Jeffrey Spier

Davide Gasparotto

Anne T. Woollett

The first study devoted to classical art’s vital creative impact on the work of the Flemish painter Peter Paul Rubens. ﻿For the great Peter Paul Rubens (1577–1640), the classical past afforded lifelong creative stimulus and the camaraderie of humanist friends. A formidable scholar, Rubens ingeniously transmitted the physical ideals of ancient sculptors, visualized the spectacle of imperial occasions, rendered the intricacies of mythological tales, and delineated the character of gods and heroes in his drawings, paintings, and designs for tapestries. His passion for antiquity profoundly informed every aspect of his art and life. Including 170 color illustrations, this volume addresses the creative impact of Rubens’s remarkable knowledge of the art and literature of antiquity through the consideration of key themes. The book’s lively interpretive essays explore the formal and thematic relationships between ancient sources and Baroque expressions: the significance of neo-Stoic philosophy, the compositional and iconographic inspiration provided by exquisite carved gems, Rubens’s study of Roman marble sculpture, and his inventive translation of ancient sources into new subjects made vivid by his dynamic painting style. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Villa from November 10, 2021, to January 24, 2022.

Picturing Antiquity

Rubens

J. Paul Getty Museum

Ancient Gems and Finger Rings catalogues the J. Paul Getty Museum's comprehensive and important collection of Greek, Roman, Etruscan, and Near Eastern gems. Most of these objects have never before been published, making this catalogue essential for the scholar. The volume is fully and richly illustrated—each entry includes photographs of the gem and its impression as well as a profile drawing. Where pertinent, bibliographic references and comparative material are cited.

Catalogue of the Collection

Ancient Gems and Finger Rings

Timothy Potts

Sara E. Cole

A fascinating study of Persia’s interactions and exchanges of influence with ancient Greece and the Roman Empire. The founding of the first Persian Empire by the Achaemenid king Cyrus the Great in the sixth century BCE established one of the greatest world powers of antiquity. Extending from the borders of Greece to northern India, Persia was seen by the Greeks as a vastly wealthy and powerful rival and often as an existential threat. When the Macedonian king Alexander the Great finally conquered the Achaemenid Empire in 330 BCE, Greek culture spread throughout the Near East, but local dynasties—first the Parthian (247 BCE–224 CE) and then the Sasanian (224–651 CE)—reestablished themselves. The rise of the Roman Empire as a world power quickly brought it, too, into conflict with Persia, despite the common trade that flowed through their territories. Persia addresses the political, intellectual, religious, and artistic relations between Persia, Greece, and Rome from the seventh century BCE to the Arab conquest of 651 CE. Essays by international scholars trace interactions and exchanges of influence. With more than three hundred images, this richly illustrated volume features sculpture, jewelry, silver luxury vessels, coins, gems, and inscriptions that reflect the Persian ideology of empire and its impact throughout Persia’s own diverse lands and the Greek and Roman spheres. This volume is published to accompany a major international exhibition presented at the Getty Villa from April 6 to August 8, 2022.

Ancient Iran and the Classical World

Persia

Steven Fine

Kimbell Art Museum

Kimbell art museum (Fort Worth, Tex.).

Published on the occasion of the exhibition organized by the Kimbell Art Museum and shown there November 18, 2007 - March 30, 2008.

The Earliest Christian Art

Picturing the Bible

Christine Kondoleon

Dorothy H. Abramitis

Ariel Herrmann

Seán Hemingway

Carmelo Malacrino

Christopher S. Lightfoot

Joan R. Mertens

Olga Palagia

Agnes Schwarzmaier

Dominique Robcis

Andreas Scholl

Susan I. Rotroff

Lillian Bartlett Stoner

Karen Stamm

R. R. R. Smith

Alessandro Viscogliosi

Mark Wypyski

Ute Wartenberg

Paul Zanker

Kiki Karoglou

Sophie Descamps-Lequime

Marsha Hill

This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeological material to the circulation of artists and works of art throughout the Mediterranean and the influence of Hellenistic art and its legacy in the ancient Roman world. Among the topics discussed are aspects of royal self-presentation and important elements of iconography and style in coins, gems, mosaics, sculpture, vessels, and wall paintings, in mediums including bronze, faience, glass, marble, silver, and terracotta. Authored by a number of internationally renowned scholars, the essays in this volume highlight the holdings of the Metropolitan and markedly demonstrate the artistic innovations and technical mastery of Hellenistic artists, offering new insights into the vitality and complexity of Hellenistic art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

From Pergamon to Rome

Art of the Hellenistic Kingdoms

Jeffrey Spier

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