Jeffrey Adams

Bong Lian

Siddhartha Sahi

This volume contains the proceedings of the conference on Representation Theory and Mathematical Physics, in honor of Gregg Zuckerman's 60th birthday, held October 24-27, 2009, at Yale University. Lie groups and their representations play a fundamental role in mathematics, in particular because of connections to geometry, topology, number theory, physics, combinatorics, and many other areas. Representation theory is one of the cornerstones of the Langlands program in number theory, dating to the 1970s. Zuckerman's work on derived functors, the translation principle, and coherent continuation lie at the heart of the modern theory of representations of Lie groups. One of the major unsolved problems in representation theory is that of the unitary dual. The fact that there is, in principle, a finite algorithm for computing the unitary dual relies heavily on Zuckerman's work. In recent years there has been a fruitful interplay between mathematics and physics, in geometric representation theory, string theory, and other areas. New developments on chiral algebras, representation theory of affine Kac-Moody algebras, and the geometric Langlands correspondence are some of the focal points of this volume. Recent developments in the geometric Langlands program point to exciting connections between certain automorphic representations and dual fibrations in geometric mirror symmetry.

Conference in Honor of Gregg Zuckerman's 60th Birthday, October 24--27, 2009, Yale University

Representation Theory and Mathematical Physics

The films of the Coen brothers have become a contemporary cultural phenomenon. Highly acclaimed and commercially successful, over the years their movies have attracted increasingly larger audiences and spawned a subculture of dedicated fans. Shunning fame and celebrity, Ethan and Joel Coen remain maverick filmmakers, producing and directing independent films outside the Hollywood mainstream in a unique style combining classic genres like film noir with black comedy to tell off-beat stories about America and the American Dream. This study surveys Oscar-winning films, such as Fargo (1996) and No Country for Old Men (2007), as well as cult favorites, including O Brother, Where Art Thou? (2000) and The Big Lebowski (1998). Beginning with Blood Simple (1984), it examines major themes and generic constructs and offers diverse approaches to the Coens' enigmatic films. Pointing to the pulp fiction of Dashiell Hammett, James M. Cain, and Raymond Chandler, the study appreciates the postmodern aesthetics of the Coens' intertextual creativity.

Hard-Boiled Entertainments

The Cinema of the Coen Brothers

Eric Williams

Reconsideration of the phenomenon of narcissism in the works of a number of important German writers.

Jeffrey Adams

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