Jeffrey Weiss

Craig Weiss

Based on recently declassified documents and more than two hundred interviews, I Am My Brothers Keeper tells the story of the more than one thousand Americans and Canadians, Jews and non-Jews, who fought in Israels War of Independence. This is a story about men like Rudy Augarten (shown on the front cover), who interrupted his studies at Harvard to fly for Israel. This, despite the fact that Augarten had been shot down over occupied France during World War II, and survived sixty-three days behind enemy lines. Its about Chris Magee, a World War II ace and veteran of Pappy Boyingtons Black Sheep Squadron who felt the Jews deserved a homeland. And about American Indian Jesse Slade, who believed that fighting for Israel was the Christian thing to do. And Buzz Beurling, the legendary Falcon of Malta who sought to recapture the glory days of World War II. I Am My Brothers Keeper captures the powerful story of those Jews and Christians who stood up to be counted at a critical time in Jewish history. Only three years after the Holocaust, these volunteers helped establish the State of Israel. This story will forever change your understanding of the relationship between Americans and Israelis.

American Volunteers in Israel's War for Independence, 1947-1949

I Am My Brother's Keeper

"A guide to Spanish charcuteria, with recipes"--

The Soul of Spain

Charcutería

Whitney Davis

Anne Wheeler

Daniel Buren

"Published on the occasion of the exhibition On Kawara -- Silence. Organized by Jeffrey Weiss with Anne Wheeler, Solomon R. Guggenheim Museum, New York, February 6-May 3, 2015"--Colophon.

On Kawara - Silence

Whitney Museum of American Art

National Gallery of Art (U.S.)

Musée d'art moderne de la ville de Paris

John Gage

Catalogue of a retrospective exhibition of 115 paintings on canvas and on paper from virtually every period of the artist's career. Contains four essays on color, darkness, surface and space in Rothko's work by John Gage, Barbara Novak and Brian O'Doherty, Carol Mancusi-Ungaro, and Jeffrey Weiss. There is also a chronology by Jessica Stewart and interviews on Rothko's legacy between Jeffrey Weiss and Mark Rosenthal and five artists: Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and George Segal.

Mark Rothko

Jerry G. Blaivas

Michael Chancellor

Michael Verhaaren

By pairing the highest quality images with succinct text, this fully revised atlas explains methods of diagnosis, evaluation and treatment Detailing how to set up a urodynamic laboratory and discusses equipment and individual urodynamic techniques Illustrating neurologic conditions, looking at the special problems of pediatric and geriatric patients With unique, carefully reproduced urodynamic tracings and scans show you what to expect in the lab The highly regarded author team is led by Dr. Jerry Blaivas, a recognized expert in the field who received the Lifetime Achievement Award from the Society for Urodynamics and Female Urology.

Atlas of Urodynamics

In making light his primary medium, Dan Flavin (1933-1996) established himself as one of the most innovative and significant artists of the minimalist movement. A new generation encountered Flavin’s work through the critically acclaimed exhibition Dan Flavin: A Retrospective, which opened in October 2004 at the National Gallery of Art, Washington. Dan Flavin: New Light includes essays that respond to this exhibition and to the renewed interest in Flavin’s work and its place in 20th-century art. In this volume, six leading scholars of contemporary art consider the ambiguities and multiple resonances of Flavin’s light works. Each addresses the ontological complexity of the work--object-based, yet "situational,” and painterly in its deployment of colored light--within the insistently sculptural world of minimalism. The book’s contributors interpret this tension by exploring Flavin’s early assemblages, the relationship of drawing to his installation practice, the specificity of his materials and their operation in actual space, and the openly ambivalent place of Flavin’s work within the history of late modernism. Also available from Yale University Press: DAN FLAVIN: A RETROSPECTIVE (ISBN 0-300-10632-7) DAN FLAVIN: THE COMPLETE LIGHTS (ISBN 0-300-10633-5)

New Light

Dan Flavin

"This is a systematic catalogue of work by Robert Morris from the crucial early period of his career. It concerns some one-hundred "object sculptures" that dating between 1960 and 1965: plaques, containers, and assisted or simulated readymades of wood, Sculpmetal, and lead. These objects were produced concurrently with a series of large, blank constructed forms in gray-painted plywood - canonical works of Minimal art. Here, the smaller sculptures are addressed for the first time as an overall body of work. The present study departs from past literature, where scholarly attention is repeatedly paid to the same handful of selected objects. The catalogue and text seek to map the internal logic of the object sculptures: to acknowledge that they represent part of a complex, integral practice. Without displacing the foundational significance of certain sculptures to the emergence of Conceptualism, this treatment directs new attention to the material fabrication of the works. By extension, it examines the significance of "process" as it pertains both to the making of the sculptures themselves and, through iconography, to the body. The factor of process is one with which the artist specifically identified the significance of the object sculptures - which he referred to as "process type objects". Fabrication and medium thus join more established elements, such as language, systems of measurement, and time, as the work's chief concerns. The key significance to Morris of the work of Marcel Duchamp is also recast inthis context. Produced with the cooperation of the artist, this catalogue contains much new information, and includes a substantial interview in which Morris reflects on the circumstances and significance of the work from the vantage of the present"--

Object Sculpture, 1960-1965

Robert Morris

Published in conjunction with a major retrospective exhibition of Rothko's work that opened at the National Gallery of Art, Washington, D.C., 3 May-16 Aug. 1998; Whitney Museum of American Art, New York, 10 Sept.-29 Nov. 1998; Musee d'art moderne de la ville de Paris, 8 Jan.-18 April. 1999.

Jeffrey Weiss

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