Terezita Romo

Jennifer A. González

C. Ondine Chavoya

Chon Noriega

This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor

A Critical Anthology

Chicano and Chicana Art

Maurice Berger

Fred Wilson

Center for Art, Design, and Visual Culture (Baltimore, Md.)

Edited by John Alan Farmer and Antonia Gardner. Essays by Maurice Berger, Jennifer Gonzalez.

Objects and Installations 1979-2000

Anna Lowenhaupt Tsing

Bregje van Eekelen

Bettina Stötzer

If you don’t know what to say about global war, you need a dictionary. Shock and Awe: War on Words is just that: a keywords book that participates in a battle over the imagination, acknowledging the force of words, concepts, and images in framing our everyday lives. Located in the borderlands between scholarship and public culture, it re-appropriates our vocabularies by exploring the political trajectories of world-making words, projects, and images. You hear yourself use the word terrorism, and uncannily find yourself participating in its life, its proliferation, its reality. Willy-nilly you’ve become a participant in a world-making project of anxiety and antagonism. While it is impossible to completely give up on terms like peace, family, and security, to use them is to become a stranger in one’s own world. Yet how can we envision an alternative if our very imagination, the very definition of “the social” and the shape of “the political” are under attack? Rather than being merely shocked and awed, a group of more than seventy scholars, artists and public intellectuals put their writings on the line. They present fragile genealogies, situated vocabularies, visual provocations and poetry. Tearing apart powerful representations or reclaiming them from being instruments of discipline, exclusion and imperialism, these short interventions populate, recapture, and enliven our sense of the political. The project concludes that there is hope for the most overused words, and life for the most neutral-sounding concepts, such as: America (as imagined from elsewhere), anti-terror legislation, barbarian, chicken, civilization, consumer, democracy, economic recovery, exit, family of patriots, fear, fences, homeland, iRaq, Islamic Feminism, lip, military-industrial complex, nomads, patriot, peace, pirate, race, security, speech, streamline, them, time, us, we, words.

War on Words

Shock and Awe

Jennifer A. González

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