Jen Silverman

'Witty...Earnest...Laugh-out-loud...Pitch-perfect' New York Times In the pursuit of fame, how do you know when you've gone too far? When Cass - a thirty-something, promising, queer playwright - receives a prestigious award, it seems as though her career is finally taking off. That is until she finds herself at the centre of a searing public shaming, which relegates her from rising star in New York to a nobody on her best friend's sofa in L.A. As she comes to terms with the extent of her failure, she is forced to question who she is without the thing that has always defined her: her art. So she fills the days by stalking her playwright nemesis, of whom she is excruciatingly envious, and getting pulled into the orbit of the charismatic but manipulative filmmaker next door. As Cass becomes increasingly involved with her neighbour and the group of pugilistic teenage girls she's documenting, Cass begins to dream of a comeback. But when the film spins dangerously out of control, Cass is once again forced to reckon with her ambition, and her rage. We Play Ourselves is a darkly funny novel about the cost of making art, and the art of making enemies. 'Funny, sharp, modern - this is an excellent debut novel. Its bold, edgy, strange heroine has adventures and misadventures, screws up again and again, but somehow won my love. I couldn't put this book down.' Weike Wang, PEN/Hemingway-award winning author of Chemistry

We Play Ourselves

A Novel

A woman is pulled into a love affair with a radical activist, unknowingly echoing her family's dangerous past and risking the foundations of her future in this electrifying novel. The course of your life can change with one split-second decision. Minnow has always tried to lead the life her single father modeled—private, quiet, hardworking, apolitical. So she is rocked when an instinctive decision to help a student makes her the extremely public face of a scandal in the small town where she teaches. As tensions rise, vandalism and death threats follow, and an overwhelmed Minnow flees to a teaching position in Paris. There, Minnow falls into an exhilarating and all-consuming relationship with Charles, a young Frenchman whose activism has placed him at odds with his powerful family. As Minnow is pulled into the daring protest Charles and his friends are planning, she unknowingly draws close to repeating a secret tragedy from her family's past. For her father wasn’t always the restrained, conservative man he appears today. There are things he has taken great pains to bury from his family and from the world. In 1968, Keen is avoiding the Vietnam draft by pursuing a PhD at Harvard. He lives his life in the basement chemistry lab, studiously avoiding the news. But when he unexpectedly falls in love with Olya, a fiery community organizer, he is consumed by her world and loses sight of his own. Learning that his deferment has ended and he’s been drafted, Keen agrees to participate in the latest action that Olya is organizing—one with more dangerous and far-reaching consequences than he could have imagined. Minnow’s and Keen's intertwining stories take us through the turmoil of the late sixties student movements and into the chaos of the modern world. Exploding with suspense, heart, and intelligence, There's Going to Be Trouble is a story about revolution, legacy, passionate love, and how we live with the consequences of our darkest secrets.

There's Going to Be Trouble

For readers of Miranda July, Rebecca Lee, and Mary Gaitskill, a debut short-story collection that is a mesmerizing blend of wit, transgression, and heart. LONGLISTED FOR THE PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT FICTION A passive-aggressive couple in the midst of a divorce compete over whose new fling is more exotic. A Russian migrant in Tokyo agonizes over the money her lover accepts from a yakuza. A dead body on a drug dealer’s floor leads to the strangest first date ever. In this razor-sharp debut collection, Jen Silverman delivers eleven interconnected stories that take place in expat bars, artist colonies, train stations, and matchbox apartments in the United States and Japan. Unforgettable characters crisscross through these transient spaces, loving, hurting, and leaving each other as they experience the loneliness and dangerous freedom that comes with being an outsider. In “Maria of the Grapes,” a pair of damaged runaways get lost in the seductive underworld beneath Tokyo’s clean streets; in “Pretoria,” a South African expatriate longs for the chaos of her homeland as she contemplates a marriage proposal; in “Girl Canadian Shipwreck,” a young woman in Brooklyn seeks permission to flee from her boyfriend and his terrible performance art; in “Maureen,” an aspiring writer realizes that her beautiful, neurotic boss is lonelier than she lets on. The Island Dwellers ranges near and far in its exploration of solitude and reinvention, identity and sexuality, family and home. Jen Silverman is the rare talent who can evoke the landscape of a whole life in a single subtle phrase—vital, human truths that you may find yourself using as a map to your own heart. Praise for The Island Dwellers “These stories, in any case, are irresistible, delivering a portrait of contemporary relationships that . . . is shot through with veins of real connection.”—The New York Times Book Review “The eleven stories that make up this collection are raw, intense in their longing, and tender in the most unexpected ways.”—Lambda Literary “Silverman’s disarming and unconventional characters are all searching for a connection with others. Some are battling loneliness or the fear of being alone but they’re all blessed with quick wits and warmth. This is an outstanding short story debut.”—Shelf Awareness

Stories

The Island Dwellers

Jen Silverman boldly transforms this classic play by Jacobean playwrights William Rowley, Thomas Dekker and John Ford, using a contemporary lens to make the machinations of the distant past strikingly relevant to today.

Witch

Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility.

The Moors

Three Plays

Bath

We Play Ourselves 

In Collective Rage, the lives of five very different New York women named Betty collide at the intersection of anger, sex and “theat-ah.” As they meet, fall in love, rehearse, revel and rage, they realise that they've been stuck reading the same scripts for far too long. They all come from different backgrounds, and are bored or angry about different things, but the Betty's - each one numbered 1-5 - come together to rehearse a new version of Pyramus and Thisbe, the play within a play in A Midsummer Night's Dream. What follows are discoveries, transformations and raucous comedy. Hitting the ring with an electrifying soundtrack, looks to kill and spectacular routines, this outrageous comedy packs the punch to shatter lacquered femininity into a thousand glittering pieces. Strongly influenced by cabaret and female drag, this exquisite rejection of shame and stereotype will punch you in the gut, break your heart and then take you dancing. Collective Rage had its UK premiere at the Southwark Playhouse.

Collective Rage: A Play in Five Betties

In this darkly comic exploration of loss, intimacy, and motherhood, three women are joined by a baby who never lived. Morgan, in her middle years, is the grieving mother of a stillborn child. Elena, the failed midwife, burdened by guilt, is considering a career change. Dolores, eighteen, is pregnant with a baby she does not want. Meanwhile, Constantinople, the child who wasn’t meant to be, wanders lost in search of his mother, trying to make sense of the world while making an unlikely appearance in each woman’s personal drama. Poignant, lyrical, ingeniously absurd, and outrageously funny, Jen Silverman’s Still is a brave and remarkable exploration of grief and family. It is the seventh winner of the DC Horn Foundation/Yale Drama Series Prize, selected this year by Marsha Norman, the Pulitzer Prize–winning author of Getting Out; ’night, Mother; and other acclaimed theatrical works.

Still

Magne van den Berg

Marine Bachelot Nguyen

Dani Boudreault

Ebru Celkan

Olga Dimitrijevic

Marie Henry

Amahl Khouri

Milja Sarkola

Internationale queere Dramatik

Surf durch undefiniertes Gelände

Three plays about transformation, intimacy and power from award-winning American Playwright Jen Silverman. Contains the plays The Roommate; The Moors and Collective Rage: A Play in 5 Betties. Collective Rage: A Play in 5 Betties - Five different women named Betty collide at the intersection of anger, sex, and the “thea-tah”, falling in love in unexpected ways. The Moors - Two sisters and a dog living on the bleak English moors, and dreaming of love and power, are surprised by a sudden arrival. The Moors is a dark comedy about love, desperation, and visibility. In The Roommate a middle-aged housewife makes a new friend with a big secret. A dark comedy about what it takes to re-route your life - and what happens when the wheels come off.

The Roommate; The Moors; Collective Rage: A Play in 5 Betties.

Jen Silverman: Three Plays

Sharon, in her mid-fifties, is recently divorced and needs a roommate to share her Iowa home. Robyn, also in her mid-fifties, needs a place to hide and a chance to start over. But as Sharon begins to uncover Robyn's secrets, they encourage her own deep-seated desire to transform her life completely. A dark comedy about what it takes to re-route your life - and what happens when the wheels come off.

Jen Silverman

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