ross Macdonald), Eleazar Lipsky, Bruno Fischer, Craig Rice, Harold Q. Masur, Leslie Charteris, William Lindsay Gresham, Henry Kane, and David Goodis... "The essence of Manhunt was not the private eye story, though it published plenty of them. What set it apart was what is now called noir fiction, a term often thrown around very loosely but in its purest form concerning a flawed but not necessarily unsympathetic protagonist who will not have a happy outcome." -from the Introduction by Jon L. Breen

The Best of Manhunt 2

Jeff Vorzimmer

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